Here are 100 books that The Wicked In Me fans have personally recommended if you like
The Wicked In Me.
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Writing a protagonist who can't talk out loud is quite a challenge. I talk constantly as I'm both an extrovert and a public speaker for my day job, but I have had several bouts of severe laryngitis and have been under severe no speaking orders from the doctor. People react differently when you can't talk. Nowadays, we all have a convenient mobile device on hand to help, but that isn't always the case in the fantasy books we read.
In Speechless in Achten Tan my main character Mila can't talk because magic took her voice. Her magic power is connected to her ability to speak, so she's pretty desperate to regain her ability to speak.
I picked up this book because I wanted to read another book about a witch who couldn't talk. Luckily, it's nothing like mine, phew.
Raina is a young woman who was born without the ability to speak. She lives in a country where magical ability is commonplace and marked on their skin. To substitute her lack of voice she communicates with sign language and can also weave spells that way. I didn't sense that Raina's lack of voice held her back very much. I think she had more trouble with jumping to conclusions and being too stubborn for her own good.
This was a great adventure with breakneck pace and some really high stakes.
Every harvest moon, the Witch Collector rides into our valley and leads one of us to the home of the immortal Frost King, to remain forever.
Today is that day—Collecting Day.
But he will not come for me. I, Raina Bloodgood, have lived in this village for twenty-four years, and for all that time he has passed me by.
His mistake.
Raina Bloodgood has one desire: kill the Frost King and the Witch Collector who stole her sister. On Collecting Day, she means to exact murderous revenge, but a more sinister threat sets fire to her world. Rising from the…
Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
I read the Canadian printing of this book, but hopefully the publishers won’t be changing too much for the American printing.
Like the heroine in The Wizard of Oz (and I’m assuming the title is a nod to that classic line, “There’s no place like home.”), Lan is whisked away by a mysterious wind, but I really like the fact that she discovers she has called for the wind herself. I also love that the wind takes her into the novel she’s reading (I’m sure you can see a theme here with one of my other picks!) and that she can then change the story’s outcome.
Sweeping in scope and timeless in tone, No Place like Home is a middle-grade portal fantasy unlike any other
Lan, a teenager who recently came to Canada from Vietnam, spends every day searching for a sense of belonging. Books are the only things that make her feel at ease. But it comes as a shock when a mysterious wind whisks her right into the pages of her latest fantasy read. More shocking still is the fact that she herself summoned this wind!
Plunged into the magical world of Silva, Lan realizes she has much to offer protagonists Annabelle and Marlow.…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
I regard Canadian Prime Minister Justin Trudeau as the embodiment of an empty progressive politics that is far more concerned with style over substance.
Martin Lukacs does a great job in The Trudeau Formula of outlining how Trudeau’s combination of soaring rhetoric and tepid reform on issues like economic inequality, Indigenous reconciliation, and the climate crisis works to stave off the more systemic changes needed to address these concerns in a substantive way.
Lukacs aptly demonstrates how Trudeau serves to uphold the status quo while presenting himself as an agent of transformative change.
"The book is not a biography of Justin Trudeau, nor is it a treatment of the minutiae and manoeuvres of party politics. It is an investigation into how the Liberal government governs in the shadow of a silent, multi-decade corporate coup in Ottawa that dares not speak its name. It tells the hidden history of how the Liberal party has served as the most effective vehicle for implementing deeply unpopular neoliberal policies--and how Justin Trudeau continues this agenda today."--
I love feeling scared in a controlled situation—like on my couch with a soft blanket and a book—so horror thrillers are my jam. I absolutely love it when a female protagonist is so smart and courageous that I genuinely don’t know what I would do differently. This gives me someone to truly root for. Over time, I’ve discovered all the ways scary books help me manage my anxiety. Reading about all my worst fears but knowing I can set the book down if I need to is empowering. (Spoiler alert: I never set the book down.)
I instantly fell in love with this book's MC, Rowena. She’s just so stinking relatable, and when her world starts to spiral into a dark hell, a la Black Mirror, she has to decide who she is going to believe in order to save herself and her baby girl.
The whole time I read this one, I wondered what I would do. Who would I believe if I were her? I love that feeling of being suspended in dread and the unknown as I read a thriller. This one delivered that for me.
"The best thriller of the year! This book absolutely left me aghast." —Netgalley reviewer ⭐⭐⭐⭐⭐
A new marriage. A perfect home. A machine that says it's all a lie.
Rowena Snyder has the life she's always wanted. So why is everything falling apart?
Moving to the suburbs was supposed to be easy. Instead, Rowena struggles with panic attacks, a husband who wants her on medication, and the isolation of new motherhood. Then a suspicious house fire at her baby’s birthday party threatens to send her over the edge.
When Rowena's husband brings home a product in beta testing at his…
Drew Hayden Taylor is an award-winning playwright, novelist, journalist, and filmmaker. Born and raised on the Curve Lake First Nation in Ontario (Anishnawbe), Drew has had over a hundred productions of his plays and enjoys spreading the gospel of Indigenous literature across the world.
An amazing play about an amazing man, artist Norval Morrisseau. Surreal and yet very real, the play deals with three very important periods in this groundbreaking artist's life as he created a whole genre of Canadian art. The audience is given a window into the man's highs and lows, and how in the end, he became rose above it all and became a legend.
Copper Thunderbird is a play on canvases based on the life of Norval Morrisseau. Inside the power-lines which Morrisseau boldly defined in his art were the colours he experienced between his Ojibwa cosmology, his life on the street, and his spiritual and philosophical transformations to become the Father of Contemporary Native Art and a Grand Shaman. Appearing simultaneously in this multi-layered drama as a small boy, a young warrior and an old man, Morrisseau confronts his many selves over the Faustian destiny he encountered during his vision quest—a momentary terror that led to a life wracked by both triumph and…
I’m a Canadian psychotherapist who worked as a social worker for nearly a decade before going into private practice for the next two decades. I dabble in history and literature and when I find a Canadian book that combines elements of social justice, historical wrongs, heart-wrenching human experience, feminism, and Canadian wilderness I want to share it with everyone. As a bonus, if one of the characters happens to be a young person who is coming of age, the book will earn a very top position on my bookshelf. I hope you enjoy this small list of what I consider hidden gems by Canadian authors.
The full title of this memoir by Cea Sunrise Person is North of Normal: A Memoir of My Wilderness Childhood, My Counter Culture Family, and How I Survived Both, which basically sums up this fascinating and wild ride through Cea’s unconventional upbringing in a pot-smoking, free-loving, clothing-optional, canvas tipi-sleeping, non-conforming family in the Canadian wilderness. Gaining this unique view into the psychology and emotional fallout of the eccentric family lifestyle was shocking, heart-breaking, and inspirational all at once. You will never read another book quite like it.
Sex, drugs, and . . . bug stew? In the vein of The Glass Castle and Wild, Cea Sunrise Person’s compelling memoir of a childhood spent with her dysfunctional counter-culture family in the Canadian wilderness—a searing story of physical, emotional, and psychological survival.
In the late 1960s, riding the crest of the counterculture movement, Cea’s family left a comfortable existence in California to live off the land in the Canadian wilderness. But unlike most commune dwellers of the time, the Persons weren’t trying to build a new society—they wanted to escape civilization altogether. Led by Cea’s grandfather Dick, they lived…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.
This book, which was written when serious questions were being asked about Canadian immigration, is a gold mine of information on this delicate and emotional subject. The research is both extensive and meticulous. Moreover, the author does not just cite and explain facts about events and circumstances, she also provides clues as to what she feels constitutes an immigration policy.
Remarkable changes have taken place in Canadian immigration policy, law, and management since this book was first published. A long-awaited new Immigration Act was passed in 1976 and became law in 1978. This marked the beginning of a new, more liberal, and more co-operative era in Canadian immigration. The new Act established clear national objectives in immigration and refugee policy. The new edition of Canada and Immigration takes into account these major changes in Canadian attitudes and policies toward immigration. The author discusses what these changes have meant for Canada, considering the new laws, closer federal-provincial collaboration, more confident and…
As a kid, I didn’t identify with the gender I was assigned at birth. Even without the language to describe who I really was, I was always on the lookout for stories about other people who felt like I did—for stories, in other words, like the ones on this list. But I never found them. As the books below beautifully illustrate, the spectrum of transgender experience, and our childhoods in particular, are so rich and diverse. My hope is for these and other books like Cactus Country to encourage more trans and queer people to tell their stories so that kids like us can find characters that represent them.
Elliot Page’s book is an engaging, worthwhile celebrity memoir. As a longtime fan of Page’s film performances and a trans person myself, I was so inspired by his public coming out and transition.
In his book, Page took me behind the scenes for an exclusive look at the unglamourous sides of Hollywood stardom—especially the ways the industry has historically been harmful to trans actors, many of whom, like Page, were encouraged to stay in the closet. I also appreciated that Page, as a celebrity, wrote the book himself without the help of ghostwriters.
Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.
'Can I kiss you?' It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. The…
As a kid, I always wanted to be a Secret Service agent. As an adult, I became one. The job introduced me to the classified and shadowy world of national security. I traveled the globe, working in places I'd only read about in novels and meeting people who seemed like well-written characters from a book. When I was assigned as a liaison agent to the Joint Terrorism Task Force, I attended numerous FBI and CIA schools—even the facility known as The Farm. But through it all, I read! When I retired and had time to think about what I did, I figured I'd try writing.
For me, Argo is one of those rare finds in spy books. It is a book about an actual intelligence operation that went as planned, written by a living CIA intelligence officer who took part in it.
One of the hallmarks of intelligence operations is making the enemy believe what you want them to think. Misinformation and disinformation comprise a large part of the work, but sometimes, it all comes down to good old-fashioned deception. That's what makes Argo work.
And, hey, any book good enough to be made into a movie that wins an Oscar for Best Picture is worth my time.
Argo by Antonio Mendez and Matt Baglio - the declassified CIA story behind the Oscar-winning film
WINNER OF 'BEST PICTURE' AT THE ACADEMY AWARDS, THE BAFTAS AND THE GOLDEN GLOBES
Tehran, November 1979. Militant students stormed the American embassy and held sixty Americans captive for a gruelling 444 days. But until now the CIA has never revealed the twist to the Iran Hostage Crisis: six Americans escaped.
The escape plot was run by Antonio Mendez, head of the CIA's extraction team and a master of disguise. Mendez came up with an idea so daring and potentially foolish that it seemed…
