87 books like Construction Site on Christmas Night

The whole Mother Bruce series is hilarious, especially Santa Bruce. I love the juxtaposition of Bruce’s grumpy attitude and the other characters’ enthusiasm. The characters’ facial expressions and body language are priceless. The animals get so excited when they see Bruce in his red suit, and they act just like kids do when they see Santa at the mall. Higgins even throws in some humor for the adult readers—in the ask of each of the animals—and near the end Bruce looks as exasperated as a parent trying to keep up with their holiday to-do list. To me this book has everything: great illustrations, an adorable cast of characters, and loads of humor. Higgins has captured the energy and excitement of the holidays perfectly.

Turkey Claus is part of the Turkey Trouble series and my favorite of the set. Turkey’s attempts to disguise himself in order to see Santa are clever and fun, and his facial expressions are animated and spot on. Turkey’s Mrs. Claus costume is the best, and the earrings are a hoot! I love clever wordplay, and Turkey Claus is filled with some of the best – “Ho Ho Hold it” “Wait a merry minute!” and “Snow way!” Santa’s Village, the trees, and décor add to the Christmas spirit, and the humor makes it fun to read. 

And spoiler alert – count me in for pizza on Christmas!

This book pulled me in right from the start. When duck knows that he needs to tell Santa what he wants or else it’ll be another year of socks and underwear, we get it because we all know that no one wants socks and underwear for Christmas. Duck’s little tune, “Jingle Quack, Jingle Quack” is so cute and fitting. After Duck is mistaken for Santa, the requests pour in, and they are over-the-top funny and reminiscent of any kid’s Christmas list. I find myself reading them over and over again, smiling every time. In the end, I love that I’m left believing Duck was set up to be Santa’s helper after all.  

This book is part of the Click, Clack series and just humorous as the others. The snow and lights and Duck in a Santa hat on the cover create a festive winter scene, full of Christmas spirit. The text is sparse and easy to read. The story also has a bit of rhyme in it which is always a favorite for me. The rhyme makes the story energetic at just the right time. The repetition of “Ho! Ho! Uh-oh!” and “unstuck duck” are fun to read. The accumulation of animals adds craziness and chaos which further heightens the humor. The ending is perfect with everyone joyfully gathered around the tree. 

One reason I love snow so much is the way it muffles the world, making everything soft and fuzzy around the edges.

The essence of that feeling is distilled perfectly in Lewis’s beautifully-lit pastel and pencil illustrations, squeezing so much colour into every inch—even of “white” snow.

It’s a lovely story about a little boy taking responsibility for his action. I love a children’s book with a final illustration that undercuts the sentimentality of any preceding message, and this does that hilariously.  

If you’re into investigating the origins and mythos of Santa from other cultures, this is the book to find. It is a well-researched look at the international history of the legend from the pagan god Odin to the present day Father Christmas, Weihnachmann, Père Noël, Ded Moroz, and Santa Claus. While not for young children it is a great and thorough historical study of the evolution of the various legends through time. A must for history buffs with great illustrations and documentation.

Jamaican American author/illustrator Rohan Henry, in a deceptively simple sweet book, illustrates the gift of true understanding and friendship. I first met Rohan at a book fair here in Maine, when we traded books - one of my early picture books (Dancing Feet) for his self-published The Perfect Gift. I happened to be having lunch with my agent the next day. I showed her this book and she sold the rights almost immediately. It's now out in several languages and is, in my estimation, the perfect gift.

Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.

This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.

Kassirer, also like Angell a highly respected physician and former editor of the New England Journal of Medicine, first opened my eyes to how extensively drug companies use their vast wealth to turn physicians into promoters and middlemen.

I knew about the small and not-so-small gifts, speaking fees, travel junkets, and the like to individual doctors and “key opinion leaders” of the profession, but not about the “institutional conflicts of interest” gladly entered into by specialty medical societies heavily dependent on drug money for their events and activities such as scientific meetings, journal publishing, clinical practice recommendations, and, not least “continuing medical education” required by law for license maintenance.

Although Kassirer, also like Angell, proposed reforms, from what I know about conditions today, not much has changed, so On the Take remains an indispensable window into corrupted medicine. 

Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.

The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.

Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.

In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh… show more.