88 books like My Penguin Osbert

Shepard’s roughly-hatched illustrations are a symbiotic match for the scruffy charm and humour of Milne’s stories.

Only a couple of chapters feature snow, but they loom so large in my imagination—Pooh and Piglet following their own footsteps in search of the legendary Heffalump; and building Eeyore’s new house at Pooh Corner to shelter him from the snowstorm (unwittingly using Eeyore’s existing house as their source of wood).

As Eeyore gets buried in the snow, I can feel the cold wind with each economical scratch of Shepherd’s pen nib.

Growing up, I was enchanted by Jill Barklem’s detailed watercolour illustrations of this miniature world of mice. The cosy, fire-lit interiors—crammed with furniture, food and flora—are so intricately drawn as to give you the feeling you could walk through them.

Barklem also makes liberal use of one of my favourite devices for visual exploration: the cutaway. It’s used to excellent effect here as the mice carve out even more real estate under the snow, namely an Ice Hall for their winter ball.

These illustrations instilled in me a love of detailed artwork, and faithful rendering of a three-dimensional environment, that persists to this day in my own style.

This story is a great exploration of FOMO for young children.

Two best friends are split apart when one moves a long way away. Herman the bear feels increasingly left behind and obsolete when he reads Henry the racoon’s correspondence (actual letters pasted into the book) describing new friends in his sunny new home. Herman feels too miserable to write back; when he finally does, deep snow has set in and the post office has closed for the winter.

So he sets off into the swirling blizzard to deliver the letter himself—up steep cliffs and frozen waterfalls, over creaking crevices and the tallest mountains, all gorgeously painted by Percival in a perfect balance of three-dimensionality and looseness. At the end, the pictures do the talking: Herman and Henry are still best friends.

Like millions of others, I grieved when the magnificent Calvin & Hobbes cartoon strip came to an end. So, this last published collection was one to savour.

I loved how Bill Watterson would draw snowy scenes, bringing them to life with a few ragged strokes of India ink, and there are few better examples than the last strip he ever created, which closes this book.

“Everything familiar has disappeared! The world looks brand new!… It’s like having a big sheet of white paper to draw on!” declares Hobbes (that connection with an un-started picture’s potential is one reason I find snow so visually compelling).

“A day full of possibilities!” replies Calvin. “It’s a magical world, Hobbes, ol’ buddy…”

The final huge panel sees them launch into the expanse of white on their sled, whose tracks trace the topography with glorious minimalism: “… Let’s go exploring!”

What an end to ten… show more.

Construction Site on Christmas Night is part of the Goodnight, Goodnight, Construction Site series and my favorite of the set. The cover, with its snowy and festive scene, immediately sparks the Christmas spirit. The illustrations continue to keep the Christmas spirit alive throughout, from red-rimmed tires and candy cane drums to ornament-like wrecking balls and a red and white fire crew. I love rhyming picture books, and this one does not disappoint. The clever couplets and smooth rhythm make it a joy to read. What’s especially great about this book is how after all the fun and surprises, the story ends on a tender note. This book is both fun and sentimental.

Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.

The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.

Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.

In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh… show more.

Jamaican American author/illustrator Rohan Henry, in a deceptively simple sweet book, illustrates the gift of true understanding and friendship. I first met Rohan at a book fair here in Maine, when we traded books - one of my early picture books (Dancing Feet) for his self-published The Perfect Gift. I happened to be having lunch with my agent the next day. I showed her this book and she sold the rights almost immediately. It's now out in several languages and is, in my estimation, the perfect gift.

Kassirer, also like Angell a highly respected physician and former editor of the New England Journal of Medicine, first opened my eyes to how extensively drug companies use their vast wealth to turn physicians into promoters and middlemen.

I knew about the small and not-so-small gifts, speaking fees, travel junkets, and the like to individual doctors and “key opinion leaders” of the profession, but not about the “institutional conflicts of interest” gladly entered into by specialty medical societies heavily dependent on drug money for their events and activities such as scientific meetings, journal publishing, clinical practice recommendations, and, not least “continuing medical education” required by law for license maintenance.

Although Kassirer, also like Angell, proposed reforms, from what I know about conditions today, not much has changed, so On the Take remains an indispensable window into corrupted medicine. 

If you’re into investigating the origins and mythos of Santa from other cultures, this is the book to find. It is a well-researched look at the international history of the legend from the pagan god Odin to the present day Father Christmas, Weihnachmann, Père Noël, Ded Moroz, and Santa Claus. While not for young children it is a great and thorough historical study of the evolution of the various legends through time. A must for history buffs with great illustrations and documentation.

Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.

This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.