10 books like Forces of Nature

I’m a journalist and a social media prof. I talk to thousands of kids every year about what they read on the Internet. And frankly, they’re confused—as we all are—about what’s true online and what isn’t. To spot misinformation, kids have to become better critical thinkers. That’s why I wrote Can You Believe It? and it’s why I’m recommending these great books. It’s also helpful to know what credible journalism looks like. My TeachingKidsNews.com (TKN) is a kid-friendly news source that kids and teachers can trust. In addition to publishing TKN, I’ve authored six children’s books and I have a Master’s degree in Creative and Critical Writing. 

I’m a semi-retired music teacher and grandmother of two. When my kids were little, we would devour books like they were delicious candy, reading our favourites over and over again. I still love reading out loud, using various inflections, accents, and voices for the different characters. I’ve read hundreds of children’s books and the ones I enjoy most have a great message, are fun to read out loud, and also make me laugh. And they must have beautiful, colourful illustrations! My first book is a spoken word piece from my WCMA-nominated CD, Too Much Work To Do. It’s been asking me to dream it into a book for years! 

I’m a journalist and a social media prof. I talk to thousands of kids every year about what they read on the Internet. And frankly, they’re confused—as we all are—about what’s true online and what isn’t. To spot misinformation, kids have to become better critical thinkers. That’s why I wrote Can You Believe It? and it’s why I’m recommending these great books. It’s also helpful to know what credible journalism looks like. My TeachingKidsNews.com (TKN) is a kid-friendly news source that kids and teachers can trust. In addition to publishing TKN, I’ve authored six children’s books and I have a Master’s degree in Creative and Critical Writing. 

I’m fascinated by robots. As a former computer programmer, systems analyst, and consultant, I’ve had an interest in technology since my first programming class in high school. I’ve been to robotics labs in Boston, Massachusetts, and Lausanne, Switzerland. My husband is a mechanical/software engineer, so STEM is a big part of our lives. In addition to Robo-Motion, I’m the author of a number of Minecraft books with STEM and coding sidebars. I’ve also published many magazine articles, one of which was the inspiration for this book. I wrote about the CRAM cockroach robot for the March 2017 issue of MUSE.

It is said that Michelangelo could see a statue inside of a block of marble. I believe I have a similar gift – I can find the most idiotic angle to any given story or event and free it into the world. Okay, so some gifts are better than others but this “talent” has afforded me the ability to stay relatively sane in a completely nutso era. Relatively. And to underscore my qualifications, I would ask the reader to take a gander at my sample title below. I rest my case.

Following mysterious trails and uncovering esoteric stories: it’s what I love to do, and it’s also what I love to read about. Before I released Extreme Music, I wrote extensively about unusual music subcultures and audiological anomalies, for example artists who put out hourlong blocks of unchanging white noise. I’ve learned that the most interesting ideas – and tales – exist in these outer fringes.

I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry. 

I'm a career editor living in the place I love most in the world, Australia's federal capital, Canberra. It's a small city encircled by mountains and populated with so many trees it's affectionately known as The Bush Capital. I love reading most genres but contemporary suspense intrigue above all. I know these books generally fall under the larger Thriller genre but I often feel that's a misnomer, and I think that applies to my novels. I love the range of stories this genre encompasses: it can take you anywhere in the world, into any situation, and follow any type of person as they attempt to come to grips with, and usually right, the wrongs of the world.

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

Sam Kean is the New York Times bestselling author of five books, including The Bastard Brigade, The Dueling Neurosurgeons, and The Disappearing Spoon. He edited The Best American Nature and Science Writing in 2018, and his stories have appeared in The New Yorker, The Atlantic Monthly, The New York Times Magazine, and Slate. His work has been featured on NPR’s “Radiolab,” “Science Friday,” “All Things Considered,” and “Fresh Air,” and his podcast, The Disappearing Spoon, debuted at #1 on the iTunes charts for science podcasts.