Here are 100 books that The Wild Goose and the Eagle fans have personally recommended if you like
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I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
More than one in four Germans served during the Second World War, but only one in ten of these volunteered.
In the eight decades since that conflict, the history of this staggering mobilization has been rewritten several times but remains controversial, particularly as more recent research is revealing the scale and complexity of the German military’s involvement in the genocidal policies of the Nazi regime.
Ben Shepherd offers a balanced and finely nuanced account of the German armed forces, their organization, culture, and conduct of total war, noting the importance of context, whilst indicating that the postwar distinction between ‘good German soldiers’ and ‘bad Nazis’ is a myth.
A penetrating study of the German army's military campaigns, relations with the Nazi regime, and complicity in Nazi crimes across occupied Europe
For decades after 1945, it was generally believed that the German army, professional and morally decent, had largely stood apart from the SS, Gestapo, and other corps of the Nazi machine. Ben Shepherd draws on a wealth of primary sources and recent scholarship to convey a much darker, more complex picture. For the first time, the German army is examined throughout the Second World War, across all combat theaters and occupied regions, and from multiple perspectives: its battle…
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
Addressing his troops prior to their departure for China in 1900, Kaiser Wilhelm urged them to behave like the Huns and give no quarter to the Chinese accused of murdering the German ambassador during the Boxer Rebellion.
Four years later, German troops mercilessly drove the Herero and Nama people of what is now Namibia into the desert to die, while their comrades in what is now Tanzania fought a vicious war to suppress another colonial revolt. These events have recently returned to broader consciousness as the victims’ descendants demand reparations.
Without minimizing the violence, Kuss shows how it was rooted in specific situations and that there was no simple, inevitable line ‘from Windhoek to Auschwitz’.
Germany fought three major colonial wars from 1900 to 1908: the Boxer War in China, the Herero and Nama War in Southwest Africa, and the Maji Maji War in East Africa. Recently, historians have emphasized the role of German military culture in shaping the horrific violence of these conflicts, tracing a line from German atrocities in the colonial sphere to those committed by the Nazis during World War II. Susanne Kuss dismantles such claims in a close examination of Germany's early twentieth-century colonial experience. Despite acts of unquestionable brutality committed by the Kaiser's soldiers, she finds no direct path from…
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
After 1918, many German and Austrian Habsburg officers blamed their defeat on being ‘stabbed in the back’ by civilian ‘shirkers’, leftists, and (in the Habsburg case) fractious nationalists.
Both states indeed failed to manage their home fronts but, as Alexander Watson shows in his compelling account of this titanic conflict, there were far more complex reasons for the war’s outcome, not least the willingness of the high command in both states to embark on a conflict they had no realistic chance of winning.
Winner of the 2014 Wolfson History Prize, the 2014 Guggenheim-Lehrman Prize in Military History, the Society for Military History's 2015 Distinguished Book Award and the 2015 British Army Military Book of the Year
For the empires of Germany and Austria-Hungary the Great War - which had begun with such high hopes for a fast, dramatic outcome - rapidly degenerated as invasions of both France and Serbia ended in catastrophe. For four years the fighting now turned into a siege on a quite monstrous scale. Europe became the focus of fighting of a…
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.
The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.
Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events.
At its core, Coping with Life during the Thirty Years' War (1618-1648) explores how people tried to survive the Thirty Years' War, on what resources they drew, and how they attempted to make sense of it. A rich tapestry of stories brings to light contemporaries' trauma as well as women and men's unrelenting initiatives to stem the war's negative consequences. Through these close-ups, Sigrun Haude shows that experiences during the Thirty Years' War were much more diverse and often more perplexing than a straightforward story line of violence and destruction can capture. Life during the Thirty Years' War was not…
Bertrand Russell wrote that: “Mathematics, rightly viewed, possesses not only truth, but supreme beauty – a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show.” I agree. Math is, however, a human thing, all tangled up with the nature of human personality and the history of our civilizations. Well-written biographies of great mathematicians put that “stern perfection” in a proper human context.
Gödel (1906-1978) is, like Newton, an unpromising subject for biography. He was antisocial and mentally unstable. His obsessive fear of being poisoned led eventually to him starving himself to death.
Rebecca Goldstein is a professor of philosophy with a deep interest in logic and the foundations of mathematical truth – the applecart that Gödel overturned in 1931 with his tremendous paper on the incompleteness of axiomatic systems. She is also an experienced novelist. This combination makes her just the right person to construct a gripping story out of Gödel’s weirdness and world-shaking importance.
Probing the life and work of Kurt Goedel, Incompleteness indelibly portrays the tortured genius whose vision rocked the stability of mathematical reasoning-and brought him to the edge of madness.
I'm a Dutch author and lawyer specialized in international criminal law. My expertise is the role of women leaders in times of conflict, crisis, and change – especially during war and in post-conflict societies. Women are traditionally portrayed as victims, while it is precisely women who show genuine leadership skills in times of conflict, crisis, and change. I've done research on women’s armed resistance in the Netherlands in WWII, and am an expert on the lives and resistance work of Hannie Shaft and the sisters Truus and Freddie Oversteegen. In addition, I've done research in the former Yugoslavia and Rwanda and saw the same patterns in these conflicts and the impact on the generations after.
A remarkable novel about Truus Wijsmuller, a very brave woman in the Netherlands, resisting the Nazis by smuggling Jewish children out of Nazi Germany to the nations that will take them. A very moving and true story. The role of women in the resistance movement in the Netherlands has been neglected or underrepresented for way too long, so this story helps to shed light on the active resistance women carried out in WWII. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on.
The New York Times bestselling author of Beautiful Exiles conjures her best novel yet, a pre-World War II-era story with the emotional resonance of Orphan Train and All the Light We Cannot See, centering on the Kindertransports that carried thousands of children out of Nazi-occupied Europe-and one brave woman who helped them escape to safety.
In 1936, the Nazi are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from…
I’m an Australian author and artist who is quite cautious and introverted by nature, but very curious and playful at heart. I make books that help people untangle what’s on their mind today and shift their thinking in creative ways, often using visual metaphors. My latest book, Guidebook to the Unknown, was created during the long lockdowns we had in Melbourne (and all over the world of course) during the pandemic. It was my way of exploring how to calm an anxious mind and find meaning in my daily life, right here and now, without knowing what tomorrow will bring.
This story has stayed with me for years. A woman takes a holiday in the Austrian mountains and wakes up to an inexplicable new reality—she’s totally alone in the world, so it seems, and has to learn to fend for herself. We journey into the unknown with her as she reports on the mental and physical challenges of her new daily life… and it stirs up so many interesting questions about who we are without connection and community, and where meaning can be found in the most stripped-back life.
“I can allow myself to write the truth; all the people for whom I have lied throughout my life are dead…” writes the heroine of Marlen Haushofer’s The Wall, a quite ordinary, unnamed middle-aged woman who awakens to find she is the last living human being. Surmising her solitude is the result of a too successful military experiment, she begins the terrifying work of not only survival, but self-renewal. The Wall is at once a simple and moving talk — of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the…
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
I love taking elements from memoirs and spinning them into historical fiction. But some memoirs are better than novels, and this is one of them. Trudi recounts her life as a chic young hat designer in Vienna in 1938 who falls in love with Walter, a charming businessman. But Trudi and Walter are Jewish, and their love story rapidly becomes a desperate bid for survival, as the Nazis annexe Austria. Trudi is a wonderful writer, and her story is a gripping read of love, escape, and hope.
An “instantly mesmerizing” (Oprah.com) and “valuable piece of social history” (Chicago Jewish Star)—the astonishing memoir of a “vivid, tenacious, and absolutely unforgettable” (Bookreporter.com) woman whose courage and resourcefulness kept her and her beloved safe after the Nazis invaded Austria.
Vienna, 1938: Trudi Kanter, stunning and charismatic, is a renowned hat designer for Europe’s most fashionable women when she falls in love with a handsome businessman. “We were young and the world was ours,” she writes. Then, in the blink of an eye, Hitler comes to power and Kanter’s world collapses. She and her family embark on an incredible journey across…
In my work as a news reporter and war correspondent, I met people on the worst day of their lives. I always wondered: What now? How will they get on with life? My own parents faced that dreadful dilemma. Penniless refugees, their families murdered in the Holocaust, unemployed in London, how on earth did they find the strength to carry on? One day at a time, they just did what they had to do. That is the subject of my fiction, always trying to answer that existential question: How do we live with trauma, and still find love and happiness?
A sensitive yet relentless story of his family’s failed assimilation that ends in its annihilation. Clare ends up in the UK, seeking meaning, in vain. His story so closely mirrors the real-life story of my own family, also Jewish refugees from Vienna who found refuge in the UK, that it sent a chill down my spine. Beautifully written and evocative. Clare concludes with Voltaire’s verdict: “History never repeats itself, man always does.”
On Saturday 26 February, 1938, seventeen-year-old Georg Klaar took his girlfriend Lisl to his first ball at the Konzerthaus. His family were proudly Austrian. They were also Jewish. Just two weeks later came the Anschluss. A family had been condemned to death by genocide.
This new edition of George Clare's incredibly affecting account of Nazi brutality towards the Jews includes a previously unpublished post-war letter from his Uncle to a friend who had escaped to Scotland. This moving epistle passes on the news of those who had survived and the many who had been arrested, deported, murdered or left to…
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Maybe the last of the great Viennese-born classical composers, Korngold enjoyed enormous success in Europe in the 1920s.
Invited to Hollywood in 1934, he began writing film music for the swashbucklers, costume dramas, and historical pageants of Warner Bros., often starring the likes of Errol Flynn, Olivia De Havilland, and Claude Rains: Captain Blood, The Adventures of Robin Hood, The Sea Hawk, Kings Row, and others.
Korngold thought of movies as "operas without singing" and wrote lavish, richly orchestrated scores filled with memorable melodies. Fleeing the Nazi tyranny in 1938, he became one of the greatest composers in the Golden Age of movies.
Carroll spent decades researching his life, it's a thorough and compelling read, and it saddens me that the book is now long out of print.
