100 books like On the Take

I found, as a history buff, The Struggle for Drug Reform to be an eye-opener about how America’s exceptionally high drug prices among other deficits in health care quality and coverage resulted from the past exercise of power by the pharmaceutical industry, the lynchpin of America’s “medico-industrial complex.”

I was impressed by historian Tobbell’s meticulously researched account of the industry’s strategic alliances with self-interested medical scientists, not just conservative political forces, and its use of anti-communist propaganda to fight off the threat of drug pricing regulations.

I personally found important her discussions of how the industry allied with the American Medical Association against universal health care, against FDA demands for evidence about drug efficacy and safety before allowing drugs on the market, and against the threat to its profits from generic drugs. 

I find Angell’s The Truth About the Drug Companies extremely valuable for teaching students about how the pharmaceutical industry translates high profits into power resources to protect and increase those profits over time.

The former New England Journal of Medicine editor exposed how drug companies enlist politicians, the FDA, and medical academia for their cause. And armies of lawyers to extend monopoly marketing rights for years.

It was my first introduction to how they spend more on marketing than research, much of that on “copy-cat” drugs of dubious superiority to ones with expired patents.

As a tax (and high drug price) payer, I was disturbed to learn how they use government funds for basic research and then rig and spin their reporting of clinical studies to inflate their products’ therapeutic value and underplay their risks. 

I was deeply impressed by how Psychiatry Under the Influence combines medical history, clinical knowledge, and investigative journalism about pervasive institutional conflicts of interest in medicine.

In Whitaker’s and Cosgrove’s case study of “institutional corruption” they trace the development over time of an alignment of the psychiatric profession’s “guild interests” in turf maximization and scientific legitimation with drug companies’ drive to market a widening array of drugs massively profitable drugs.

It is a fascinating illustration of the medicalization of life resulting from what I would call the “commercial construction of disease.”

Particularly eye-opening was the role of the American Psychiatric Association in constructing pseudo-scientific diagnostic categories of psychoses, panics, anxieties, depressive states, and the like for drug companies to capitalize on—and concealing, distorting, and fabricating research results that facilitate mass overprescribing of potentially harm-causing drugs.

If you think that medical journals published by respected medical societies are full of good science, think again.

For me, Abramson’s Sickening nailed the case for a conclusion that the net effect of the many hundreds of medical journals published here and around the world is to subtract from the sum of human medical knowledge.

Abramson, as an expert witness in criminal and civil cases against drug companies, draws in part on subpoenaed documents to expose how medical science, as part of the entire medical-industrial complex, is corrupted from start to finish by the drug industry’s funding of most clinical trials, their control over the data analysis, and even their ghost-writing of articles submitted to journals.

New and disturbing was the withholding of clinical trials’ raw data from journals’ peer reviewers. Instead, they get biased summaries bearing drug manufacturers’ fingerprints.

Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.

The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.

Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.

In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh… show more.

Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.

This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.

Jamaican American author/illustrator Rohan Henry, in a deceptively simple sweet book, illustrates the gift of true understanding and friendship. I first met Rohan at a book fair here in Maine, when we traded books - one of my early picture books (Dancing Feet) for his self-published The Perfect Gift. I happened to be having lunch with my agent the next day. I showed her this book and she sold the rights almost immediately. It's now out in several languages and is, in my estimation, the perfect gift.

Construction Site on Christmas Night is part of the Goodnight, Goodnight, Construction Site series and my favorite of the set. The cover, with its snowy and festive scene, immediately sparks the Christmas spirit. The illustrations continue to keep the Christmas spirit alive throughout, from red-rimmed tires and candy cane drums to ornament-like wrecking balls and a red and white fire crew. I love rhyming picture books, and this one does not disappoint. The clever couplets and smooth rhythm make it a joy to read. What’s especially great about this book is how after all the fun and surprises, the story ends on a tender note. This book is both fun and sentimental.

One reason I love snow so much is the way it muffles the world, making everything soft and fuzzy around the edges.

The essence of that feeling is distilled perfectly in Lewis’s beautifully-lit pastel and pencil illustrations, squeezing so much colour into every inch—even of “white” snow.

It’s a lovely story about a little boy taking responsibility for his action. I love a children’s book with a final illustration that undercuts the sentimentality of any preceding message, and this does that hilariously.  

If you’re into investigating the origins and mythos of Santa from other cultures, this is the book to find. It is a well-researched look at the international history of the legend from the pagan god Odin to the present day Father Christmas, Weihnachmann, Père Noël, Ded Moroz, and Santa Claus. While not for young children it is a great and thorough historical study of the evolution of the various legends through time. A must for history buffs with great illustrations and documentation.