Here are 96 books that The Mezzotint fans have personally recommended if you like
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To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
My mother’s favorite horror story. (She called them “Ooo-yeah!” stories) It’s a ghost story where the principal characters are as haunted as the mysterious house they’re investigating. It's a terrific character study with lots of subtle hints that the ghosts are real. Or are they?
One lasting memory is the scene where Eleanor and Theodora are in bed and terrified by growing sounds that imply something other-worldly is closing in on them. One asks the other to stop squeezing her hand so tight, to which the other replies. “I’m not holding your hand.” Yikes.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
I’m an avid reader of the works of Daphne Du Maurier. Of all her works, I particularly enjoyed the macabre tale of The Apple Tree. It struck a note with me, presenting the reader with the possibility of interpreting the events recounted either as being supernatural or psychological. I'm left asking myself if the mind of the protagonist is disturbed by the heavy burden of guilt or if it is the work of his dead wife seeking a terrible revenge? This resonates with my own conflict between spiritual sceptic and dreamer.
"[These] miniature books chosen and illustrated by the cartoonist Seth . . . [offer] chills-and charm." -New York Times Book Review
We're thrilled to offer this series of beautifully illustrated, collectible books. Designed and illustrated by the world-renowned cartoonist Seth, they're trimmed to fit the coziest stocking.
A widower admits it only to himself: Midge's death is a relief. Yet now that he's free of her hectoring, he still feels her presence. Does he feel guilty? Or does that weather-beaten tree in the orchard bear an uncanny resemblance to her hunched posture?
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
This short story reminds me of a disused railway line that my siblings and I took to be a playground when we lived in a small village in North Wales. All that remained of the route was the track ballast. The route was some two miles long and at one point cut into the hillside before entering a long dark tunnel. It was easy to imagine a steam train from bygone years appearing in the mouth of the tunnel, much as the engine that brought the doom of the signalman in Dickens’s tale.
"This book is amazing." Halloween might seem like the spookiest time of year, but Charles Dickens felt otherwise. He was among the many authors who set their scariest stories during the dim and shivering days of--yes, Christmas. First published in 1866 for a special yuletide issue of All the Year Round, Dickens' "The Signalman" has since fallen into obscurity. An eerie story of isolation, dread, and supernatural visitation, this book is a small treasure, meant to be read aloud on a cold, dark winter night.
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
The only book I've listed which claims to be a true story. My father owned several volumes written by Harry Price and by far the most interesting to me as a boy was the story of Borley Rectory. Though I now view Price’s narrative through more skeptical eyes, it still sends a chill down my spine when I read his claims of ghostly writing and sightings of the mysterious nun walking on the moonlit grounds. Alas that the building has long disappeared…I'm certain that I would have been drawn to it. Thinking about it, perhaps it is better that it has gone…I may be a cynical observer, but irrational fear of the unknown lives just as actively in the sceptic as it does in the convinced.
I grew up on a steady diet of Disney movies, and while I knew they didn’t stay true to the original tales, that didn’t stop me from loving them. Fast-forward through an MFA in genre fiction from Seton Hill University, and I landed a gig writing study guides for fiction novels, where I put my love of fairy tales to good use. In particular, retellings fascinate me because they bring something new to something old. The books on this list stayed with me because of their deep ties to stories that shaped who I am, and I hope you enjoy them as much as I did.
I read this a few years ago, thought it was cute, and moved on. I recently reread it on a much deeper dive, and I found a story that was so much more than it appeared initially.
Gidwitz’s humor is excellent—I laughed out loud reading this. But he also touches on so many themes that are present throughout fairy tales while not shying away from either the darkness or the light.
I loved the way he combined some of the lesser-known tales with Hansel and Gretel to make something that was more than any one story had been before. It was something I wanted to replicate in my own way, and he does it so well.
In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches.
Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.
I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.
The Magic Circle is a retelling of Hansel and Gretel from the witch’s point of view. (I absolutely adore all of Donna Jo Napoli’s fairy tale retellings, so it was hard to pick just one!) I love how she is able to take an evil character from the original fairy tale and completely humanize her, writing her backstory and making her so sympathetic that by the time we get to that fateful scene with the oven, I was in tears. Not only are the characters brilliantly drawn, but the book is set in Medieval Europe and meticulously researched, bringing this time and place to life.
From the author of Zel, Stones in Water, and The Prince of the Pond.
Deep in the woods lives the old witch called Ugly One. All she wants is to forget—the she was once a loving mother and a healer, blessed and powerful within her magic circle, and not a witch, claimed by the devils. Then one day she hears the footsteps she dreads. Then real voices—children’s voices. The Ugly One longs to take care of sturdy, sensible Gretel and her young brother Hansel. They are such good children, such delicious, beautiful children. But demons’ voices scream in her head:…
The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.
This book explores a parallel world, a familiar world like the protagonist’s but a mixture of a better and worse one, what could keep her there, and wanting to get out.
I watched the adapted film first then read the book, in a way, seeing them both is like looking at two different universes like I’ve been looking at the Other Coraline book. I recommend reading the book if you have seen the film, to spot differences but still enjoy a journey.
And it is a great journey even if the book is your first exploration in the story.
"Sometimes funny, always creepy, genuinely moving, this marvellous spine-chiller will appeal to readers from nine to ninety." - "Books for Keeps". "I was looking forward to "Coraline", and I wasn't disappointed. In fact, I was enthralled. This is a marvellously strange and scary book." - Philip Pullman, "Guardian". "If any writer can get the guys to read about the girls, it should be Neil Gaiman. His new novel "Coraline" is a dreamlike adventure. For all its gripping nightmare imagery, this is actually a conventional fairy story with a moral." - "Daily Telegraph". Stephen King once called Neil Gaiman 'a treasure-house…
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
This is an anthology that falls most recognizably into the theme of this list. It’s the “what if…” premise that examines how villains are made. Nurture versus nature. Fate at its most cruel and cunning. There are 33 stories in this book by different authors working to show you what is and make you wonder what might have been. (And spoiler alert: this collection includes my origin story for the wicked witch from Hansel and Gretel.)
What makes someone a villain? What makes a person "evil"? What drove them to their actions? Were they good once, or have they always had a heart full of darkness? See things from the other side as these 33 stories explore just what makes a villain tick.
Featuring 33 stories by Steven S. Hood, Devin Lagasse, T.C. Cumberland, Jesse Weiner, Michelle Mellon, M A Smith, Alex Collingwood, Eddie D. Moore, Jesse Sprague, A.P. Sessler, Helen Mihajlovic, Lionel Ray Green, J.G. Formato, Ville Merilainen, Nicole Tanquary, J. Patton, P.J. Reed, Kristyl Gravina, Chad A. Clark, S. Locke, Jared Zygarlicke, Paul Tanner,…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.
"What would happen if Terry Pratchett, Neil Gaiman, Emma Newman and K.E. Mills (in her Accidental Sorcerer mode) got together and had a fairy tale themed writathon? This, my friend, is probably what would happen."
Bea is a lowly cabbage fairy, but she dreams of being an official fairy godmother. Of course, no one thinks a cabbage fairy could run a story, least of all the other fairy godmothers. Until, one day, someone offers Bea a chance to prove herself. One heroine, one week, one marriage at the end of it. Easy, right?
I’m a Shirley Jackson Award-nominated author of horror fiction and have always had an affinity for the autumn season. I grew up in North Carolina and have wonderful memories of the time of year when the summer heat finally ends and the chill returns—the season of long walks in the turning woods, campfires, ghost stories, and, of course, Halloween. There’s something about that time that has always stuck with me and finds its way into my writing even now. My first collection, As Summer’s Mask Slips and Other Disruptions, draws on this period of transition and so I absolutely love sharing those works which have influenced and entertained me.
This graphic novel collection of horror stories is the perfect companion to ease you through the final stages of autumn and into winter. I’ve been a huge fan of author/artist Emily Carroll since her earliest webcomics, and this book perfectly captures how her gorgeous art and inventive use of space combine with poetic prose to invoke the feeling of the creepiest fairytales and fables. Carroll has a real mastery of the horror of the unknown and unexplained, and her stories provide no easy answers or cheap twists but instead linger long after the end. Even years later, I still get a shiver from my favorite, “His Face All Red”! The settings and moods capture the slow creep of autumn into winter’s chill and the darkness beyond.
