Here are 100 books that The Perfect Gift fans have personally recommended if you like
The Perfect Gift.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.
Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.
I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.
I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee…
Outdoors has always been a nourishing place for me, even when I edged into risky or dangerous places, especially solo. When I got rid of my car (for financial reasons), I found my options to reach outdoor adventures limited. Soon after, I began working in transportation, tourism, and recreation and sought ways for everyone to access outdoor recreational opportunities, regardless of their abilities or any limiting barriers. Slow travel is broadly inclusive, enabling anyone to benefit from outdoor experiences and their transformative potential. Slow travel helped me feel less alone, more connected, more balanced emotionally, healthier physically, and more creative; it revealed the path to Love.
Before reading this book, I thought the most inclusive version of the slow travel principle of micro-travel and mindfulness was going outside and experiencing the weather. But because of a mysterious illness that left her bedridden, Bailey could not go outside nor look out the window. Yet, she wrote about the habits and hijinks of a tiny snail a friend brought her in a pot of violets.
I loved that Bailey found snail “bites” on paper and then explained how a snail’s mouth works and why the hole in the paper was square-shaped. The snail becomes Bailey’s connection to the outdoors (or wildness), where she finds hope and agency. My lesson: a terrarium can be as (or more) therapeutic to someone’s spirit as walking Spain’s Camino de Santiago.
While an illness keeps her bedridden, Elisabeth Bailey watches a wild snail that has taken up residence in a terrarium alongside her bed. She enters the rhythm of life of this mysterious creature, and comes to a greater understanding of her own confined place in the world. In a work that beautifully demonstrates the rewards of closely observing nature, she shares the inspiring and intimate story of her close encounter with Neohelix albolabris - a common woodland snail.
Intrigued by the snail's world - from its strange anatomy to its mysterious courtship activities - she becomes a fascinated and amused…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.
I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Winner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family…
Without my longtime commitment to the spiritual path of Siddha Yoga, I am quite sure that I would never have even met my wife Seana for I would not have been ready for her, let alone survived the trials along the way. And I certainly would not have been able to meet the calamity of her sudden death and come to know it as something else entirely. I have discovered the most strange and wonderful thing—that hidden within the death of a loved one may also be her final gift to us. And this is what I wish for you—in your moment of greatest need, though the world feels shattered into a thousand shards—may you remember this possibility and fully receive what the beloved longs to give you in farewell.
The Gift of Nothing, written and illustrated by Patrick McDonnell, happens to be one of my absolute favorite books. Nestled like a rare bird in between Captain Underpants and Star Wars at a book sale in an elementary school cafeteria, I made a gift of it to my wife, Seana, and in time the story of Mooch and Earl grew into a cherished part of ours as well.
Mooch (a cat) is looking for the perfect gift for her best friend, Earl (a pooch). She wonders, What do you get someone who has everything? It dawns on her. Nothing! So, after looking everywhere for nothing and not finding it, she finally gets a really big empty box (because it was a lot of nothing). When Earl opens it, he declares, “There’s nothing here!” “Yesh!” says Mooch. “Nothing ... but me and you!”
Mooch the cat desperately wants to find a gift for his friend - Earl the Dog. 'But what do you give the guy who has everything?' Mooch wonders. The answer, of course, is nothing! This simple story features characters from one of the world's most successful comic strips - Patrick McDonnell's Mutts. With the same warmth and charm that he brings to the daily cartoon McDonnell's delightfully spare illustrations and simple text have created a book with the makings of a classic - perfect for gift-giving all year round.
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.
The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.
Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.
In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh…
I’ve loved snow for as long as I can remember: a childhood enthusiasm which has not dimmed one bit in adulthood. When those flakes flutter silently from the sky I feel a thrill just like an eight-year-old getting the day off school, a feeling that I try to convey in Just Snow Already! I adore snow scenes depicted in art and children’s illustrations when that magic is transferred to the page… and unlike the real thing, you can enjoy it with a hot drink and warm toes.
One reason I love snow so much is the way it muffles the world, making everything soft and fuzzy around the edges.
The essence of that feeling is distilled perfectly in Lewis’s beautifully-lit pastel and pencil illustrations, squeezing so much colour into every inch—even of “white” snow.
It’s a lovely story about a little boy taking responsibility for his action. I love a children’s book with a final illustration that undercuts the sentimentality of any preceding message, and this does that hilariously.
When Joe asks Santa for a real live penguin, he gets Osbert and a whole lot more than he bargained for - including creamed herring with seaweed jam for breakfast and cold baths!
I write funny picture books. Since some of my best memories include reading to my kids while they were plopped in my lap, giggling at silly, fun picture books, I want to bring that same joy to families everywhere. I’m in awe of clever humor, and I’m especially fond of wordplay, puns, and jokes. Of all the holidays, Christmas is my favorite. The tree, the décor, and the traditions bring so much merriment. When my kids were young, reading Christmas books was a huge part of our holiday. Once Upon a Christmas gave me the chance to write a humorous, fun, and festive story that families can enjoy together.
Construction Site on Christmas Night is part of the Goodnight, Goodnight, Construction Site series and my favorite of the set. The cover, with its snowy and festive scene, immediately sparks the Christmas spirit. The illustrations continue to keep the Christmas spirit alive throughout, from red-rimmed tires and candy cane drums to ornament-like wrecking balls and a red and white fire crew. I love rhyming picture books, and this one does not disappoint. The clever couplets and smooth rhythm make it a joy to read. What’s especially great about this book is how after all the fun and surprises, the story ends on a tender note. This book is both fun and sentimental.
From the author of the #1 New York Times bestselling Goodnight, Goodnight, Construction Site series. More than two million copies have sold across the series!
Created for lovers of Goodnight, Goodnight, Construction Site, as well as fans of Sherri Duskey Rinker's storytelling and AG Ford's art, this beautiful holiday picture book shows Excavator, Bulldozer, Crane, Dump Truck and Cement Mixer building a new home for fire engines. As they finish their big, important job, they get their own Christmas surprises. Your kids will have fun discovering the special surprise awaiting each vehicle as much as they will love rhyming along…
In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.
Kassirer, also like Angell a highly respected physician and former editor of the New England Journal of Medicine, first opened my eyes to how extensively drug companies use their vast wealth to turn physicians into promoters and middlemen.
I knew about the small and not-so-small gifts, speaking fees, travel junkets, and the like to individual doctors and “key opinion leaders” of the profession, but not about the “institutional conflicts of interest” gladly entered into by specialty medical societies heavily dependent on drug money for their events and activities such as scientific meetings, journal publishing, clinical practice recommendations, and, not least “continuing medical education” required by law for license maintenance.
Although Kassirer, also like Angell, proposed reforms, from what I know about conditions today, not much has changed, so On the Takeremains an indispensable window into corrupted medicine.
We all know that doctors accept gifts from drug companies, ranging from pens and coffee mugs to free vacations at luxurious resorts. But as the former Editor-in-Chief of The New England Journal of Medicine reveals in this shocking expose, these innocuous-seeming gifts are just the tip of an iceberg that is distorting the practice of medicine and jeopardizing the health of millions of Americans today. In On the Take, Dr. Jerome Kassirer offers an unsettling look at the pervasive payoffs that physicians take from big drug companies and other medical suppliers, arguing that the billion-dollar onslaught of industry money has…
I was such a die-hard fan of Santa Claus as a kid, my mom had to debunk the myth two years in a row! Because, yeah, I heard you, but surely that was a bad attempt at humor last year. I won’t lie. It was traumatic. I wrote this book as a way to ease kids into the knowledge without anyone in the family feeling bad about it. It puts a great positive spin on this childhood rite of passage and empowers kids to get the info when they’re ready for it.
If you’re into investigating the origins and mythos of Santa from other cultures, this is the book to find. It is a well-researched look at the international history of the legend from the pagan god Odin to the present day Father Christmas, Weihnachmann, Père Noël, Ded Moroz, and Santa Claus. While not for young children it is a great and thorough historical study of the evolution of the various legends through time. A must for history buffs with great illustrations and documentation.
This is a comprehensive history of the world's midwinter gift-givers, showcasing the extreme diversity in their depictions as well as the many traits and functions these characters share. It tracks the evolution of these figures from the tribal priests who presided over winter solstice celebrations thousands of years before the birth of Christ, to Christian notables like St. Martin and St. Nicholas, to a variety of secular figures who emerged throughout Europe following the Protestant Reformation. Finally, it explains how the popularity of a poem about a "miniature sleigh" and "eight tiny reindeer" helped consolidate the diverse European gift-givers into…
