Fans pick 86 books like The Origins of the World's Mythologies

All my life I’ve loved looking closely at the natural world to see as much as possible: Why is that leaf broken? Was a chipmunk digging here? Is that a different kind of mushroom? But no matter how closely I looked, I was unaware of the overwhelming complexities and sophistication of the fungal world.

Sheldrake shows the interconnections, not metaphysical ones but actual physical and chemical connections, between fungi, plants, and even living, moving animals. If that chapter about ants doesn’t change how you see the world, I don’t know what will. Fungi own the world, and we are just lucky to live in it.

This is an academic book, but it's beautifully written, and not too, too jargony. Tsing does a kind of commodity ethnography, embedding herself in multiple parts of the lifecycle of the Matsutake Mushroom trade, while depicting the worlds of pickers, restauranteurs, mushroom traders and auctioneers, nature guides, and more. She also weaves in a critique of capitalist markets in which these kinds of natural entities now are embedded, which I dig! 

Guilder uses historical vignettes to describe how entanglement came to be regarded as a – or perhaps the – central pillar of quantum physics. For example, we share a streetcar ride through Copenhagen in 1923 with Niels Bohr, Albert Einstein, and Arnold Sommerfeld. Although we don't know precisely what they discussed, Guilder indicates what they probably discussed based on quotations from letters and other evidence. Thus, the book reads like a historical novel. It centers on the distant correlations, dubbed (by Einstein and Erwin Schrodinger) "spooky action at a distance." Since 1964, physicists have shown this astonishing phenomenon, now called "non-locality," to be clearly predicted by quantum theory and fully confirmed by experiment. This development is the "rebirth" of quantum physics referred to in the title.  Guilder is a non-scientist who writes beautifully with a good grasp of physics.

I won’t lie; this series hurt my brain. It did not hold back with the twists or the depth of dialogue and intrigue either. I love it for the way it showed me the sheer complexity a series could offer. Asimov built a world that felt so real—complete with deep political intrigue, technological advancements, and power struggles that echoed across generations.

What captivated me most was how the storylines tied together over time, often referring back to events from the first book in ways that made everything feel interconnected. You don’t just read the Foundation series; you invest in it, piecing together the layers of Asimov’s universe as you go.

The story is full of big ideas—focusing not just on individuals but on the grand sweep of civilizations rising and falling. I felt that this series taught me the importance of understanding the long game: that things unfolding today may… show more.

Point blank, this book changed the way I see the world. While on its surface, it might not seem like a mental health book, it is a powerful testament that story is the bedrock of consciousness. In reading it, I was asked to reevaluate many of my ideas and truths.

It illustrated how much of what I think makes us different is a shared story and a place where I can connect to others if I’m willing to rattle the cage of the stories I “know” to be “immutable.” This translates into every story I tell about myself and my world. I’ve read it repeatedly, and every time, I pull something new from it.

It has helped me grow by expanding my worldview and has led me to a more comprehensive understanding of the mind, humanity, and the stories we share.

This short book takes a deep dive into the nature of mythology and its relationship to the human mind. As well as the mythologies of past civilizations, Leeming examines modern-day myths and cultural beliefs and shows how myths are living and evolving things that serve a human need to understand the universe. If you have ever wondered what makes a myth a myth, or why everyone seems to have them, this book has some interesting answers.

Another story we discuss in my mental health and literature class, and easily found in any collection of Dostoevsky, The Dream of the Ridiculous Man recounts one desperate and momentous night in the life of the titular depressive and proto-absurdist. His experience revolves around a faith-restoring dream in which (spoiler alert) the narrator shoots himself, is buried alive, pulled from the grave by a black angel, then flown through outer space to an alternate sun with an alternate earth where the local population is enjoying a shamelessly Edinic existence—that is, until the narrator contaminates them with his ego, causing them all to fall from grace, the description of which provides Dostoevsky the opportunity to recap the whole of human history in roughly three pages. Accurately no less. It’s a bravura performance.

I remember reading this slim volume for the first time and being amazed by its clarity. For elegance and power of explanation, it is impossible to beat. For me, it was the bridge between my understanding of the individual human mind and minds in societies and in culture—especially ancient and prehistoric societies. I have always been fascinated by the evolution of the mind, and books that dare to deal with that topic are rare indeed. This one stunned me with its sophisticated descriptions of the types of myth we use throughout our lives, a sophistication matched with clarity of vision rarely put down on paper. It has always been a profound inspiration to the themes of my novels.

Cameron Battle has to be one of the most tenderhearted characters I’ve ever read.

He’s a sweetheart, and just the right hero for this African-inspired fantasy as Cameron portals with his friends into the world of Chidani. There are dangers at every turn, but Cameron handles them all by trusting in his friends, his compassion, and his desire to learn what happened to his parents.

Along the way, I was inspired by Cameron learning more about his family ancestry as well as his own identity.

This popular text on screenwriting relates films to narrative ideas found in ancient myths around the world.

Vogler does an excellent job in demonstrating how films often use elements of plot and character that have proven to be universal characteristics of stories for centuries. He applies these concepts not only to fantasy films but standard Hollywood dramas such as Titanic.