Here are 24 books that The Pale King fans have personally recommended if you like
The Pale King.
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I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.
Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
Who hasn’t caught themselves staring at a shadow? I certainly have. I have always found shadows fascinating. They are both there and not there, present and absent, and this in-between, fleeting nature keeps me staring. Shadows open a space for contemplation, and the list presented here traces a range of responses to the enigma they represent. Transitory images that exist on a fleeting border between light and darkness, shadows seem to invite me to make sense of their vague and shifting outlines, leading to both the joy of imagination as well as to that unsettling but pleasurable feeling of the uncanny as I struggle to fill in their outlines.
I find this book's range amazing. This slim but engrossing volume reveals new and invigorating ways of “reading” shadow images as the author discusses topics as diverse as food, cosmetics, architecture, jade, and even toilets.
Tanizaki also tackles the sociological differences in shadow interpretation across cultural divides, lamenting the loss of a more traditional interest in the ambiguous shadow as darkness gives way to a Westernization of Japanese culture that brings illumination in its wake.
While I didn’t always agree with his conclusions, they were always interesting, and got me thinking about why I look at shadows the way I do.
An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight and women in the darkness of the house of pleasure.
Who hasn’t caught themselves staring at a shadow? I certainly have. I have always found shadows fascinating. They are both there and not there, present and absent, and this in-between, fleeting nature keeps me staring. Shadows open a space for contemplation, and the list presented here traces a range of responses to the enigma they represent. Transitory images that exist on a fleeting border between light and darkness, shadows seem to invite me to make sense of their vague and shifting outlines, leading to both the joy of imagination as well as to that unsettling but pleasurable feeling of the uncanny as I struggle to fill in their outlines.
I have read this short section of Plato’s highly influential book, Republic, many times in many different settings over the course of my life and have always found it fresh and thought-provoking.
Are we just dupes staring at the secondhand shadows cast by figures on a wall, or will we escape our cave to find the truth in the light of the sun? Shadows have never been so denigrated! Nevertheless, I feel that Plato’s parable still has the power to make me question what it is I am doing with my life even if it was written over two thousand years ago.
The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived…
Lerner's memoir of approaching adulthood in the mid-sixties is deliciously readable, but deceptively breezy. His family is affluent, his school engaging, his friends smart and fun. He has his first car, and drives with abandon. The American moment promises unlimited possibility. But political and cultural upheavals are emerging, and irresistible.…
Who hasn’t caught themselves staring at a shadow? I certainly have. I have always found shadows fascinating. They are both there and not there, present and absent, and this in-between, fleeting nature keeps me staring. Shadows open a space for contemplation, and the list presented here traces a range of responses to the enigma they represent. Transitory images that exist on a fleeting border between light and darkness, shadows seem to invite me to make sense of their vague and shifting outlines, leading to both the joy of imagination as well as to that unsettling but pleasurable feeling of the uncanny as I struggle to fill in their outlines.
Warning: This book will shock, intrigue, sadden, disturb, and ultimately stimulate you. This African American artist has produced an impressive and unique body of artwork that interrogates the conflicted nature of race in America.
This book provides a survey of her visually stunning work, including her controversial silhouette cut-outs that depict various charged images that draw on stereotypes to challenge and rework them. With shadowy figures that hint simultaneously at sexuality, subjugation, violence, and desire, this fascinating volume is not for the faint of heart or the easily disturbed.
Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has…
I write about politics. I grew up in a political household. My mother was a key fundraiser for the Democratic Party and my stepfather served as a White House counsel to President Clinton. Politics and the Washington experience were the air I breathed during my formative years. I followed in their footsteps and co-founded Fight for a Better America, an organization that invests in key battleground districts and states throughout the US, with the goal of either flipping them blue or maintaining a Democratic incumbent. Through my travels with the organization, I have made hundreds of contacts with folks in local civic clubs and organized hundreds of volunteers on the ground.
Wow, if you had any idea how the Trump administration conducted the presidential transition, you would be floored. You likely have some idea of the ignorance and incompetence based on observing President Trump, but Lewis guides us through the fine details not covered in the press. Through incisive interview quotes and masterful story-telling, Lewis manages a brilliant look inside the post-election debacles. He also educates us as to the critical functions of the Departments of Energy and Agriculture and how we all rely on their proper functioning.
Michael Lewis's brilliant narrative of the Trump administration's botched presidential transition takes us into the engine rooms of a government under attack by its leaders through willful ignorance and greed. The government manages a vast array of critical services that keep us safe and underpin our lives from ensuring the safety of our food and drugs and predicting extreme weather events to tracking and locating black market uranium before the terrorists do. The Fifth Risk masterfully and vividly unspools the consequences if the people given control over our government have no idea how it works.
I’m a closet historian who’s always been fascinated by the power of novels to enable readers to travel in time and space and stand in the shoes of historical characters–blending imagination and enlightenment. As a scholar, I’ve worked to uncover women’s unknown and secret histories–histories of subversion, disruption, and humor. As a South African who grew up under apartheid, I passionately believe that if we don’t confront history, we’re doomed to repeat its nastier passages. As a writer, I’ve published a sequel to Jane Austen’s Pride & Prejudice that showed me how immersion in another historical era can enable us to grapple with truths about our current societies.
I’m in awe of this author’s trilogy of award-winning novels about Zimbabwe’s colonial history. Haunting and hypnotic, they blend magical realism, epic history, and social satire. Although they form a series with some recurring characters, all are standalone reads.
Her first, The Theory of Flight, won South Africa’s biggest literary award. The second, recommended here, is a sustained act of grace in which the author climbs into the skin of an alpha white male Rhodesian, Emil Coetzee, whose ambitions lead to his running the doomed colony’s sinister secret police. It humanizes him without excusing him in an imaginative tour de force that asks a burning question: why do we sometimes choose evil?
If you love this book (you will), Ndlovu’s third novel, The Quality of Mercy, brings the series to a redemptive close.
From 2022 Windham Campbell Prize winner Siphiwe Gloria Ndlovu
Book 2 in the City of Kings trilogy, including her multiple award-winning debut novel The Theory of Flight
Set in a southern African country that is never named, this powerful tale of human fallibility—told with empathy, generosity, and a light touch—is an excursion into the interiority of the colonizer.
Emil Coetzee, a civil servant in his fifties, is washing blood off his hands when the ceasefire is announced. Like everyone else, he feels unmoored by the end of the conflict. War had given him his sense of purpose, his identity. But…
I’ve never been a fan of polemics or schmaltz. But that doesn’t mean I don’t want to learn or see new perspectives or feel deep feelings; I just think humor is the best way to get past people’s defenses. (All the better to sucker punch them in the feels.) I also think the world can be a pretty dark and scary place. I love books that give us hope, enough hope to have the courage to change what we can to make the world a little brighter.
I love Pratchett’s work so much in general that it’s really hard to pick just one. His work was side-splittingly funny but also the very best kind of satire. He had pointed things to say about society while also making you care deeply about his characters and making you laugh until your face hurts. Do you know how hard that is?
In this book, the protagonist is a con man forced into trying to resuscitate a dying postal service. He’s petty evil, the kind of selfish who has never thought about what happens to his victims. By the end, you can’t help but root for him to triumph over the much less petty but equally hidden evil of systems and big money. But you also can’t look away from the chaos of ravening stamp collectors, hapless wizards, and a literal avalanche of dead letters.
A beautiful new hardback edition of the classic Discworld novel.
Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork's ailing postal service back on its feet.
It was a tough decision.
But he's got to see that the mail gets though, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer.
Getting a date with Adora Bell Dearheart would be nice, too.
I joined the Nixon administration as a White House Fellow upon Harvard Law School graduation in 1969, so I wasn’t part of Nixon’s 1968 campaign. I served for five years, rising to associate director of the Domestic Council and ending as deputy counsel on Nixon’s Watergate defense team. Given my personal involvement at the time, coupled with extensive research over the past fifteen years, I’m among the foremost authorities on the Watergate scandal, but essentially unknowledgeable about people and events preceding the Nixon presidency. My five recommended books have nicely fill that gap – principally by friends and former colleagues who were actually “in the arena” during those heady times.
Dwight Chapin joined former Vice President Richard Nixon’s staff in 1962, in connection with his unsuccessful California gubernatorial run. He functioned as Nixon’s personal aide for the next decade, spending hours and hours as his “body man.” I knew and worked with Dwight for the four years of Nixon’s first term as president, but worked on domestic policy initiatives and never had the “face time” with the President that he did.
Dwight’s book reflects fifty years of musings about one of our greatest presidents, yet one who resigned in disgrace because of Watergate. His stories, his insights, and his understandings of our 37th President are without parallel.
In time for the 50th anniversary of President Nixon's epic trips to China and Russia, as well as his incredible Watergate downfall, the man who was at his side for a decade as his aide and White House Deputy takes readers inside the life and administration of Richard Nixon.
From Richard Nixon's "You-won't-have-Nixon-to-kick-around-anymore" 1962 gubernatorial campaign through his world-changing trips to China and the Soviet Union and epic downfall, Dwight Chapin was by his side. As his personal aide and then Deputy Assistant in the White House Chapin was with him in his most private and most public moments. He…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
This beautiful book is possibly the most important book of my writing career. I found it in a second-hand bookstore in Dublin on a rainy afternoon and, like the plot, I felt that my finding it was a stroke of providence. I was so moved by the story that I immediately signed up for a writing workshop with the author. That workshop was a defining moment in my life – after it, I knew I wanted to be a writer. Although this story is not directly about art, it shows how a man’s calling, his compulsion to paint, plays a key role in the lives and the destinies of others. The novel has a fairytale-like quality to it, a poetic timelessness that captures the essence of spirituality and love.
A classic love story and a seminal work of Irish literature that is a testament to romance, magic and the power of true love. With an introduction by actor John Hurt.
In love everything changes, and continues changing all the time. There is no stillness, no stopped clock of the heart in which the moment of happiness holds forever, but only the constant whirring forward motion of desire and need. . .
Nicholas Coughlan and Isabel Gore are meant for each other - they just don't know it yet. Though each has found both heartache and joy in the wild…
During a meeting in Fall 2020, a fellow business owner shared that they were about to lose everything and that no one would help them financially to get over this setback. This struck a chord with me, as I come from North Philadelphia and saw many small business owners struggle and ultimately lose their businesses. Thus, my personal goal is to help 1000 small businesses annually, giving them the gift of time, realizing their vision and mission, and leaving a legacy of prosperity. By supporting small businesses, I hope to make a positive impact on families, friends, and communities, creating a world of successful small business owners.
If you want to improve your leadership presence and ability to command a room, Lions Don’t Need to Roar by D.A. Benton is a must-read.
This book highlights the importance of storytelling as a key component of leadership. Most CEOs are great at telling people stories and using them to convince others to get things done. The book emphasizes that as a leader, you are immediately judged by how you appear, not just by what you say.
After reading this book, you’ll learn how to build a powerful leadership presence that inspires and motivates others.
The woman who made self-presentation an art shows how to use professional presence to stand out, fit in and move ahead. Covers the empowering pause, posture, gestures, and more.