Here are 100 books that The Trudeau Formula fans have personally recommended if you like
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I have been a feminist for as long as I can remember. I recall seeing a billboard featuring Sophie Dahl sprawling on a sofa, completely naked. I recognized that I had no control over the images that dominate the visual landscape I inhabit, and I wanted to change this. These books might seem varied, but they all critique aspects of contemporary culture and offer ways to change things. In my academic writing and artwork, I examine these issues through a queer, feminist, and anti-capitalist lens, and these books offer a glimpse into the struggles that I think are important and the methods for change that I think could work.
To be honest, I could’ve picked any book by David Harvey–he writes about capitalism and how it affects people and the places we inhabit in a really accessible way. This brief introduction is a great way to get into his writing (a gateway book!). It is also a useful guide to thinking about contemporary issues with hope rather than despair.
Like the book by Ahmed, this one offers ideas for a socially just society, giving the reader solutions and not just problems. I think it is important when critiquing society to come up with tangible ways that we can move away from unequal systems to more equitable ones. This book makes change feel possible.
Neoliberalism - the doctrine that market exchange is an ethic in itself, capable of acting as a guide for all human action - has become dominant in both thought and practice throughout much of the world since 1970 or so. Its spread has depended upon a reconstitution of state powers such that privatization, finance, and market processes are emphasized. State interventions in the economy are minimized, while the obligations of the state to provide for the welfare of its citizens are diminished. David Harvey, author of 'The New Imperialism' and 'The Condition of Postmodernity', here tells the political-economic story of…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
Borders are far more than mere demarcations of territory, argues Canadian academic and activist Harsha Walia in a book I greatly appreciated for connecting seemingly disparate phenomena into a cohesive takedown of the modern state and its service of corporate power.
The conventional wisdom that corporate globalization eliminates national boundaries is only true, Walia explains, for an increasingly mobile global ruling class. For a global underclass of migrant labourers and asylum seekers, borders are increasingly entrenched, segregating newcomers as a source of cheap labour from the working class and fuelling the exploitation of both.
Walia describes how this segmentation undermines labour standards for all and fuels a xenophobic backlash against the depredations of global capitalism.
In Border and Rule, one of North America's foremost thinkers and immigrant rights organizers delivers an unflinching examination of migration as a pillar of global governance and gendered racial class formation.
Harsha Walia disrupts easy explanations for the migrant and refugee crises, instead showing them to be the inevitable outcomes of conquest, capitalist globalization, and climate change generating mass dispossession worldwide. Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace, immobilize, criminalize, exploit, and expel migrants and refugees. With her keen ability to connect the dots, Walia demonstrates how borders…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
Corey Robin takes the long view on the history of modern conservatism in this book. Outlining conservatism has constantly adapted in reaction to social progress since its inception in the wake of the French Revolution in the late-18th century, Robin identifies the goal of conservative politics as salvaging whatever it can of the old social order.
I found this book particularly useful in identifying how seemingly contradictory trends—such as a focus on reducing government spending while ramping up militarism abroad—can co-exist in conservative thought. This inherent flexibility reveals Donald Trump to be less an aberration than the next evolutionary phase for conservative politics.
Late in life, William F. Buckley made a confession to Corey Robin. Capitalism is "boring," said the founding father of the American right. "Devoting your life to it," as conservatives do, "is horrifying if only because it's so repetitious. It's like sex." With this unlikely conversation began Robin's decade-long foray into the conservative mind. What is conservatism, and what's truly at stake for its proponents? If capitalism bores them, what excites them?
Tracing conservatism back to its roots in the reaction against the French Revolution, Robin argues that the right is fundamentally inspired by a hostility to emancipating the lower…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
In this book, Pankaj Mishraj describes how the failures of secular modernity led to the rise of revanchist movements seeking to provide those left behind with a common sense of purpose.
I greatly appreciated the international scope of Mishraj’s analysis, with which he reveals how the growth of reactionary, theocratic, and xenophobic populist politics across the globe are manifestations of the same sense of malaise.
He convincingly argues that these tensions are as old as modernity itself. Rather than engaging strictly with the same old historical and sociological sources to make his case, the author refreshingly engages the poets and novelists of the era he describes.
'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times
'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco
'Urgent, profound and extraordinarily timely' John Banville
How can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of…
I’m a middle school science teacher, and many of my students are “readers,” the ones that constantly have their heads in books when they aren’t dragged away by classwork. I created this list because they remind me of what I enjoyed about reading when I was their age, the environment. Characters and plots were great, but I wanted a book to take me somewhere I’d never been. Whether it was the Klondike or soaring through clouds, I needed to believe it was real, someplace I might see for myself. Vivid descriptions that provide fuel for imagination make reading more dynamic.
Have you ever been cold, in your bones cold? That’s what I felt reading Athabasca. Growing up in northern Utah, I thought I knew cold. Then Alistair MacLean introduced me to a true, icy, desperate cold. The atmosphere is so much a part of this story, it’s like a character. I’ll admit, this book challenged me as a young reader. It tends to plod along at glacial pace until the last third of the book, but that end is feverishly spectacular. This book is the first I read by this author and I rapidly devoured all his other titles.
Reissue of the nail-biting tale of sabotage set in the desolate frozen wastes of two ice-bound oil fields, from the acclaimed master of action and suspense.
SABOTAGE!
THE VICTIMS Two of the most important oil-fields in the world - one in Canada, the other in Alaska.
THE SABOTEURS An unknown quantity - deadly and efficient. The oil flow could be interrupted in any one of thousands of places down the trans-Alaskan pipeline.
THE RESULT Catastrophe.
One man, Jim Brady, is called in to save the life-blood of the world as unerringly, the chosen targets fall at the hands of a…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
I just love the way she is so contemptuous of people telling false “stories”. Her writing falls between every genre imaginable, a collage of well-researched facts and the indelible list of the horrors of war. She makes lists as monuments to dead victims; she names names; she calls out nationalism and racism. Wry and ironic, she has composed a battle-hymn against the barbarity of the Yugoslav wars between 1991 and 2001. To my lasting regret, I missed meeting her in Melbourne not long before she died.
Tea Radan, the narrator of the novel Canzone di Guerra, reflects on her own past and in doing so, composes a forgotten mosaic of historical events that she wants to first tear apart and then reassemble with all the missing fragments. In front of the readers eyes, a collage of different genres takes place - from (pseudo) autobiography to documentary material and culinary recipes. With them, the author Dasa Drndic skillfully explores different perspectives on the issue of emigration, the unresolved history of the Second World War, while emphasizing the absurdity of politics of differences between neighboring nations. The narrator…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I loved this book because I loved the characters. Richards invested them with dignity even when they were flawed or endlessly frustrated by fate. They can go through life largely unnoticed except by their closest acquaintances and relatives. But they offer hope despite their failures and tragedies.
This was the first novel in Richards’ MiramichiTrilogy. It and the two subsequent novels, plus much of Richards’ later work, create a strong sense of the province of New Brunswick, even when the characters have a universal quality.
David Adams Richards’ Governor General’s Award-winning novel is a powerful tale of resignation and struggle, fierce loyalties and compassion. This book is the first in Richards’ acclaimed Miramichi trilogy. Set in a small mill town in northern New Brunswick, it draws us into the lives of a community of people who live there, including: Joe Walsh, isolated and strong in the face of a drinking problem; his wife, Rita, willing to believe the best about people; and their teenage daughter Adele, whose nature is rebellious and wise, and whose love for her father wars with her desire for independence. Richards’…
I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.
During the colonial period, women from Europe were shipped to Canada to marry military men, explorers, and fur traders. This story is about the Filles du Roi, sent by King Louis XIV of France, to populate the new colony.
In reading this story, I was given a taste of what life must have been like for these women who left a more modern society to marry a complete stranger and live in the rough, cold wilderness of 1660s Canada. They had to be strong if they were to adapt and survive, which many did not.
Transporting readers from cosmopolitan seventeenth-century Paris to the Canadian frontier, this vibrant debut tells of the struggle to survive in a brutal time and place. Laure Beausejour has been taken from her destitute family and raised in an infamous orphanage to be trained as a lace maker. Striking and willful, she dreams of becoming a seamstress and catching the eye of a nobleman. But after complaining about her living conditions, she is sent to Canada as a fille du roi, expected to marry a French farmer there. Laure is shocked by the primitive state of the colony and the mingling…
As a kid, I didn’t identify with the gender I was assigned at birth. Even without the language to describe who I really was, I was always on the lookout for stories about other people who felt like I did—for stories, in other words, like the ones on this list. But I never found them. As the books below beautifully illustrate, the spectrum of transgender experience, and our childhoods in particular, are so rich and diverse. My hope is for these and other books like Cactus Country to encourage more trans and queer people to tell their stories so that kids like us can find characters that represent them.
Elliot Page’s book is an engaging, worthwhile celebrity memoir. As a longtime fan of Page’s film performances and a trans person myself, I was so inspired by his public coming out and transition.
In his book, Page took me behind the scenes for an exclusive look at the unglamourous sides of Hollywood stardom—especially the ways the industry has historically been harmful to trans actors, many of whom, like Page, were encouraged to stay in the closet. I also appreciated that Page, as a celebrity, wrote the book himself without the help of ghostwriters.
Full of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.
'Can I kiss you?' It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. The…
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I loved this book because it grapples with some of the really tough topics that our people have to face.
The characters were relatable and dynamic. I think America and Canada need a wake-up call and an effort to reconcile with their historical treatment of Native people, especially with regard to residential boarding schools. People can only handle calls to justice when they relate to those who were treated unjustly.
In spite of the heavy topics, this book does that really well.
Named a "Best Novel of the Decade" by Literary Hub
Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother—and then his home itself.
Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to…
