A thoroughly entertaining story. It's hard to put down. As someone who grew up devouring CS Forster's Horatio Hornblower series, I went in wanting to enjoy this nautical tale set in 1803 and was NOT disappointed.
Bush knows his foc's'le from his fife rail, his sheets from his shrouds, and it shows. His attention to detail is outstanding, but he doesn't pile it on with details not germane to the story or how a sailing ship is handled.
The characters are solid and believable. Jamie Sharpe is instantly likable as a talented young sailor whose sense of right, wrong, and duty often gets him into trouble, putting him and others in peril. The story proceeds without delay and has a beautiful structure, pace, and tension.
In 1803, cocky Jamie Sharpe graduates top in his class from Bullard’s Academy, aiming to become a ship’s captain like his long-at-sea father. Unfortunately, wealthy slave trader Captain Cutts produces a note he holds on the Sharpe family fortune. He demands immediate payment or, in lieu, Jamie’s mother’s virtue and her daughter’s hand in marriage to his son, Simon. Only a small fortune can save the family. Racing to secure the money, Jamie is ambushed. He awakes aboard a slaver bound for Africa, at the mercy of his old enemies, Simon Cutts and BIlly Scars. Jamie will need to grow…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
When I started researching the slave trade in the mid-2000s, there wasn’t a great deal of historical work that examined the realities of the trade for its enslaved victims, nor the merchants who organized it.
I therefore had to turn to Barry Unsworth’s exceptional 1993 novel Sacred Hunger, to gain insight into the slave trade’s gruesome realities. Unsworth undertook deep historical research before writing Sacred Hunger, which examines the fictional slaving voyage of the Liverpool Merchant.
The novel vividly exposes the violence, misery, and death that was at the trade’s core, as well as enslaved people’s constant attempts to resist their captivity. He also paints an accurate portrait of slaving merchants’ chilling rationality and “Sacred Hunger” for personal profit, regardless of what achieving that ambition costs in human lives.
Liverpool, 1752. William Kemp has lost a fortune in cotton speculation, and must recoup his losses if his son is to marry the wealthy woman whom he loves. His last resort is a slave ship, one that will take him to the Guinea coast, where he will trade for human cargo, then embark on the infamous Middle Passage. When disease ravages the ship and the African prisoners mutiny, William’s profit-seeking venture falls apart. Slaves and sailors alike will join together to found a utopian community on the coast of Florida—not knowing that the vengeful, younger…
I taught American, European, and World History at the University of British Columbia for over 30 years. I was constantly reminded of the dynamics and consequences of slavery and how a history of black America should be more prevalent in understanding the development of American culture, institutions, and identity over time. In writing two books on colonial America and the American Revolution, the roots of America’s racial divide became clearer and the logic of permanence seemed irresistible. My Shaping the New World was inspired by a course I taught for years on slavery in the Americas. Compiling the bibliography and writing the chapters on slave women and families helped to refine my understanding of the “peculiar institution” in all its both common and varied characteristics throughout the Americas.
An invaluable scholarly source for understanding the Atlantic slave system at its source. Among the book’s virtues are details of the cultures and politics in the area of European penetration and African slavery itself and the African participation in the European trade. This book should be recognized with the extensive literature on the Atlantic slave trade for its acknowledgment of the great range of African languages and cultures that ended up in Brazil, the Caribbean, and North America.
This book explores Africa's involvement in the Atlantic world from the fifteenth century to the eighteenth century. It focuses especially on the causes and consequences of the slave trade, in Africa, in Europe, and in the New World. African institutions, political events, and economic structures shaped Africa's voluntary involvement in the Atlantic arena before 1680. Africa's economic and military strength gave African elites the capacity to determine how trade with Europe developed. Thornton examines the dynamics of colonization which made slaves so necessary to European colonizers, and he explains why African slaves were placed in roles of central significance. Estate…
This is and will remain the example of historical research made by one of the leading authorities in the field of Atlantic history. Elliott’s book set the agenda by investigating and assessing the complex array of causes and consequences which brought England and Spain to have an ever-lasting cultural, economic, political, and religious influence on the history of North America and Latin America.
This book tells the story of the Irish migrants who settled on the island of Montserrat from the early seventeenth century to the mid-eighteenth century. Through a masterful combination of different sources, Akenson reconstructs the colonial world of the Irish, and their ambitions to become rulers and no longer ruled within the lucrative and unruly context of the Caribbean.
Montserrat, although part of England's empire, was settled largely by the Irish and provides an opportunity to view the interaction of Irish emigrants with English imperialism in a situation where the Irish were not a small minority among white settlers. Within this context Akenson explores whether Irish imperialism on Montserrat differed from English imperialism in other colonies. Akenson reveals that the Irish proved to be as effective and as unfeeling colonists as the English and the Scottish, despite the long history of oppression in Ireland. He debunks the myth of the "nice" slave holder and the view that indentured labour…
I’m an award-winning author whose books are all set on my beautiful island of Barbados. Reading and writing have always been a part of my life and I’m obsessed with books that explore other cultures and lifestyles. There’s nothing more intoxicating than reading about new foods and new environments all interconnected by our shared humanity. They could be fantasy books with great world-building or literary fiction that explore a tiny Asian city I never heard about. All of these incredible books have influenced my writing and expanded my knowledge of the world around me.
This book was mandatory reading for most of us going to the Caribbean in secondary school.
For that reason, it may elicit a groan from those who have less than pleasant memories of school-enforced reading. But for me, it really was the first time I remember reading a book set in my home country of Barbados.
It’s a heart-warming coming-of-age story that takes you back and makes you wish for the good old days.
Nearly forty years after its initial publication, George Lamming's In the Castle of My Skin is considered a classic narrative of the Black colonial experience. This poetic autobiographical novel juxtaposes the undeveloped, unencumbered life of a small Caribbean island with the materialism and anxiety of the twentieth century.
Written when Lamming was twenty-three and residing in England, In the Castle of My Skin poignantly chronicles the author's life from his ninth to his nineteenth year. Through the eyes of a young boy the experiences of colonial education, class tensions, and natural disaster are interpreted and reinterpreted, mediated through the presence…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
Much of the recent outpouring of books on the domestic slave trade is an outgrowth of revived debates about the historical relationship between slavery and capitalism in the United States. Calvin Schermerhorn draws that connection as tightly as any historian in recent memory, tracing the financial innovations generated by the trade and following the money around the country and across the Atlantic as a foundation for American economic growth was built on the backs of hundreds of thousands of enslaved people trafficked against their will.
Calvin Schermerhorn's provocative study views the development of modern American capitalism through the window of the nineteenth-century interstate slave trade. This eye-opening history follows money and ships as well as enslaved human beings to demonstrate how slavery was a national business supported by far-flung monetary and credit systems reaching across the Atlantic Ocean. The author details the anatomy of slave supply chains and the chains of credit and commodities that intersected with them in virtually every corner of the pre-Civil War United States, and explores how an institution that destroyed lives and families contributed greatly to the growth of the…
I am a professor of African history at the Royal Military College of Canada, where I teach courses on European colonialism and early and modern Africa. I earned a PhD in history from York University in Canada and spent two years as a postdoctoral fellow at the University of Toronto before joining RMC. My research interests include slavery, slave trade, legitimate commerce, and intercultural marriages in Luanda and its hinterland. I have published articles and book chapters and co-edited (with Paul E. Lovejoy) Slavery, Memory and Citizenship. My first book, Slave Trade and Abolition was published by the University of Wisconsin Press in January 2021.
In this book, Roquinaldo A. Ferreira traces the trajectory of free and enslaved individuals directly and indirectly connected to the slave trade from Angola in the eighteenth and nineteenth centuries. By looking at the life stories of merchants and ordinary men and women in the ports of Luanda and Benguela he reveals the movements of peoples, ideas, capital, cultural practices, and commodities that shaped the South Atlantic World. Ferreira also demonstrates that the Portuguese incorporated indigenous institutions and cultural practices evidencing that cultural exchanges worked both ways. The book is a fine example of the use of microhistory to recover the experiences of subaltern individuals, including the enslaved, women, and criminals.
This book argues that Angola and Brazil were connected, not separated, by the Atlantic Ocean. Roquinaldo Ferreira focuses on the cultural, religious and social impacts of the slave trade on Angola. Reconstructing biographies of Africans and merchants, he demonstrates how cross-cultural trade, identity formation, religious ties and resistance to slaving were central to the formation of the Atlantic world. By adding to our knowledge of the slaving process, the book powerfully illustrates how Atlantic slaving transformed key African institutions, such as local regimes of forced labor that predated and coexisted with Atlantic slaving and made them fundamental features of the…
I have always had a lifelong passion for all things maritime. In the early 1980s, I crossed the Atlantic Ocean as a crew companion to the late famous Captain Ted Falcon Barker, author of The Devil’s Gold. The expedition made landfall in the Bahamas, so this area became a focus of fascination. I also have a very strong historical sense, reflected in my poetry and two of my other works of fiction, the novels Charity Amour and No Gentle Bondage.
Michener’s work is an historical panorama, embracing pre-Columbian history, the colonial era – including piracy, right up to the rise of Fidel Castro’s regime. ‘No holds barred.' An absolute ‘must’ for anyone wanting a full background perspective. I found this a fantastic broadener of my horizons.
In this acclaimed classic novel, James A. Michener sweeps readers off to the Caribbean, bringing to life the eternal allure and tumultuous history of this glittering string of islands. From the 1310 conquest of the Arawaks by cannibals to the decline of the Mayan empire, from Columbus’s arrival to buccaneer Henry Morgan’s notorious reign, from the bloody slave revolt on Haiti to the rise of Cuba’s Fidel Castro, Caribbean packs seven hundred dramatic years into a tale teeming with revolution and romance, authentic characters and thunderous destinies. Through absorbing, magnificent prose, Michener captures the essence of the islands in all…
I'm a historian of slavery and the Atlantic slave trade who was trained with a PhD in History and a PhD in Art History, and who's interested in how slavery is memorialized in the public space as well as in the visual and material culture of slavery. I was born and raised in Brazil, the country where the largest number of enslaved Africans were introduced in the era of the Atlantic slave trade and that still today is the country with the largest Black population after Nigeria, the most populous African country. I believe that studying the history of the Atlantic slave trade and slavery helps us to remedy the legacies of anti-Black racism today.
The Art of Conversion by art historian Cécile Fromont provides us with a rich overview of visual images and material objects witnessing the first contacts between African men and women in the Kingdom of Kongo and European conquerors and missionaries starting in the late fifteenth century.
Richly illustrated with color images of paintings, objects, and artifacts of Christian devotion, this book shows how these early encounters that led to the rise of the Atlantic slave trade in the region of present-day Angola in West Central Africa were marked by the mutual exchanges of valuable objects.
These exchanges were also immortalized in paintings, watercolors, and engravings that help us to understand these first encounters between Africans and Europeans that were so important for the development of the trade in enslaved Africans.
I am a professor of African history at the Royal Military College of Canada, where I teach courses on European colonialism and early and modern Africa. I earned a PhD in history from York University in Canada and spent two years as a postdoctoral fellow at the University of Toronto before joining RMC. My research interests include slavery, slave trade, legitimate commerce, and intercultural marriages in Luanda and its hinterland. I have published articles and book chapters and co-edited (with Paul E. Lovejoy) Slavery, Memory and Citizenship. My first book, Slave Trade and Abolition was published by the University of Wisconsin Press in January 2021.
This book is a mandatory read for anyone interested in the history of the transatlantic slave trade. In Way of Death, the late Joseph C. Milller examines the South Atlantic node of the slave trade within the context of the rise of merchant capitalism in the eighteenth century. Miller explores the connections between Angola, Portugal, and Brazil through the experiences of Africans and slave traders of Portuguese, Brazilian, and Luso-African origins. In this book, Miller advances his now much-debated theory of the expansion of the slave frontier eastwards into the deep interior. Scholars interested in the slave trade from Angola agree that Way of Death is a landmark study both methodologically and theoretically. Miller was able to mine primary sources in the Angolan archives in a time when the country experienced war and authorities were suspicious of researchers.
With extraordinary skill, Joseph C. Miller explores the complex relationships among the separate economies of Africa, Europe, and the South Atlantic that collectively supported the slave trade. He places the grim history of the trade itself within the context of the rise of merchant capitalism in the eighteenth century. Throughout, Miller illuminates the experiences of the slaves themselves, reconstructing what can be known of their sufferings at the hands of their buyers and sellers.
