Here are 100 books that The Wave fans have personally recommended if you like
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I had been a long-time screenwriter in March of 2003 when the US invaded Iraq with overwhelming air power, and the TV news showed footage of the “shock and awe.” But I remember thinking, what is it like for the Iraqi people? Suddenly, in the blink of an eye, your country is at war. What is your life now like? Seeking to focus on an ordinary Iraqi family caught up in the war, I soon realized it was too layered for a spec screenplay and wrote it as a novel. It was the most rewarding experience I’ve ever had.
Set in Holland during WWII, this autobiography gives an up close and personal look at life in a German concentration camp.
The vivid descriptions of the horrid living conditions and prevailing illnesses made me feel like I was there. Most memorable was the discussion of the flea-infested straw bedding and the notion of being thankful for the fleas. The author and her sister were devout Christians, but why be thankful for fleas? However, the guards left the women alone because of the fleas.
I will also always remember how the author was given a small bottle of liquid vitamin D and how she never hesitated to share it with the sick, yet it never ran dry. She makes it clear this was God’s work.
It's World War II. Darkness has fallen over Europe as the Nazis spread hatred, fear and war across the globe. But on a quiet city corner in the Netherlands, one woman fights against the darkness.
In her quiet watchmaking shop, she and her family risk their lives to hide Jews, and others hunted by the Nazis, in a secret room, a "hiding place" that they built in the old building.
One day, however, Corrie and her family are betrayed. They're captured and sent to the notorious Nazi concentration camps to die. Yet even…
As a child, I read stories of courageous women and men who risked their lives for their faith, for their freedom, or for the freedom of others. Many of these stories were dark and brutal. History taught me that governments are capable of atrocities that defy understanding. Fiction stories led me to envision dark futures. But I do not enjoy stories that discourage or depress. Instead, I believe stories should display hope, faithfulness, and sacrifice. I admire the heroes of our history and I seek fiction that speaks these same truths. We need stories that inspire us to stand up, to speak out against injustice, no matter the consequences.
In this short, but incredibly powerful book, Andrews asks questions every citizen should consider. The reader is confronted with questions about truth, freedom, and the price of apathy. This book transformed my understanding of oppression and why people allow it. It is a call to think, to seek truth, and to hold government leaders accountable. It can be read in about twenty minutes.
How do you get away with the murder of 11 million people? The answer is simple-and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders in this updated and expanded edition of the original New York Times bestselling book.
In this updated and expanded nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You'll be challenged to become a more careful student of the past,…
I read modern history as an undergraduate and then trained as a primary school teacher. Unsurprisingly, our classroom topics were often historical. My interest in the experiences of people, especially children, in Europe during WWII stems from the fact that my own father grew up in Germany and had numerous tales to tell. My first book was a recount of his wartime childhood. My father gave a copy of his book to his friend and neighbor who happened to be a Polish wartime veteran with his own remarkable stories to tell and this led to three years’ intensive historical research for his book.
Although there has been a great deal of debate about the authenticity of this account, I still enjoyed reading it and comparing it with the accounts told me by my own protagonist.
It is a heroic tale of survival that conveys much of the horror and desperation experienced by so many in wartime Europe, and the displacement and loss suffered by so many, but also the hope and determination to escape and defy all the odds. The parallels with the story my own protagonist told are uncanny.
"I hope The Long Walk will remain as a memorial to all those who live and die for freedom, and for all those who for many reasons could not speak for themselves."--Slavomir Rawicz
In 1941, the author and six other fellow prisoners escaped a Soviet labor camp in Yakutsk--a camp where enduring hunger, cold, untended wounds, untreated illnesses, and avoiding daily executions were everyday feats. Their march--over thousands of miles by foot--out of Siberia, through China, the Gobi Desert, Tibet, and over the Himalayas to British India is a remarkable statement about man's desire to be free.
I’m an avid reader turned author. I’m a Canadian YA Speculative Fiction author who takes books along as I hike, cycle, and go to the beach. I love audiobooks! In the years leading up to writing my first novel, I must have read over three hundred books. My favorites were Young Adult Fantasy and Science Fiction. When I ran out of happy, positive, and wholesome books, I started writing them. I feel like I'm often called back to my favorites, and hope more authors will jump on the happy train! Now that the world has literally turned into a Dystopian Society, perhaps more authors will start writing about hope and change.
In this society where people are matched with their jobs, but also with their future mates, arts and culture are carefully selected and limited by leadership. People take mandatory medications.
The most horrifying part, for me, is that they can no longer write without a keypad. Whatever they write on a computer is censured. Can you imagine better ways to control the population? Does it sound familiar?
Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander's face appears on-screen at her Matching ceremony, Cassia knows with complete certainty that he is her ideal mate . . . until she sees Ky Markham's face flash for an instant before the screen fades to black.
The Society tells her it's a glitch, a rare malfunction, and that she should focus on the happy life she's destined to lead with Xander. But Cassia can't stop thinking about Ky, and as they slowly fall in…
I’m a professional history nerd who is perennially interested in both sides of the history coin: What happened? How do we know? I’ve got a PhD in sixteenth-century European history, have written articles that cover things from antiquity to Vikings in America, and have written several history books about Australia and its region. I like history that is robust, so I’m always looking for books that make clever use of sources. And I love stories that disrupt preconceptions, so I enjoy researching and writing and reading histories that make you think.
Brilliantly executed, this stunning book provides a composite firsthand view of history’s darkest turn. Using a suite of interesting travellers in Hitler’s Germany this book perfectly captures the looming ominousness and increasing brutality of this infamous time and place. It also reveals a very human capacity to be misled, prejudiced, or uninterested. This is a book that will open your eyes to the past and make you think hard about the present.
This fascinating and shocking history of the rise of the Nazis draws together a multitude of expatriate voices - even Charles Lindbergh and Samuel Beckett - into a powerful narrative charting this extraordinary phenomenon.
Travelers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, fascists, artists, tourists, and even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler—one so palpable that the reader will…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
Jay Geller is a professor of history and Judaic studies and has published five books on the experience of the Jews in twentieth-century Germany. He has worked with secondary school teachers, religious communities, and museums to develop programs on the Holocaust, Nazism, and dangers of intolerance and radicalism. He is a graduate of Princeton University and Yale University.
It is important for Americans to understand why millions of Germans who were not violent antisemites and racists voted for the Nazis. Looking at the case of a typical German town, Allen shows that economics, culture wars, and fear for the future motivated middle-class Germans to vote for an extremist party – not because of its racism, but despite its racism.
BE SURE YOU ARE BUYING THE CORRECT BOOK. THE ISBN FOR THE NEWEST PAPERBACK EDITION OF THE NAZI SEIZURE OF POWER IS 978-1626548725. IT IS PUBLISHED BY ECHO POINT BOOKS & MEDIA.
William Sheridan Allen's research provides an intimate, comprehensive study of the mechanics of revolution and an analysis of the Nazi Party's subversion of democracy. Beginning at the end of the Weimar Republic, Allen examines the entire period of the Nazi Revolution within a single locality.
Tackling one of the 20th century's greatest dilemmas, Allen demonstrates how this dictatorship subtly surmounted democracy and how the Nazi seizure of power…
In The Ministry of Truth, I wanted to bring together two longstanding interests: dystopian fiction and the history of totalitarianism. Nineteen Eighty-Four is of course a landmark work in both categories. In trying to explain how and why Orwell came to write his masterpiece, and its subsequent influence on fiction and political thought, I read a huge range of books that wrestled with the horrors of Nazism and Stalinism and asked how they were able to hold sway, physically and mentally, over tens of millions of people. Many of them are gripping and valuable but these five in particular make for great companions to 1984.
The identity of “Murray Constantine” wasn’t uncovered until the 1980s, long after Burdekin’s death, but only a woman could have created such a persuasive patriarchal dystopia, half a century before The Handmaid’s Tale. Burdekin’s futuristic Nazi empire, a brutally misogynist quasi-religion, is dying slowly from within and an English airman named Alfred has been given explosive proof that Hitler was not in fact a Thor-like deity. Though the plot fizzles out, the ideas are extraordinarily ahead of their time.
Published in 1937, twelve years before Orwell's 1984, Swastika Night projects a totally male-controlled fascist world that has eliminated women as we know them. Women are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. The plot centers on a “misfit” who asks, “How could this have happened?”
Jay Geller is a professor of history and Judaic studies and has published five books on the experience of the Jews in twentieth-century Germany. He has worked with secondary school teachers, religious communities, and museums to develop programs on the Holocaust, Nazism, and dangers of intolerance and radicalism. He is a graduate of Princeton University and Yale University.
There are very few German novels about Nazi persecution written at the time it was taking place, but the Seventh Cross by Anna Seghers is among the very best. (Another is The Oppermanns by Lion Feuchtwanger, which shows the experience of a single, affluent German-Jewish family.) Seghers narrates the story of George Heisler, a communist who escapes from a concentration camp along with six other men. Can he reach freedom across the border before the manhunt catches up with him? Will anyone hide him or help him in a society wracked by fear, where friends no longer meet and strangers do not trust each other?
'At once a suspenseful manhunt story and a knowing portrait of the perils of ordinary life in Hitler's Germany, The Seventh Cross is not only an important novel, but an important historical document. This new, unabridged translation is a genuine publishing event' - Joseph Kanon, author of 'The Good German' and 'Leaving Berlin'
'A masterpiece. Written in the midst of terror, but with such clarity, such acuity; Seghers is a writer of rare insight' RACHEL SEIFFERT author of A Boy in Winter
Seven prisoners escape from Westhofen concentration camp. Seven crosses are erected in the grounds and the commandant vows…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
The ever-contentious debate about Heidegger’s filiations with Nazism was re-enlivened with the appearance of the so-called “Black Notebooks” in 2014.
However, unless one closely heeds the existential verbiage of Heidegger’s commitment to Nazism, one risks tilting at windmills; hence, succumbing to a plethora of misconceptions and misunderstandings.
This invaluable collection of original texts – which, in addition to Heidegger political speeches of 1933-34, contains the indispensable Der Spiegel interview, “Only a God Can Save Us!” – has taken on an entirely new meaning and importance in light of the “Black Notebooks’” publication.
This anthology is a significant contribution to the debate over the relevance of Martin Heidegger's Nazi ties to the interpretation and evaluation of his philosophical work. Included are a selection of basic documents by Heidegger, essays and letters by Heidegger's colleagues that offer contemporary context and testimony, and interpretive evaluations by Heidegger's heirs and critics in France and Germany.In his new introduction, "Note on a Missing Text," Richard Wolin uses the absence from this edition of an interview with Jacques Derrida as a springboard for examining questions about the nature of authorship and personal responsibility that are at the heart…
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