Here are 100 books that The Mystic Masseur fans have personally recommended if you like
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Over the years, I have had the good fortune to visit various ports of call through the eastern Caribbean and have been struck repeatedly not by the sameness but by the diversity of things and people. I also began to lament that those who visit the islands are encouraged to do so as vacationers rather than as travelers – to borrow a binary from the great Paul Bowles. Encountering a place with any sense of generosity necessitates reading about it, and while the titles I have included here represent some of those that I have found most rewarding and exciting, the full list is as long and varied as the archipelago of islands itself.
I don’t think it’s an exaggeration to say that modern historical scholarship focused upon the West Indies begins with Richard S. Dunn’s Sugar and Slaves.Blazing a trail that nearly all subsequent scholars in the field continue to travel, Dunn’s work brings a materialist and statistical awareness to the study of Caribbean history. Though this may sound like a recipe for aridity, the results are anything but dry. In his analysis of medical records, census data, mortality rates, and summaries of plantation inventories, Dunn opens up a picture of the English West Indies not as a society with slaves, but as a true slave society – one dominated by an institution that consumed countless lives with breathtaking indifference (and whose legacy continues to haunt the region today).
First published by UNC Press in 1972, Sugar and Slaves presents a vivid portrait of English life in the Caribbean more than three centuries ago. Using a host of contemporary primary sources, Richard Dunn traces the development of plantation slave society in the region. He examines sugar production techniques, the vicious character of the slave trade, the problems of adapting English ways to the tropics, and the appalling mortality rates for both blacks and whites that made these colonies the richest, but in human terms the least successful, in English America.
Long before I fell in love with History as an academic subject, I fell in love with stories. And as the granddaughter of Caribbean immigrants, true stories of my grandparents’ early lives could transport me to another place as vividly as fiction. So although I have studied History to Master’s level, where I specialized in the legacy of slavery, it is always to fiction that I turn to breathe life into the past. My favourite books are those that are unsettling in the unfamiliarity of the world they create, and yet deeply moving because, at heart, the characters are motivated by timeless and human things like grief, ambition, or love.
This is not a book about history so much as one that has history suffused through it.
To me, it so perfectly captures what I love most about the Caribbean – the way that the past is always close to the surface. Derek Walcott writes so movingly about St Lucia, which is where my grandmother was born.
This is a book that is made for re-reading – I have read it at least three times now, and every time I spot a new line or a new image to savour.
Omeros is the grand epic poem told in multiple chapters from Nobel Prize-winning poet and playwright Derek Walcott.
With circular narrative design, titled with the Greek name for Homer, Omeros simultaneously charts two currents of history: the visible history charted in events--the tribal losses of the American Indian, the tragedy of African enslavement--and the interior, unwritten epic fashioned from the suffering of the individual in exile.
“One of the great poems of our time.” —John Lucas, New Statesman
Over the years, I have had the good fortune to visit various ports of call through the eastern Caribbean and have been struck repeatedly not by the sameness but by the diversity of things and people. I also began to lament that those who visit the islands are encouraged to do so as vacationers rather than as travelers – to borrow a binary from the great Paul Bowles. Encountering a place with any sense of generosity necessitates reading about it, and while the titles I have included here represent some of those that I have found most rewarding and exciting, the full list is as long and varied as the archipelago of islands itself.
Pity Bertram Francis. After more than a decade in the United Kingdom, the protagonist of Caryl Phillips 1986 novel has returned to his home – an unnamed island in the Caribbean – on the eve of independence. But in seeking to find a place for himself, Bertram quickly discovers that long-simmering resentments and petty grudges (particularly on the part of the island’s soon-to-be prime minister) might very well undermine his high-minded commitment to the nation’s future. But is Bertram’s own idealism also part of the problem, manifesting itself in part as a kind of smug elitism born of his studies in the metropole? Exploring the fraught space between obligation, dependency, and autonomy (in matters of state as well as of the heart), this supple novel and its complex protagonist will linger long after you’ve finished reading.
Phillips examines the transitions of a Caribbean nation from colonialism to a dubious state of independence through the experiences of Bertram Francis, a young man who leaves St. Kitts at the age of thirteen to study law on a coveted scholarship in England. Twenty years later he returns, chastened by failure, hoping to succeed at “something that doesn't make me dependent upon the white man.” The rejections Francis faced in England are nothing to those that greet him in his homeland, where the resentments of the people he abandoned are exceeded only by the cynicism of the old friends who…
Over the years, I have had the good fortune to visit various ports of call through the eastern Caribbean and have been struck repeatedly not by the sameness but by the diversity of things and people. I also began to lament that those who visit the islands are encouraged to do so as vacationers rather than as travelers – to borrow a binary from the great Paul Bowles. Encountering a place with any sense of generosity necessitates reading about it, and while the titles I have included here represent some of those that I have found most rewarding and exciting, the full list is as long and varied as the archipelago of islands itself.
Patrick Leigh Fermor is without question one of the greatest travel writers in the pantheon, and this early work clarifies that reputation. Providing a glimpse of the West Indies in the years immediately following the Second World War, Fermor’s book is rich in description, profound in understanding, exuberant in its overall moods and textures. The author is evocative without being effusive, providing a rich sense of cultural and historical context – island after island – without overloading the reader with a mere density of fact. As is not always the case with travel writers (and even very good travel writers), Fermor himself is never the subject. We see things alongside him, as he sees them – grateful at every moment for his learned, humane, and passionate sensibility. This is one of the first travel books about the West Indies to take the islands and their inhabitants seriously.
In the late 1940s Patrick Leigh Fermor, now widely regarded as one of the twentieth century’s greatest travel writers, set out to explore the then relatively little-visited islands of the Caribbean. Rather than a comprehensive political or historical study of the region, The Traveller’s Tree, Leigh Fermor’s first book, gives us his own vivid, idiosyncratic impressions of Guadeloupe, Martinique, Dominica, Barbados, Trinidad, and Haiti, among other islands. Here we watch Leigh Fermor walk the dusty roads of the countryside and the broad avenues of former colonial capitals, equally at home among the peasant and the elite, the laborer and the…
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
The interiority of a depressed, perpetually anxious, and possibly suicidal teen girl recently relocated from Trinidad to Canada is captured with detail and sensitivity. Her trusted circle consists of a single friend from home, her aunt and aunt’s partner with whom she lives in Edmonton, and a new boy, who stirs other complicated feelings in her. The fractures in her relationship with her mother, back home, remain unhealed. It is a deeply melancholic book but it can also potentially make any young person struggling with the same issues feel a little less alone.All of Burt's books are published by Caribbean publishers; to Home Home’s credit, it is one of a handful to have also been released with the US publisher. It’s the realness and insight for me!
Fans of Monday's Not Coming and Girl in Pieces will love this award-winning novel about a girl on the verge of losing herself and her unlikely journey to recovery after she is removed from anything and everyone she knows to be home.
Moving from Trinidad to Canada wasn't her idea. But after being hospitalized for depression, her mother sees it as the only option. Now, living with an estranged aunt she barely remembers and dealing with her "troubles" in a foreign country, she feels more lost than ever.
Everything in Canada is cold and confusing. No one says hello, no…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
Monique Roffey takes you on a father-daughter escape trip sailing from Trinidad to the Galapagos in a sketchy boat to leave behind the loss and sorrow they experienced after a major storm. Thanks to Grace Carr, I was shaped into who I am as a writer and researcher in Trinidad, where I carried out my dissertation work. The Trini cadence for life and love is ubiquitous in this book—it also reminds me of the bond between me and my Dad and our mutual appreciation for a little risk and chaos.
When a flood destroys Gavin Weald's home, tearing apart his family and his way of life, he doesn't know how to continue. A year later, he returns to his rebuilt home and tries to start again, but when the new rainy season arrives, so do his daughter's nightmares about the torrents, and life there becomes unbearable. So father and daughter - and their dog - embark upon a voyage to make peace with the waters. Their journey will take them far from their Caribbean island home, into other unknown harbours and eventually across a massive ocean. They will sail through…
I have always had a lifelong passion for all things maritime. In the early 1980s, I crossed the Atlantic Ocean as a crew companion to the late famous Captain Ted Falcon Barker, author of The Devil’s Gold. The expedition made landfall in the Bahamas, so this area became a focus of fascination. I also have a very strong historical sense, reflected in my poetry and two of my other works of fiction, the novels Charity Amour and No Gentle Bondage.
Michener’s work is an historical panorama, embracing pre-Columbian history, the colonial era – including piracy, right up to the rise of Fidel Castro’s regime. ‘No holds barred.' An absolute ‘must’ for anyone wanting a full background perspective. I found this a fantastic broadener of my horizons.
In this acclaimed classic novel, James A. Michener sweeps readers off to the Caribbean, bringing to life the eternal allure and tumultuous history of this glittering string of islands. From the 1310 conquest of the Arawaks by cannibals to the decline of the Mayan empire, from Columbus’s arrival to buccaneer Henry Morgan’s notorious reign, from the bloody slave revolt on Haiti to the rise of Cuba’s Fidel Castro, Caribbean packs seven hundred dramatic years into a tale teeming with revolution and romance, authentic characters and thunderous destinies. Through absorbing, magnificent prose, Michener captures the essence of the islands in all…
Nightclubs and country clubs figured in my father’s business distributing snack foods in post-WWII “Steel City,” Pittsburgh, where I was served “Shirley Temple” cocktails in martini glasses alongside my parents’ Manhattans. (To my five- and six-year-old eye, the trophy was the maraschino cherry.) Decades later, teaching American literature in the university, my interest deepened in Jack London’s writing, and my book on him demanded close attention to the history of US cocktails and other drinks. London’s memoir, John Barleycorn, frankly details his drinking and eventual capture by alcohol. As a scholar-researcher, I was “captured” by the backstory of US cocktail culture.
Curtis reaches to bestselling author Robert Lewis Stevenson’s Treasure Island (1883) for the song identified with sailors and pirates:
Fifteen men on the dead man's chest—
...Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest—
...Yo-ho-ho, and a bottle of rum!
Whiskey and gin are sidelined as rum takes first prize in this chronicle of Caribbean and South Seas pirates and privateers, sugar barons, and rum drinks from grog to the daiquiri and Cuba Libre (my Key West favorite).
This ten-cocktail capsule of New World history reshuffles history classroom categories to join recent accounts of turbulent times seen through commodities (Bananas, Cod, Salt), but a Bottle of Rum is the most fun, by far!
Now revised, updated, and with new recipes, And a Bottle of Rum tells the raucously entertaining story of this most American of liquors
From the grog sailors drank on the high seas in the 1700s to the mojitos of Havana bar hoppers, spirits and cocktail columnist Wayne Curtis offers a history of rum and the Americas alike, revealing that the homely spirit once distilled from the industrial waste of the booming sugar trade has managed to infiltrate every stratum of New World society.
Curtis takes us from the taverns of the American colonies, where rum delivered both a cheap wallop…
I was born and raised in Haiti where I was known as ti-blan—little white. And when we moved to central Florida, I remember the feeling of utter sadness and despair. I felt wrenched from the place I loved. The only person I could speak creole with was the janitor at the segregated white school. The teacher yelled at me for talking with him. Since then, I have been interested in this weird problem of race in America. I am drawn to women writers and Caribbean women writers. I love books that evoke place and language and tell me a story—but also deal with the specific urgent political questions of our times.
Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.
I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.
Each book listed – including mine – was a top-three finalist for the Burt Award for teen/young adult Caribbean fiction. Children of the Spider stands apart as a blend of fantasy adventure and Caribbean folklore, its teen protagonists on their world-saving mission. It moves from the jungles of Guyana to the city, which is another kind of jungle, and has a fresh take on the legendary West African demi-god Anansi. These kids (a girl who makes a desperate leap between worlds, a boy not slowed by his handicap, and a boy from the streets) have nothing but each other and a trickster spider, maybe, as they face down monsters which seem to be everywhere. It’s an adrenaline rush across a magical landscape. It’s the Anansi reboot for me!
Children of the Spider is a fast-paced adventure, that brings an interesting blend of Afro-Caribbean and greek myth in a riveting contemporary novel. The story follows two Amerindian children, Mayali who is actually a girl from another world and the tech-savvy deaf-mute Joseph as they are being chased by the power-hungry Spider gods from the land of Zolpash. The story moves from the lush hinterlands of Guyana through to the bustling, city of Georgetown where the colonial past continues to rub shoulders with the gritty, contemporary world. It is a refreshing take on Caribbean myth and mythology from an interesting…
