Here are 100 books that The Terror of St. Trinian's and Other Drawings fans have personally recommended if you like
The Terror of St. Trinian's and Other Drawings.
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I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
This picture book is one of the only contemporary books for children that shows drinking for pleasure.
After a mouse gets eaten up by a wolf, he meets a duck that lives in “the belly of the beast.” The two become fast friends and live happily in the wolf’s stomach. Together they make soup, dance to records, and enjoy the finer things in life. When the wolf complains of a stomachache, the duck calls up a cure for him—advising that he eat a hunk of good chess, a flagon of wine, and some beeswax candles.
After the wolf does so, mouse and duck don top hats, tuxedo jackets, bow ties and sit down to feast, raising their glasses of wine to the health of the wolf. Ultimately, duck and mouse save the wolf’s life and in return he grants them their wish to return to their home in his stomach.…
They may have been swallowed, but they have no intention of being eaten... A new comedy from the unparalleled team of Mac Barnett and Jon Klassen.
"A subversive delight ... an unexpected, hilarious collaboration" Guardian
Early one morning a mouse met a wolf and was quickly gobbled up...
When a woeful mouse is swallowed up by a wolf, he quickly learns he is not alone: a duck has already set up digs and, boy, has that duck got it figured out! Turns out it's pretty nice inside the belly of the beast - there's delicious food, elegant table settings and,…
Ever since I was a child, I’ve been drawn to the creepy and kooky world of the Addams Family. I’ve watched every episode of the 1960s sitcom. I fell in love with the 90s films, and when the Netflix adaptation Wednesday aired, I streamed every episode immediately. I’ve written two books based on Wednesday and her family, and I have an upcoming cocktail book with recipes based on gothic literature. My love of horror books and my understanding of the Addams family led me to seek out the perfect list of Wednesday read-alikes.
What terrible tome would Morticia and Gomez have read to little Wednesday in order to ensure that she would have the most noxious nightmares? I believe they would’ve cracked open this gothic children’s classic, written and illustrated by the enigmatic Edward Gorey.
This book recites the alphabet, with each letter representing how a child died. Take, for instance, the representation of our second letter: “B is for Basil assaulted by bears.” What better way for a wicked whelp to learn her letters?
I both chuckled and winced while reading this book, especially with the paired black-and-white illustrations. It’s funny and deeply dark, which is, of course, the perfect mix for an Addams Family fan.
A new, small-format edition of one of Edward Gorey’s “dark masterpieces of surreal morality” (Vanity Fair): a witty, disquieting journey through the alphabet.
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
I love all of Lynda Barry’s comics, but It’s So Magic! is my favorite collection.
Barry’s adolescent heroines steal wine from parents and from synagogues; they drink the cheap stuff like Boones Farm Apple Wine, and concoctions of mixed hard liquor made from whatever they can find in their houses that give the reader a hangover just thinking about it.
Barry’s graphic narratives also include stories of sexual abuse that are visually overlaid with gross-out drinking humor that will make some laugh and others turn away. Through visual humor, she brings into view both drinking girls and knowledge about sexual assault often hidden from view.
Barry’s alternative lessons remain radical in this politically fraught time when neo-temperance advocates attempt to tie #MeToo to abstinence, once again trying to enforce the idea that girls and women are to blame if they drink too much alcohol.
Lynda Barry s Ernie Pook s Comeek... made the world look wild, ugly, joyful, and mysterious.' The New Yorker. Maybonne Mullen is 'riding on a bummer' according to her little sister, Marlys. As much as teenage Maybonne prays and tries she just can t connect to the magic of living. How can she when there s so much upheaval at home and school, not to mention the world at large? And yet Marlys always seems able to tap into it. In It s So Magic, the Mullen family dynamics are in flux. Uncle John makes a brief return to town…
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
This bookcomes in the form of a small baby board book. On the back of this parody of a board book, the author asks “Are you a parent? Are you thirsty? Too many of us allow our infant sons and daughters to lay about idly napping, drinking milk, and sometimes ‘turning over.’ Why not have them mix you a cocktail? Thanks, Baby!”
Each page includes a mixology template for different members of the family. I particularly like the first recipe- a martini for mama. Additionally, like educational shape recognition texts that purportedly teach babies to organize visual information, Brown inserts easily recognizable liquor brands, Bombay Sapphire distilled London dry gin and Martini dry vermouth.
That the martini is the mother’s drink tickles the viewer to question whether gin is mother’s helper or mother’s ruin. Brown’s tongue-in-cheek board book foregrounds alcohol as pleasure and a baby that brings ease rather…
Many people are parents, and many parents are thirsty. Yet too many parents allow their infant sons and daughters to lie about idly: napping, drinking milk, and whatnot. Why not put them to work? Observe how tots enjoy the shapes and colors, all the while learning how to mix a variety of basic cocktails. Thanks, Baby!
As the author of comedy cosy mystery novels, including a series set in an eccentric boarding school for girls, I’m always attracted by the notion of closed, clearly-defined worlds as colourful settings for stories of crimes and misdemeanours. Having worked for 13 years in a girls’ boarding school, where I loved being part of its lively and spirited community, I am very familiar with the quirks and foibles, as well as the practicalities, of boarding school life, and I really enjoy reading other people’s impressions and interpretations of boarding schools of all kinds.
Many people will be familiar with the two series of comedy films, one made in the 1960s and the other in the 2000s, and I highly recommend going back to the series of books that inspired the spirit of the films. Cartoonist Ronald Searle dreamed up this anarchic school and drew hilarious cartoons satirising head teachers, staff, and pupils. Another product of the mid-twentieth century, his wicked observational humour is still fresh and funny. Once you’ve enjoyed his iconic St Trinian’s cartoons, you’ll never see a girls’ boarding school in the same way again!
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about “camp.” During the ‘80s and ‘90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
Most of the best books about the Japanese American World War II experience are memoirs by those who actually lived through it, and this is one of the best.
Removed along with her family from Berkeley, California and confined at the Topaz, Utah camp, pick any page and the reader will see Uchida’s skillful descriptions: “As we plodded through the powdery sand toward Block 7, I began to understand why everyone looked like pieces of flour-dusted pastry.”
Also, that I am a writer for young readers was trailblazed by Yoshiko Uchida who, along with her publisher, had the courage to write and publish her first book, The Dancing Kettle, and Other Japanese Folk Tales in 1949──during a time in America when hatred against all things Japanese still ran strong.
In the spring of 1942, shortly after the United States entered into war with Japan, the federal government initiated a policy whereby 110,000 persons of Japanese ancestry were rounded up and herded into camps. They were incarcerated without indictment, trial, or counsel - not because they had committed a crime, but simply because they resembled the enemy. There was never any evidence of disloyalty or sabotage among them, and the majority were American citizens. The government's explanation for this massive injustice was military necessity.
Desert Exile tells the story of one family who lived through these sad years. It is…
I have studied WW2 and prisoners of war during that period for more than 20 years. They're very much the forgotten soldiers of war in my opinion. Few spoke of their treatment and brutality at the hands of the enemy, starvation, and the psychological effects that they lived with for many years afterward. Marriages fell apart, alcoholism was commonplace and many committed suicide, during a time where the term PTSD hadn't been invented. I've selected books that tell the story from several different perspectives. There were good and bad on all sides and for every ten stories of brutality and murder, there were another ten stories of good men and women who did their best to help the POWs survive.
Another prisoner who lost five years of his life to Nazi tyranny. A real honest and at times, brutal account of what it was like in a German POW camp during WWII. It begins with the soldier's capture in Northern France, and the horrendous journey just to get to the camp in Germany. A story that captures the hopes and the hopelessness of these young men, who at first believed it, 'would be all over by Christmas' and endured year after year staring down the barrel of a gun behind barbed wire, wondering where the next meal would come from.
A very well-written, emotional journey, not for the faint-hearted.
The honest account of one prisoner-of-war’s struggle to survive through five years of Nazi imprisonment. An essential book for readers of Horace Greasley, Alistair Urquhart and Heather Morris.
On a cold May morning in 1940, Adrian Vincent arrived in France with his battalion.
His war didn’t last long.
Within five days the Siege of Calais was over and nearly all his comrades were killed, wounded or, like him, taken prisoner.
After a brutal journey across the breadth of Germany, Vincent and his fellow survivors began their life in Stalag VIIIB, set to work in terrible conditions down a Polish mine.…
I’m the U.S. author of more than thirty books, many of them traditional or cozy mysteries. As the daughter and niece of several World War II veterans, I grew up hearing some of their experiences – they left out the horror. But I did see the impact those travesties had on gentle people. I often marveled at the courage of those who fought without weapons to survive the deprivation and loss of many loved ones. And I’m glad I had opportunities to visit Germany and Japan as an adult, to see the friendships our nations foster today.
Nick Freestone’s mother decides he should leave London during World War II and live more safely with his father, her ex-husband, on his family’s teak plantation (Hawk’s Nest) in Burma. But before Nick can learn more about the timber elephants and spend time with his father, the Japanese invade, and his father is imprisoned.
Packed into 315 pages are betrayals by trusted workers, Nick’s forced servitude (in his own home!) to the occupying colonel, a network of underground passages that should lead to safety, and a desperate trek to rescue his father. Through it all, he has the loyalty and cunning of the monk Hilltop and his great-granddaughter, Mya. But will it be enough to survive and keep other people and elephants alive?
In 1941, bombs drop from the night skies of London, demolishing the apartment Nick Freestone lives in with his mother. Deciding the situation in England is too unstable, Nick's mother sends him to live with his father in Burma, hoping he will be safer living on the family's teak plantation.
But as soon as Nick arrives, trouble erupts in the remote Burmese elephant village. Japanese soldiers invade, and Nick's father is taken prisoner. Nick is left stranded on the plantation, forced to work as a servant to the new rulers. As life in the village grows more dangerous for Nick…
When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.
This story has won many awards including the Geoffrey Bilson Award for historical fiction but I love it for looking at the German side of World War II, not the battle but the prejudices a 12-year-old Canadian German and a 17-year-old German prisoner of war face in rural Alberta. Karen creates compelling fiction that humanizes instead of demonizes “the enemy.”
It's WWII. Erich, a young German prisoner of war who dislikes Nazism, and Max, the twelve-year-old son of German immigrants, become friends when Erich is sent to work at a Canadian logging camp near Max's town. But with a saboteur haunting the logging camp and anti-German feeling running high in town, their friendship puts them both in danger.
Seventeen-year-old Erich is a prisoner of war working at a northern Alberta logging camp. Twelve-year-old Max goes to school-reluctantly-in the nearby town. The two would be unlikely friends, except that neither has anyone else to turn to. At the height of World…
I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face.
Some odd 1950s social attitudes caught me by surprise when I re-read this much-loved book from my past (what are those bruises all about?). Don’t let this put you off this wonderful story of courage and hardship as Jean Paget, an ordinary woman is swept up in the Japanese invasion of Malaya, faces terrible hardships in her group of female prisoners. Starving and sick, they are helped by an Australian, Sgt Joe Harman, also a prisoner, but his kindness results in the most terrible retribution. To say more would ruin the shock of this fabulous story, but I guarantee that Joe Harman will have your heart by the end of the book.
'Probably more people have shed tears over the last page of A Town Like Alice than about any other novel in the English language... remarkable' Guardian
Jean Paget is just twenty years old and working in Malaya when the Japanese invasion begins.
When she is captured she joins a group of other European women and children whom the Japanese force to march for miles through the jungle - an experience that leads to the deaths of many.
Due to her courageous spirit and ability to speak Malay, Jean takes on the role of leader of the sorry gaggle of prisoners…
