Here are 100 books that The Scent Keeper fans have personally recommended if you like
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I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didn’t know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?
I’m a big fan of a story with quirky details that really add to getting to know the characters. It's even better when magic is thrown in the background in a way that makes it seem ordinary and acceptable—not strange at all.
This story does all of that and then some by taking outcasts and explaining their stories one by one while weaving them all together into one quiet redemption.
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not…
I grew up in the interior of British Columbia, hours from the water, but my father loved the ocean. Every summer we’d take a vacation on the coast and sometimes we’d take the ferry to Vancouver Island. Oh, how I loved those ferry rides! The wind, the smell of the sea, the waves, the smaller islands we passed. When the idea came to me to setImprobably Yourson my very own fictional island, I was over the moon! My resident Viking and I took a research trip to the San Juans to help me in my creation of Vinland, and I was utterly charmed and delighted by island life.
I adore the wild, untamed island where this novel is set and the way the spirits of earth and water and forest make themselves known in eerie ways. Plus there’s the mysterious old house, Metsan Valo, the enigmatic caretaker, and his wife and the questions raised as to who (or what!) exactly they were. I’m also a total sucker for stories about characters who are faced with the challenge of accepting gifts and powers they didn’t know they had and aren’t sure they want to wield, so I was rooting for Anni. Plus there’s mystery and family drama and a touch of romance...so basically everything I love in a book is represented here.
The spirits of Nordic folklore come calling in this entrancing tale of family secrets and ancient mysteries by the #1 Amazon Charts bestselling author of The Haunting of Brynn Wilder.
In Metsan Valo, her family home on Lake Superior, Anni Halla's beloved grandmother has died. Among her fond memories, what Anni remembers most vividly is her grandmother's eerie yet enchanting storytelling. By firelight she spun tall tales of spirits in the nearby forest and waters who could heal-or harm-on a whim. But of course those were only stories...
The reading of the will now occasions a family reunion. Anni and…
My first books were set in and around San Francisco, an area I knew well and with plenty of opportunities for crime stories. When we moved to Montana twenty years ago, people asked when I’d write one there. I resisted setting dark stories in my own city, where my kids were growing up. Reading about the Bakken Oil Formation in North Dakota, a boom of wealth and expansion and a subsequent bust, offered a perfect storm—the kind that drives desperation, where locals conflict with newcomers, where money—new and old—drives people to make bad decisions. After a visit to the area, the fictional town of Hagen, North Dakota, and the Badlands Thriller Series was born.
Collins’ The Family Plot is set Blackburn Island, off the coast of Rhode Island where the Lighthouse Family lived in a secluded mansion deep in the woods and isolated by their true-crime-obsessed parents.
After her twin brother disappears when they are sixteen, Dahlia leaves home at the earliest opportunity, returning years later after her father’s death. When the family goes to bury him, there is already a body in his grave—her brother’s.
The layered family drama, secrets, and one hell of a twist make this the kind of story I love—layered with tension and impossible to put down.
"Exceedingly entertaining." -The New York Times "Umbrella Academy meets Tana French. Dark, claustrophobic, and beautifully written." -Andrea Bartz, author of We Were Never Here
From the author of The Winter Sister and Behind the Red Door, a family obsessed with true crime gathers to bury their patriarch-only to find another body already in his grave.
At twenty-six, Dahlia Lighthouse is haunted by her upbringing. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she is unable to move beyond the disappearance of her twin brother, Andy, when they were sixteen.
I grew up in the interior of British Columbia, hours from the water, but my father loved the ocean. Every summer we’d take a vacation on the coast and sometimes we’d take the ferry to Vancouver Island. Oh, how I loved those ferry rides! The wind, the smell of the sea, the waves, the smaller islands we passed. When the idea came to me to setImprobably Yourson my very own fictional island, I was over the moon! My resident Viking and I took a research trip to the San Juans to help me in my creation of Vinland, and I was utterly charmed and delighted by island life.
“Something was wrong. Bad wrong.” The book begins with a prologue that sets up the plight of two small girls, abandoned by their mother, and it immediately tugged at my heartstrings. I’m not always a dual timeline fan, but I love the way Davis weaves two stories together into this novel, that of present-day Lily, who has just inherited a beach house on Hideaway Key from her recently deceased father, and the tragic history of her aunt Lily Mae, told through a series of journal entries. I love (of course!) the mystery element in this book.
Due to a rift between her mother and her aunt, Lily knows absolutely nothing about her aunt Lily May. When she finds Lily May’s journal in the beach house she begins to uncover the long-kept secrets between her aunt, her mother, and her father—a tale of star-crossed lovers, sibling rivalry, and the…
From the author of The Wishing Tide comes a stunning new novel about two summers, one journal, and the secrets that can break and open our hearts....
Pragmatic, independent Lily St. Claire has never been a beachgoer. But when her late father leaves her a small house on Hideaway Key—one neither her mother nor she knew he owned—she’s determined to visit the sleepy spit of land along Florida’s Gulf Coast. Expecting a quaint cottage, Lily instead finds a bungalow with peeling shutters and mountains of memorabilia. She also catches a glimpse of the architect who lives down the beach….
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
I read this book years ago but it’s always stayed with me.
The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.
He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.
As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.
David Mitchell comes home - to England in 1982, and is in the cusp of adolescence. Jason Taylor is 13, doomed to be growing up in the most boring family in the deadest village (Black Swan Green) in the dullest county (Worcestershire) in the most tedious nation (England) on earth and he stammers. 13 chapters, each as self-contained as a short story, follow 13 months in his life as he negotiates the pitfalls of school and home and contends with bullies, girls and family politics. In the distance, the Falklands conflict breaks out; close at hand, the village mobilises against…
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
This book oozed into my life, much like the creatures it portrays, at a moment when I desperately needed to read a beautifully written novel about very ugly things. Van Meter holds nothing back and has a spaciousness in writing that gives ample room for one’s own anxieties/fears/weak spots/obsessions to layer over her lush metaphor.
What does the ill-timed, putrid whale carcass offshore represent—our relationship with our mother? Our $60,000 student loan balance? That one cabinet above the sink that we’re too short to reach that hasn’t been cleaned since he moved out? Dealer’s choice.
“[A] kaleidoscopic narrative . . . Tenacious, wildly original, and full of insight.” —San Francisco Chronicle
“An alluring, atmospheric debut.” —People
A Belletrist Book Club Pick
A Most Anticipated Book of the Year: Entertainment Weekly • The Millions • Bustle A Best Book of the Year: NPR's Book Concierge
On the eve of Evangeline’s wedding on Winter Island, the groom may be lost at sea, a dead whale is trapped in the harbor, and Evie’s mostly absent mother has shown up out of the blue. From there, in this mesmerizing, provocative debut, the narrative flows back and forth through time…
When I think of great novels, I don’t recall plot twists, beautiful language, or exotic settings. I remember the characters. How they met or didn’t meet, the challenges put before them. Great, unforgettable characters create great stories. They take risks, become friends with people society tells them not to, and don’t hide their motivations or fears. They show their humanity. A great character can make walking down a supermarket aisle an exciting adventure. Boring, one-dimensional ones can make a rocket launch seem like you’re reading about paint drying. All the books I discuss hit the character checklist tenfold.
Whether it’s moving onto a new home, job, school, or cellphone, we can all relate to upheaval. Having done much of the latter, I get why young Turner Buckminster doesn’t like Maine much. He sees his life on one trajectory, and now he’s cut adrift on another.
I’m in awe of the way Gary D. Schmidt uses this simple setup to tell a wider story of a friendship that develops between Turner and local black girl Lizzie Bright Griffin that transcends the harsh racism of the times.
The gut punch came when I learned the basis of this book is the true history of Malaga Island, Maine, where an entire village of nearly fifty people was uprooted. Some, like Lizzie, were condemned to life in a mental institution.
It only takes a few hours for Turner Buckminster to start hating Phippsburg, Maine. No one in town will let him forget that he's a minister's son, even if he doesn't act like one. But then he meets Lizzie Bright Griffin, a smart and sassy girl from a poor nearby island community founded by former slaves. Despite his father's-and the town's-disapproval of their friendship, Turner spends time with Lizzie, and it opens up a whole new world to him, filled with the mystery and wonder of Maine's rocky coast. The two soon discover that the…
I’ve been a lover of fantasy fiction ever since as a 12-year-old boy I lived in Oxford near the great J. R. R. Tolkien and read The Lord of the Rings and loved it so much I wrote to the author and he wrote back to me. I have no interest in the current commercialized fantasy genre. When I came to write a novel I wanted to write one that was actually imaginative, that had some philosophical heft, that an intelligent adult could enjoy. I wanted to write a book that mattered, that had some of my ideas about the nature of God and – yes – the devil.
I remember picking this up, not expecting much since it was marketed as a novel for adolescents, but what I found was a gripping story, very dark, about a time when there was a struggle between paganism and Christianity. It was a lot more than I’d expected, and so, like all the books on my list, it’s one I’ve returned to, to reread. It’s set in a simple village, and there’s a dark presence in the woods that surround the village, that might be a devil. The lead character is a young man trying to define the boundaries between good and evil. The writing is excellent, as is everything by Gene Wolfe, and the story is one that will stay with you.
He lives deep in the forest in the time of King Wenceslas, in a village older than record. The young man's hero-worship of the charming highwayman, Wat, is tempered by growing suspicion of Wat's cold savagery, and his fear of the sorcerous powers of Mother Cloot is tempered by her kindness. He must decide which of these powers to stand by in the coming battle between Good and Evil that not even his isolated village will be able to avoid.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
As a child I loved to read and write but I also loved sports. I played every sport I could, and races and games fueled me. My mother called me the “joiner.” Teams create bonds and friendships and I’m still in touch with former teammates. This gives me inspiration to write human interactions. Determination and perseverance are part of being an athlete and I write about strong characters who want to succeed but often meet obstacles along the way. I honestly believe that my sports background has helped me survive publishing, because both are full of highs and lows. Please, enjoy my recommended list because they’re books with heart.
This is such a beautifully written book that combines art and sport, two of my passions. Imogene is a piano prodigy and there wasn’t one moment in the book where I didn’t root for her. The teen love story between her and the suspended hockey player is so believable and not like typical teen romance novels. I liked that Mills didn’t sugarcoat the work that goes into being successful at something. The book was real and honest which made the ending completely realistic.
Imogen St. Pierre is a musical prodigy, a classical pianist touring Canada and abroad in a trio with her father and grandfather. Though clearly accomplished she is also painfully awkward socially, getting lost in the music even after it's over.
Imogen's in the final year in a private boarding school where she meets a boy of the same age, Nathan McCormick, who turns out to be the Next great hockey player. Nathan however has recently been penalized for a vicious fight in an international tournament. Imogen and Nathan don't exactly become an item, but there's an elusive special quality to…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.
Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.
But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie…
