100 books like The Journals of Louisa May Alcott

Early in the war, writer Louisa May Alcott journeyed to the nation’s capital to care for sick and wounded soldiers. Over a period of six weeks, she experienced firsthand the rigors of life in crowded hospital wards as a nurse to men suffering from disease and wounds. She recorded her observations in a series of accounts printed in a Boston newspaper. These writings formed the basis of Hospital Sketches. Published a month after the end of the Battle of Gettysburg, when the outcome of the war remained uncertain, Alcott’s words encouraged other women to support the U.S. war effort, and remind us today of the critical role of nurses in times of conflict.

We know Louisa May Alcott primarily as an author and the writer of the great masterpiece, Little Women, but many do not realize she was also a nurse during the Civil War. This book explores how her experiences in Washington D.C. as a nurse impacted her writing as well as her beliefs. Easy to read, captivating account. Highly recommend!

This is a well-researched, detailed biography of Louisa’s works and life. I appreciated the author covering the many different stories Louisa wrote throughout her life and how they reflected her experiences. I also loved the information on why Louisa used a pen name in the earlier part of her career. Very insightful and informative!

Ranging from sweet letters to her family to everyday business correspondence, these letters open up Louisa’s world to me. The reader obtains a snapshot of Louisa’s life and career through her various correspondences as well as glimpses into her writing process and her struggles to write prolificly when her health deteriorates. It was fun to read about her books in the letters and gain insight into the story behind them.

This book starts with an unforgettable vignette from a silent film produced in 1900: an alligator swallows an unsuspecting Black child while he is fishing by the river. A man comes to the rescue, slitting the gator open and lifting the child out of its stomach. From there, Tompkins shows how eating culture became a part of racist ideology in the United States. I gobbled this fascinating book up in just a few sittings.   

I love a New England mystery, especially one that includes recipes.

Katherine Hall Page fills the bill with her twenty-six delightful Faith Fairchild mysteries. Faith is a high-end New York City caterer who falls in love and marries a minister from a New England village. Will she be bored? Can love conquer all?

It turns out that this sleepy New England town has murders aplenty, but luckily, Faith is on the scene. I have tried her recipes, and they are wonderful!

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

Dooling's nonfiction account of the searches for a girl and two women who disappeared in New England in the 1940s and 1950s is another good example of weaving together true crime and historic context. Only one of the victims' remains have been found, but all of the victims may have met up with the still-unknown killer. In addition to covering the missing person searches as they were conducted in their times, Dooling provides new hope by looking back on these cases with twenty-first-century eyes.  

This initial volume provides detailed accounts (with photographs) of classical, early Boston carvers, as well as the Emmes family of carvers, John Gaud (1693-1750) (who worked in both Boston and Connecticut), Ebenezer Howard (1734-?), and James Wilder (1741-1794) of Lancaster. It is a perfect start for anyone wanting to explore the subject in actual field trips–focusing on its earliest masters. There is also a second volume, which includes a cumulative index for both volumes. Five of the six chapters of Volume II focus on major stonecutters in Groton, Salem, Essex County, and Boston.

I wish Chase and Gabel’s first volume had appeared before my first visit to the area so that I would have been better prepared to examine the work of the early Boston carvers, the Park family carvers, James Ford, and Levy Maxey–all of whom I discovered later. These two books together provide probably the closest thing to… show more.

The Patient is a very quick read and easy to get sucked into, questioning everything you might know or think. I love how it was told through a series of online posts during which the narrator, a young psychiatrist, slowly reveals his story, never quite knowing if what he experienced was real or if he was going crazy.

I love how the sci-fi aspect took it out of our real world just enough to feel fantastical but not too much to be unrealistic or like a classic high-fantasy novel. The pace was fantastic, the twists and reveals were perfectly placed, and it was just the right amount of horror. I appreciate any book that is unexpected and leaves me thinking about it for days after I’m finished.