10 books like The Selected Letters Of Louisa May Alcott

Early in the war, writer Louisa May Alcott journeyed to the nation’s capital to care for sick and wounded soldiers. Over a period of six weeks, she experienced firsthand the rigors of life in crowded hospital wards as a nurse to men suffering from disease and wounds. She recorded her observations in a series of accounts printed in a Boston newspaper. These writings formed the basis of Hospital Sketches. Published a month after the end of the Battle of Gettysburg, when the outcome of the war remained uncertain, Alcott’s words encouraged other women to support the U.S. war effort, and remind us today of the critical role of nurses in times of conflict.

This book opened up Louisa, and who she was to me. We can see her cheery optimism when she is younger, as well as the many inner battles she has with herself. We see her wit and humor, her desire to care for those she loves. As she ages and struggles with health issues, the reader feels her pain. Not a light-hearted book, but an extremely insightful one for those who want to gain a true glimpse into the character of this remarkable woman.

We know Louisa May Alcott primarily as an author and the writer of the great masterpiece, Little Women, but many do not realize she was also a nurse during the Civil War. This book explores how her experiences in Washington D.C. as a nurse impacted her writing as well as her beliefs. Easy to read, captivating account. Highly recommend!

This is a well-researched, detailed biography of Louisa’s works and life. I appreciated the author covering the many different stories Louisa wrote throughout her life and how they reflected her experiences. I also loved the information on why Louisa used a pen name in the earlier part of her career. Very insightful and informative!

Sue Monk Kidd’s book, The Invention of Wings, blends fact and fiction in this pre-Civil War story of two young women. I was fascinated by reading chapters that alternated between Sarah Grimke, a historical character, representing South Carolina’s aristocracy and Hetty, called “Handful,” who is given as an enslaved maid to Sarah on her eleventh birthday. Sarah’s conscience won’t allow this division to endure. I loved the memorable scene where the two girls escape through a hatch in the roof to drink tea and tell each other secrets. For me, this image of flight in a shared hope for independence and voice, illustrates the heart of this novel. Organized religion fails both women; instead, spiritual comfort comes for Handful in the story-filled quilt that she attempts to complete.  

Examines how the architects of the conflict worked to influence and indoctrinate their respective ideologies in the ordinary soldiers by analyzing the battle orders, pamphlets, army journals, and recordings of radio broadcasts in Hebrew, Arabic, and English. Through two overarching narratives – the official and unofficial, the propaganda and personal letters, Dear Palestine reveals the fissures between ‘sanctioned nationalism’ and individual experience and identity. This book reminds one that everyday individual’s fears, bravery, hubris, base cruelty, lies, and fantasies are as important in history as the preoccupations of the elites.

The big question for World War II is what kept men fighting in appalling conditions, with high losses against an implacable enemy. McManus focuses on the American army to answer this question, but his answers could apply to many of the fighting men in other armies as well. The book explores the nature of combat and the psychological mechanisms used to cope with the conditions of modern war. This is a dimension of the history that too often gets overlooked as divisions and units are moved around on the historians’ map of the war, yet it is a central issue to understand what motivates soldiers and keeps them fighting effectively. Sadly, a great many did, indeed, end up as psychological casualties.

There’s nothing in Letters to a Young Poet about craft, writer’s block, or any of the recognizable challenges faced by twenty-first-century writers. Yet this slender volume published more than a century ago speaks to writers everywhere and in every era, who so often work in isolation and, if they are to be true to their art and authentic within themselves, must rip open their souls and spill the contents onto the page without regard for others’ judgment and criticism. In fact, it speaks to anyone, non-writer as well as writer, whose sensitivity and feelings of not belonging make it sometimes feel impossible to express themselves out in the world. In the end, isn’t that what writer’s block is all about. It certainly was for me!

A memoir in letters about a solitary writer in mid-century New York corresponding with the proprietor and staff of a used book shop in London, from whom she orders inexpensive but attractive copies of mostly classics over a period of decades. Even more, it’s a memoir of relationships that develop as a consequence (all through letters; the principals never meet in person). There are so many reasons I love it. For one thing, Helene Hanff collects, rather than accrues. She’s not in it for the First Editions (which doesn’t mean she can’t appreciate decent paper or proper weight or used book smell); she’s in love with the words, and the way they seem to make her feel more like a fellow human being than her interactions with actual people do. There is the natural infusion, over a period of years, of not just incidental details of lives being lived but… show more.

Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.