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I’ve loved snow for as long as I can remember: a childhood enthusiasm which has not dimmed one bit in adulthood. When those flakes flutter silently from the sky I feel a thrill just like an eight-year-old getting the day off school, a feeling that I try to convey in Just Snow Already! I adore snow scenes depicted in art and children’s illustrations when that magic is transferred to the page… and unlike the real thing, you can enjoy it with a hot drink and warm toes.
Shepard’s roughly-hatched illustrations are a symbiotic match for the scruffy charm and humour of Milne’s stories.
Only a couple of chapters feature snow, but they loom so large in my imagination—Pooh and Piglet following their own footsteps in search of the legendary Heffalump; and building Eeyore’s new house at Pooh Corner to shelter him from the snowstorm (unwittingly using Eeyore’s existing house as their source of wood).
As Eeyore gets buried in the snow, I can feel the cold wind with each economical scratch of Shepherd’s pen nib.
Join Pooh and his freinds for more delightful adventures in the Hundred Acre Wood: from building a house for Eeyore and finding a Wolery for Owl, to playing Poohsticks and trying unbounce Tigger!
I’ve loved snow for as long as I can remember: a childhood enthusiasm which has not dimmed one bit in adulthood. When those flakes flutter silently from the sky I feel a thrill just like an eight-year-old getting the day off school, a feeling that I try to convey in Just Snow Already! I adore snow scenes depicted in art and children’s illustrations when that magic is transferred to the page… and unlike the real thing, you can enjoy it with a hot drink and warm toes.
Growing up, I was enchanted by Jill Barklem’s detailed watercolour illustrations of this miniature world of mice. The cosy, fire-lit interiors—crammed with furniture, food and flora—are so intricately drawn as to give you the feeling you could walk through them.
Barklem also makes liberal use of one of my favourite devices for visual exploration: the cutaway. It’s used to excellent effect here as the mice carve out even more real estate under the snow, namely an Ice Hall for their winter ball.
These illustrations instilled in me a love of detailed artwork, and faithful rendering of a three-dimensional environment, that persists to this day in my own style.
Celebrate the 40th anniversary of the miniature world of the mice of Brambly Hedge!
It was the middle of winter and very, very cold. The mice of Brambly Hedge forecasted snow.
And they were right. In the morning they awoke to find their doors and windows hidden behind deep drifts. There hadn't been snow like this for years. "There's enough for a Snow Ball!" cried the mice with glee, and set to work in the time-honoured way to make an Ice Hall for the festivities. The little mice watched wide-eyed as all the preparations were made.
I’ve loved snow for as long as I can remember: a childhood enthusiasm which has not dimmed one bit in adulthood. When those flakes flutter silently from the sky I feel a thrill just like an eight-year-old getting the day off school, a feeling that I try to convey in Just Snow Already! I adore snow scenes depicted in art and children’s illustrations when that magic is transferred to the page… and unlike the real thing, you can enjoy it with a hot drink and warm toes.
This story is a great exploration of FOMO for young children.
Two best friends are split apart when one moves a long way away. Herman the bear feels increasingly left behind and obsolete when he reads Henry the racoon’s correspondence (actual letters pasted into the book) describing new friends in his sunny new home. Herman feels too miserable to write back; when he finally does, deep snow has set in and the post office has closed for the winter.
So he sets off into the swirling blizzard to deliver the letter himself—up steep cliffs and frozen waterfalls, over creaking crevices and the tallest mountains, all gorgeously painted by Percival in a perfect balance of three-dimensionality and looseness. At the end, the pictures do the talking: Herman and Henry are still best friends.
'Hibernation, dedication and one long-distance friendship that will never be forgotten: a must-have when a friend moves away.' Kirkus
What do you do when your best friend in the whole wide world has to move a long way away? Promise to write to each other ALL the time and to stay best friends FOREVER, that's what. But it's easier said than done - especially when your best friend seems to be having much more fun than you are . . .
Join Herman the bear on a lift-the-flap adventure as he embarks upon one epic journey to deliver a very…
I’ve loved snow for as long as I can remember: a childhood enthusiasm which has not dimmed one bit in adulthood. When those flakes flutter silently from the sky I feel a thrill just like an eight-year-old getting the day off school, a feeling that I try to convey in Just Snow Already! I adore snow scenes depicted in art and children’s illustrations when that magic is transferred to the page… and unlike the real thing, you can enjoy it with a hot drink and warm toes.
Like millions of others, I grieved when the magnificent Calvin & Hobbes cartoon strip came to an end. So, this last published collection was one to savour.
I loved how Bill Watterson would draw snowy scenes, bringing them to life with a few ragged strokes of India ink, and there are few better examples than the last strip he ever created, which closes this book.
“Everything familiar has disappeared! The world looks brand new!… It’s like having a big sheet of white paper to draw on!” declares Hobbes (that connection with an un-started picture’s potential is one reason I find snow so visually compelling).
“A day full of possibilities!” replies Calvin. “It’s a magical world, Hobbes, ol’ buddy…”
The final huge panel sees them launch into the expanse of white on their sled, whose tracks trace the topography with glorious minimalism: “… Let’s go exploring!”
This collection of cartoons features Calvin and Hobbes . It shows Calvin-turned-firefly waking Hobbes with his flashlight glow; Spaceman Spiff rocketing through alien galaxies as he battles Dad-turned-Bug-Being; and Calvin's always inspired snowman art.
I write funny picture books. Since some of my best memories include reading to my kids while they were plopped in my lap, giggling at silly, fun picture books, I want to bring that same joy to families everywhere. I’m in awe of clever humor, and I’m especially fond of wordplay, puns, and jokes. Of all the holidays, Christmas is my favorite. The tree, the décor, and the traditions bring so much merriment. When my kids were young, reading Christmas books was a huge part of our holiday. Once Upon a Christmas gave me the chance to write a humorous, fun, and festive story that families can enjoy together.
Construction Site on Christmas Night is part of the Goodnight, Goodnight, Construction Site series and my favorite of the set. The cover, with its snowy and festive scene, immediately sparks the Christmas spirit. The illustrations continue to keep the Christmas spirit alive throughout, from red-rimmed tires and candy cane drums to ornament-like wrecking balls and a red and white fire crew. I love rhyming picture books, and this one does not disappoint. The clever couplets and smooth rhythm make it a joy to read. What’s especially great about this book is how after all the fun and surprises, the story ends on a tender note. This book is both fun and sentimental.
From the author of the #1 New York Times bestselling Goodnight, Goodnight, Construction Site series. More than two million copies have sold across the series!
Created for lovers of Goodnight, Goodnight, Construction Site, as well as fans of Sherri Duskey Rinker's storytelling and AG Ford's art, this beautiful holiday picture book shows Excavator, Bulldozer, Crane, Dump Truck and Cement Mixer building a new home for fire engines. As they finish their big, important job, they get their own Christmas surprises. Your kids will have fun discovering the special surprise awaiting each vehicle as much as they will love rhyming along…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.
This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.
“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.…
I was such a die-hard fan of Santa Claus as a kid, my mom had to debunk the myth two years in a row! Because, yeah, I heard you, but surely that was a bad attempt at humor last year. I won’t lie. It was traumatic. I wrote this book as a way to ease kids into the knowledge without anyone in the family feeling bad about it. It puts a great positive spin on this childhood rite of passage and empowers kids to get the info when they’re ready for it.
If you’re into investigating the origins and mythos of Santa from other cultures, this is the book to find. It is a well-researched look at the international history of the legend from the pagan god Odin to the present day Father Christmas, Weihnachmann, Père Noël, Ded Moroz, and Santa Claus. While not for young children it is a great and thorough historical study of the evolution of the various legends through time. A must for history buffs with great illustrations and documentation.
This is a comprehensive history of the world's midwinter gift-givers, showcasing the extreme diversity in their depictions as well as the many traits and functions these characters share. It tracks the evolution of these figures from the tribal priests who presided over winter solstice celebrations thousands of years before the birth of Christ, to Christian notables like St. Martin and St. Nicholas, to a variety of secular figures who emerged throughout Europe following the Protestant Reformation. Finally, it explains how the popularity of a poem about a "miniature sleigh" and "eight tiny reindeer" helped consolidate the diverse European gift-givers into…
In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.
Kassirer, also like Angell a highly respected physician and former editor of the New England Journal of Medicine, first opened my eyes to how extensively drug companies use their vast wealth to turn physicians into promoters and middlemen.
I knew about the small and not-so-small gifts, speaking fees, travel junkets, and the like to individual doctors and “key opinion leaders” of the profession, but not about the “institutional conflicts of interest” gladly entered into by specialty medical societies heavily dependent on drug money for their events and activities such as scientific meetings, journal publishing, clinical practice recommendations, and, not least “continuing medical education” required by law for license maintenance.
Although Kassirer, also like Angell, proposed reforms, from what I know about conditions today, not much has changed, so On the Takeremains an indispensable window into corrupted medicine.
We all know that doctors accept gifts from drug companies, ranging from pens and coffee mugs to free vacations at luxurious resorts. But as the former Editor-in-Chief of The New England Journal of Medicine reveals in this shocking expose, these innocuous-seeming gifts are just the tip of an iceberg that is distorting the practice of medicine and jeopardizing the health of millions of Americans today. In On the Take, Dr. Jerome Kassirer offers an unsettling look at the pervasive payoffs that physicians take from big drug companies and other medical suppliers, arguing that the billion-dollar onslaught of industry money has…
When my teenage daughter was going through an excruciatingly hard time, she taught me something that has stayed with me forever. She said, "Don't try to fix it, just listen." Maybe Tomorrow? is about that superpower. I'm the author of many books for children and young adults, and one professional development book for fellow teachers. I'm originally from Sweden, but grew up in Canada and Hong Kong. I made my way to Maine, USA, where I have spent all of my adult life so far. I have an Ed.M from the Harvard Graduate School of Education but think some my most enduring lessons have come from the students in my public school classrooms.
Jamaican
American author/illustrator Rohan Henry, in a deceptively simple sweet book,
illustrates the gift of true understanding and friendship. I first met Rohan at
a book fair here in Maine, when we traded books - one of my early picture books
(Dancing Feet) for his self-published The Perfect Gift. I happened to be
having lunch with my agent the next day. I showed her this book and she sold
the rights almost immediately. It's now out in several languages and is, in my
estimation, the perfect gift.
In the tradition of Shel Silverstein's beloved stories, Jamaican artist Rohan Henry presents a simple and touching story of love and friendship. Leo and Lisa are long-time best friends and Leo wants to give her that one special gift to show her how he feels. The first leaf of autumn, the most delicate snowflake ever, an exquisite spring butterfly - but none of them endures. So Leo sets off in search of the perfect gift.With charming black-and-white illustrations accented with a second colour, the book conveys its message with simplicity and grace. Rohan has created a timeless parable of friendship…
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.
The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.
Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.
In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh…
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