Here are 100 books that Blue Heaven fans have personally recommended if you like
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I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
To be fair, there is a love story featured in this novel, but it’s not at the heart of this tale. This is a historical piece full of captivating characterisation. Robin is a burly man who’s clumsy and unpopular in the small coastal town he lives in. But a horrendous storm is brewing, and Robin takes it upon himself to gather the townsfolk and get them to shelter at The Moth and Moon, the local pub. The world building is excellent. All characters are well realised. Most are eccentric. None are forgettable. And these elements make this tale truly charming.
In the summer of 1780, on the tiny island of Merryapple, burly fisherman Robin Shipp lives a simple, quiet life in a bustling harbour town where most of the residents dislike him due to the actions of his father. With a hurricane approaching, he nonetheless convinces the villagers to take shelter in the one place big enough to hold them all—the ancient, labyrinthine tavern named the Moth & Moon.While trapped with his neighbours during the raging storm, Robin inadvertently confronts more than the weather, and the results could change everything.
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
First published in 1980, Gaywyck was the first historical gay gothic romance. Virga, whose day job for forty years was as photo editor, turns his extraordinary eye on turn-of-the-last century New York.
The tangled lives, dark secrets, and mad love – all conventions of the romance genre – are stood on their heads in this reimagining. “I realized genre has no gender,” Virga says, and set about cannily reversing roles and inverting tropes to fashion a puzzle wrapped in an enigma of requited and unrequited love.
Gaywyck stands the test of time and remains a modern classic.
Gaywyck is the first gay Gothic novel. Long out of print, this classic proved that genre knows no gender. Young, innocent Robert Whyte enters a Jane-Eyre world of secrets and deceptions when he is hired to catalog the vast library at Gaywyck, a mysterious ancestral mansion on Long Island, where he falls in love with its handsome and melancholy owner, Donough Gaylord. Robert's unconditional love is challenged by hidden evil lurking in the shadowy past crammed with dark sexual secrets sowing murder, blackmail, and mayhem in the great romantic tradition. As Armisted Maupin urged, “Read the son of a bitch!…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz,to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
This book affected me very deeply because it’s set in the 80s and 90s when I was in my twenties and thirties. It describes with astonishing accuracy the political cruelty that abounded at that time. For me, the real hero of the book is Leo. He’s not only gay but also Black which makes him a double target for the prejudice of the time. The way he tackles it head on in the book is breathtaking.
In the summer of 1983, 20-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: Tory MP Gerald, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions.
As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese…
When I was a teenager, I didn’t have romance in my life. I was so extremely shy that I could barely look at people I thought were cute, let alone talk to them. I lived vicariously through books. Now that I’m older (and way less shy), I still love reliving that time of my life through books. How would I have reacted differently in the same situation? How would things have been different if I had been more outgoing? Only recently, I realized that I was queer, and I’ve been slowly dipping my toes into that world as well.
This was my first read of Jason’s work, and I was pleasantly surprised by just how much I loved it.
The mythology of the world was incredibly well-built, and I loved it when the humans got involved, too. The fat rep was incredible. It’s amazing to read about characters described like myself. The non-binary rep was excellent.
Overall, this was a fun read that I borrowed from the library and then bought because I loved it.
From Jason June, author of the breakout teen debut novel Jay's Gay Agenda, comes Out of the Blue, a stand-alone dual POV queer rom-com that asks if love is enough to change everything you've grown up believing. Perfect for fans of Cemetery Boys by Aiden Thomas and Deep Blue by Jennifer Donnelly.
Crest is not excited to be on their Journey: the month-long sojourn on land all teen merfolk must undergo. The rules are simple: Help a human within one moon cycle and return to Pacifica to become an Elder-or fail and remain stuck…
On paper, it would be easy to think I’m the wrong person to recommend these books and write my own, which would fit easily onto this list. But as a lover of love and someone who has always enjoyed the company of men, particularly gay men, this is an area I have passion for - seeing hopeful and authentic love stories written for the masses.
As an ex-competitive athlete, I’m a sucker for sports romances, and this one was an absolute winner for me.
The characters are all enjoyable, not just the two main characters but the entire supporting cast. I wanted to be a part of the team Tommaso played for and I wanted to join Carter in decorating homes.
For me, this was such a comfort read, and one I’ll go back to when I need something familiar that I can just melt into and enjoy the world these two lovebirds live in.
TOMMASO The furniture district is my personal hell. I don’t know my ass from an ottoman. But when a hot designer comes to my rescue, I realize my problems are bigger than the house I’m trying to furnish. A scorching kiss over fabric samples makes me question all my choices. But is it too late to change my entire life to get more of them?
CARTER I need this gig, but my cocky new client leaves out a couple crucial details: He doesn’t mention that he's a famous hockey player. And he doesn’t own up to the way he’s always…
For some reason, many gay men like to talk to me about what they find important. For my part, I love to listen. The subject often turns to couples they know and how they got together. The most interesting conversations center around how two unlikely men meet, fall in love, and marry. Because my first husband was a closeted gay man, I am interested in how gay men view love and how they decide whether to get married. I myself am neither gay nor male. I pass along what I’ve heard and learned in order to open readers’ hearts and minds. Peace.
This book resonates with me for a lot of reasons. The first is that I was married to a gay man before I met my current husband. Friends said his being gay would break us up, and they were right.
One of the protagonists in Reed’s book is a gay man married to a woman. So I was anxious to see what Reed, a gay man who was once also married to a woman, would do with this.
Secondly, I taught in a community college where many of my students had dropped out of school because they’d been bullied like one of the key characters in this book. One of the first essays the first year students were asked to write was a self-examination.
Many of the formerly bullied students wrote about how traumatic high school had been and how they felt unlovable because of it. My first published books…
Teacher Dane Bernard is a gentle giant, loved by all at Summitville High School. He has a beautiful wife, two kids, and an easy rapport with staff and students alike. But Dane has a secret, one he expects to keep hidden for the rest of his life - he's gay.
But when he loses his wife, Dane finally confronts his attraction to men. And a new teacher, Seth Wolcott, immediately catches his eye. Seth himself is starting over, licking his wounds from a breakup. The last thing Seth wants is another relationship, but when he spies Dane on his first…
