33 books like The Rough Guide to Unexplained Phenomena 2nd Edition

I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry. 

I’ve been an explorer since I was young. My first short trip was to Cahokia Mounds, a site so little is known about that researchers have yet to discover the name of the people who built the famous city of mounds. As I grew into an adult, I was drawn to visit the Pyramid of Chichen Itza in Mexico and Stonehenge in England. As a writer, I decided the one thing missing from the mysterious places field was a fun way to learn about them. So I wrote a mysterious places book in a trivia game format, as learning something new is always more fun when presented as a  game.  

As a child, I was fascinated with astronomy but discouraged from investigating the UFO phenomenon due to religious reasons. Not until I was in my forties, did I begin to see the strange Biblical hints of what ended up in my writing my book UFOs In The Bible. Along the way, my research led me to diverse related topics including Sumerian mythology and astrobiology which have resulted in a few more books (and more to come). I see logic as a fundamental tool for this line of investigation, and so, I embrace books that engage with the evidence logically. I firmly believe we must all make room for experiencers to tell their stories without recrimination.

I started my career as a New York magazine editor and cynical journalist writing about art, celebrities, and show designers. Eventually I had an existential meltdown where I realized I was trapped in reductive materialism. I didn’t believe in a soul or a spirit or anything that wasn’t tangible. I decided to explore psychedelics and wrote my first book, Breaking Open the Head, after visiting indigenous cultures in Africa and South America where I took Iboga, ayahuasca, and mushrooms in initiation ceremonies. I learned we are facing an ecological and geo-political meta-crisis. I tried to find the roots of this, hoping to save humanity from extinction by unifying us around a mystical realization of oneness. 

As a kid, I was addicted to almanacs, encyclopedias, and atlases. I liked collecting facts and snooping around other people’s lives, and my family, including extended family, totally indulged me by gifting me their history or factoid book collections. I remember one set my Grandma Sally gave me: Time Library of Curious and Unusual Facts. I cannot find the complete set anywhere these days, but it’s where I learned about spontaneous combustion and wealthy hoarders. Who wouldn’t want to know that stuff!

Sam Kean is the New York Times bestselling author of five books, including The Bastard Brigade, The Dueling Neurosurgeons, and The Disappearing Spoon. He edited The Best American Nature and Science Writing in 2018, and his stories have appeared in The New Yorker, The Atlantic Monthly, The New York Times Magazine, and Slate. His work has been featured on NPR’s “Radiolab,” “Science Friday,” “All Things Considered,” and “Fresh Air,” and his podcast, The Disappearing Spoon, debuted at #1 on the iTunes charts for science podcasts.

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

It is said that Michelangelo could see a statue inside of a block of marble. I believe I have a similar gift – I can find the most idiotic angle to any given story or event and free it into the world. Okay, so some gifts are better than others but this “talent” has afforded me the ability to stay relatively sane in a completely nutso era. Relatively. And to underscore my qualifications, I would ask the reader to take a gander at my sample title below. I rest my case.

I'm a career editor living in the place I love most in the world, Australia's federal capital, Canberra. It's a small city encircled by mountains and populated with so many trees it's affectionately known as The Bush Capital. I love reading most genres but contemporary suspense intrigue above all. I know these books generally fall under the larger Thriller genre but I often feel that's a misnomer, and I think that applies to my novels. I love the range of stories this genre encompasses: it can take you anywhere in the world, into any situation, and follow any type of person as they attempt to come to grips with, and usually right, the wrongs of the world.

I’ve always been nostalgic. I long for a connection with times and places I’ve never experienced, and I think my fascination with ghosts and the uncanny is connected to that. As a child, I fell in love with ancient Egypt, with its famously complex religious traditions concerning death and the afterlife. I earned a PhD in Egyptology and spent a lifetime crafting stories about the past, often with a speculative or supernatural twist. For me, ghosts and history are a natural combination.