100 books like The Settlement

Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.

Be patient: the novel gets brutally dark before the light.

This book taught me the meaning of the word “totalitarianism.” It’s like a horror movie you can’t escape from, but instead of a zombie fungus eating your mind, it’s the state controlling every little aspect of your life, down to—and worst of all—the words that you think with, and therefore what you can even conceive of.

Few books have stayed in my mind like this one. Even today—or more than ever—its images come to my mind over and over again when I see what is happening in America and the world.

This story and its questions of eugenics and our place in society really horrified me, not because it was unbelievable, but precisely because it was far too real. The genetic superiority/inferiority, coupled with social indoctrination into our “advanced” society, made me meditate a great deal on what it means to be human.

What are humans without societal pressures? The way Huxley looked at the costs of freedom was really compelling. And in so many ways, he accurately predicted the destructive side of the social microscope that we all live in today under social media.

The only non-fiction book on my list, this prescient, chilling work examines the geopolitics of climate change.

Written in 2008 by an ex-naval officer turned journalist, this book works on two levels. First, cogent explanations of the science and interviews with senior military personnel from America and Great Britain. Then, eight scenarios that describe how the world might react as emissions rise.

Scenario One: 2045. The average global temperature is 2.8°C higher than in 1990. Prognosis: Awful.

And the scary thing is that’s pretty close to the trajectory we are currently on.

This is actually a children’s novel that I first read at school, and it had a big impact on me. It’s not so well known, and there are other books called "The Guardians", so don’t get confused. This novel was written in 1970 and is set in the not-so-distant 2050.

The world that John Christopher created for this novel really captured my imagination, the difference between the overpopulated "Conurbs" (from conurbation) and the privileged "County" (a land of rolling hills and manor houses).

It’s not too far-fetched, and I think that’s why it spoke to me, as I could easily envisage the world of 13-year-old Rob Randall, who dreamed of escaping the state boarding school in the Conurbs to go to the County. Rob doesn’t fit in and digs a hole under the Barrier that separates the two worlds.

A dystopian novella that seems confusing at first but makes sense as you continue along. It requires piecing together broken memories, broken friendships, and flashes of emotion that are rarely understood. Each glimpse lasts only eight minutes and thirty-two seconds. It’s quite an incredible feat of storytelling. I read this in one sitting with the sun setting outside and me barely even noticing that time existed. I was fortunate enough to know and work alongside Salomon before his recent passing and this was a book I was privileged to provide a blurb for. I was blown away by the story that unraveled before me. I promise you will be too. 

Yoko Ogawa’s dystopian, magical realist novel delves into the darkness underneath our pursuit of—if not the normal—the routine. We witness a protagonist’s world shrink day by day through legally enforced forgetting. As the situation on the isolated island in which the protagonist lives deteriorates, perhaps the most terrifying part is that she finds herself complicit in her own isolation and near-total lack of agency.

Do not read this series if you have Seasonal Affective Disorder (SAD). 

Coral is on vacation when her world lights up. It starts with a fire so intense that the ash entirely blocks out the sun, not for a season, but for years. The sky is perpetually grey, and her world goes seriously cold. She must survive the elements, but the real threat comes from the desperation of those left alive and fighting for their lives. This is a brutal world. 

As a paranoid survivalist, this book had me taking notes. Some books you read and forget, others teach you something. Most authors push a moral agenda, but this book teaches real-life skills, like how it’s a good idea to burrow into snow when it’s REALLY cold, or why hanging out in caves isn’t just for Neanderthals, and my personal favourite, how to spot a cannibal. 

Some dystopian books show futures that aren’t relatable or believable at all. The whole story is a great mix of genres – not just dystopian but also sci-fi, thriller, and it reads like a crime novel with mobsters.  The reachers themselves are telepathic/telekinetic and add a unique dimension to a story that otherwise could fit in with a non-fantasy setting. The world-building in this book is so effective exactly because it feels real. I was sucked in and sympathetic toward the reachers because you can easily put many different peoples in their place today, and the political and social aspects of the story feel frighteningly possible.

In a world where beauty is bought and sold on the streets, sixteen-year-old Serenity has spent her whole life in hiding in order to avoid being taken. But, unfortunately, nothing ever stays hidden for long. She is snatched from her home and sold to the highest bidder. Now she’s a Bird, forced to live in The Aviary – an elite museum where girls are displayed as living art by day, and rented out to paying customers at night. In no time Serenity becomes one of the most coveted exhibits – The Swan – and learns that in order to stand any chance at finding her family again, she must play her new role to perfection. She didn’t anticipate how her feelings for the cold, yet charismatic, museum director, would complicate things.  

This story is such a unique and interesting take on a dystopian future, and Shore writes her world beautifully.… show more.