Here are 100 books that The Moth and Moon fans have personally recommended if you like
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I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is the first of a trilogy of which any book in the series is worth reading. In this farce written long before marriage equality, a gay man hatches an outlandish scheme to throw a wedding, just for the expensive gifts. What follows is a comedy that incorporates blackmail and the mafia. You read this novel for pure pleasure, enjoying the clever one-liners while the plot spirals out of control. Flamboyant, camp, and ridiculously funny.
Set in contemporary New York, this book revolves around four characters, all either unemployed or barely employed. The calamities begin when Gilbert, who is gay, and Moira, an arch bitch, devise a seemingly brilliant plan to swindle their respective monied families - by getting married.
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
This book is probably the single most praised underground gay novel of my generation, and deservedly so. It’s so many things—beautiful writing, an old west setting in all its ugliness and adventure and hope, and a highly original narrative voice in the bisexual native orphan, Shed, who is being raised in a bordello. All the characters are well-drawn and as odd as the narrator, and the erotic journey, if I can call it that, is one of the most original, thought-provoking, and beautiful expressions of the possibilities of queer I’ve ever encountered. Spanbauer has helped me to write more skillfully about class and race and sexuality and how they are everywhere and how they can warp—and sometimes, oftentimes—set people free.
The cult gay classic of the early 1990s, reissued to mark the year of the 50th anniversary of the Stonewall riots
Between nights, earning his keep at Excellent, Idaho's outrageously pink whorehouse, Shed or, Duivichi-un-Dua - lives a life of drinking, talking and smoking opium stardust with his eccentric family. But soon, he will leave this tiny turn-of-the-century town in search of the true meaning of his Shoshone name - and in search of himself.
Along the way Shed will fall in love with the philosophical, green-eyed, half-crazy cowboy Dellwood Barker, a man who talks to the moon, on a…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
Thornton, one of the most frequent winners of the Lambda Literary Award, kicks off his Nick Nowak series with a collection of novella-length stories. Nick is a former police officer turned private investigator. Set in the 80s, the series follows Nick through the AIDS crisis against the backdrop of heart-pounding (and heartbreaking) mysteries.
Finalist for the Lambda Award in Gay Mystery, Boystown: Three Nick Nowak Mysteries takes place in Chicago during the early 1980s. Haunted by his abrupt departure from the Chicago Police Department and the end of his relationship with librarian Daniel Laverty, Nick Nowak is a beat cop-turned-dogged private investigator. In this first book of the series, Nick works through three cases: a seemingly simple missing persons search, an arson investigation, and a suicide that turns out to be anything but. While working the cases, Nick moves through a series of casual relationships until he meets homicide detective Bert Harker and…
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz,to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
Benjamin Justice is a broken man—a former prize-winning journalist whose career (and life) has been shattered by the death of his lover and a scandal surrounding his best-known writing. Recruited by his former boss to assist an up-and-coming journalist, Ben finds himself investigating a murder that occurred outside a gay bar. The series is tightly written and casts a dark glamor across gay life in ’90s California.
It’s 1994, an election year when violent crime is rampant, voters want action, and politicians smell blood. When a Latino teenager confesses to the murder of a pretty-boy cokehead outside a gay bar in L.A., the cops consider the case closed. But Benjamin Justice, a disgraced former reporter for the Los Angeles Times, sees something in the jailed boy others don’t. His former editor, Harry Brofsky, now toiling at the rival Los Angeles Sun, pries Justice from his alcoholic seclusion to help neophyte reporter Alexandra Templeton dig deeper into the story. But why would a seemingly decent kid confess to…
As a gay writer who has navigated some difficult life changes of my own, including cancer, a gay bashing, and the death of an early love, I always enjoy finding writers whose gay characters must deal with their own challenging life issues. Whether it's a coming-of-age tale, a puzzling mystery, or a suspenseful fantasy, each character comes to terms with accepting who he is in an often hostile world.
All the Croy books are so descriptive and imaginative, well-plotted, and with great characters the reader cares about. It's been fun seeing them grow, change and develop through the series, set in the small, fictional town of Croy. Rumor has it this is the last in the series, but I'm hoping for more.
Set in the same Oklahoma town as the rest of the cycle, this fourth and final book in the series starts on the same afternoon that ends Book 3, but on the other side of town. Characters that appeared only in the wings before-gender-fluid Beau and robust farm boy Frank-suddenly take center stage. Beau follows his dream of starting a rock band, and Frank faces the devastating end of his only real connection in life and the disintegration of his family. Their lives intersect with the three young adults readers have come to know: Joanie, with her insatiable curiosity and…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I’ve been writing queer historical romances/murder mysteries since the third grade when I accidentally wrote a pretty homoerotic Sherlock Holmes fanfiction despite being too young to know what any of those words meant. I’m now both a writer and reader of the genre and while I’m delighted that so many other people love gay historical romance as much as I do, I feel like I always see the same few books recommended. I wanted to share some of my lesser-known favorites so that they can get the love they richly deserve and so that there are more people who can geek-out about them with me!
A fun, festive little romance that I re-read any time of the year when I need a little more warmth in my heart.
Honestly, I could go on about the fun country manor setting, the delightful side characters, or the sweet relationship between the two leads, but all I’m going to say is that it has one of the most amazing, over-the-top romance novel covers ever and it is 1000% worth checking out for that reason alone.
