Here are 91 books that The Mediterranean and the Mediterranean World in the Age of Philip II, Vol. 1 fans have personally recommended if you like
The Mediterranean and the Mediterranean World in the Age of Philip II, Vol. 1.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Jan Morris, who writes as elegantly as anyone about Venice, conducts us on a historical cruise through its maritime empire – both a history and a travelogue. It’s a beguiling evocation of the Mediterranean that we all dream of. Venice at one time or another held Constantinople, Crete, Cyprus, the dotted islands of the Aegean and the coast of Dalmatia – an empire of forts, harbours, and naval bases, all badged with Venice’s corporate logo – the winged lion. In Morris’s hands it’s an invitation to sail immediately. Her book on Venice itself is excellent too.
For six centuries the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean - an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'.
Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
We are reminded on almost a daily basis of the plight of refugees in fragile boats that this sea can be cruel as well as kind. The present diaspora has its forerunners – in this book the great population exchange of 1923 that saw the displacement of two million people across the Mediterranean: Greeks living in the Ottoman Empire, Turks living in Greece. Bruce Clarke both explains the chain of events in the aftermath of the First World War and records the personal stories of those who were uprooted from the places they called home. They have a familiar resonance, the repeating patterns of memory and loss: ‘I remember the day they went away,’ recorded a Greek woman of her Muslim neighbours. ‘Some kissed the earth, some took bowls of soil with them. They were decent types; their menfolk used to attend our funerals, and we would exchange presents of…
In the dismantling of the Ottoman Empire following World War I, nearly two million citizens in Turkey and Greece were expelled from homelands. The Lausanne treaty resulted in the deportation of Orthodox Christians from Turkey to Greece and of Muslims from Greece to Turkey. The transfer was hailed as a solution to the problem of minorities who could not coexist. Both governments saw the exchange as a chance to create societies of a single culture. The opinions and feelings of those uprooted from their native soil were never solicited.
In an evocative book, Bruce Clark draws on new archival research…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
When life gets a little too much I’d recommend a visit to Corfu in the 1930s with Lawrence Durrell. It’s a diary, semi-fictionalised, of a year living on the island, both a history and a personal evocation of one corner of the Mediterranean world – Corfu’s people, landscape, and history, woven through Durrell’s island idyll beside the most enchanting sea. Durrell hunts fish at night by lamplight, discusses philosophy in taverns, records the timeless cycles of island life – olive harvesting, grape gathering, village festivals, puppet shows, folklore, and superstitions –and sits by candlelight watching the moon rise over the sea, the night air ‘cool as a breath from the heart of a melon’. It’s bitter sweet.
Lose yourself in this glorious memoir of the island jewel of Corfu by the king of travel writing and real-life family member of The Durrells in Corfu.
'In its gem-like miniature quality, among the best books ever written.' New York Times
In his youth, before he became a celebrated writer and poet, Lawrence Durrell spent four transformative years on the island jewel of Corfu, fascinated by the idyllic natural beauty and blood-stained ancient history within its rocky shores.
While his brother Gerald collected animals as a budding naturalist - later fictionalised in My Family and Other Animals and filmed as…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Logue’s modernist reworking of the Iliad – the Trojan war - mother of all Mediterranean contests, is quite unlike anything you’ll ever read. Logue doesn’t translate, he remakes. It’s as cinematic as a film script, cast in a poetic language as brilliant as anything in modern times, full of jump cuts, staccato effects, and startling contemporary references. The violence of the fighting has a slamming immediacy (‘Dust like red mist/Pain like chalk on slate’), the Mediterranean – ‘the sea that is always counting’ - glimmers and sighs, the Gods behave like spoiled children, helicopters go whumping over the dunes.
A remarkable hybrid of translation, adaptation, and invention
Picture the east Aegean sea by night, And on a beach aslant its shimmering Upwards of 50,000 men Asleep like spoons beside their lethal Fleet.
“Your life at every instant up for― / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because, as someone from a working-class background, this book really spoke to me as young person – I was born two years after it was published in 1965. It is profoundly wrong and romanticizes its subject, but it remains a classic, because Thompson was a brilliant writer and because henceforth no one could ignore those previously excluded from the historical narrative.
Fifty years since first publication, E. P. Thompson's revolutionary account of working-class culture and ideals is published in Penguin Modern Classics, with a new introduction by historian Michael Kenny
This classic and imaginative account of working-class society in its formative years, 1780 to 1832, revolutionized our understanding of English social history. E. P. Thompson shows how the working class took part in its own making and re-creates the whole-life experience of people who suffered loss of status and freedom, who underwent degradation, and who yet created a cultured and political consciousness of great vitality.
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because it’s a story about ordinary people. But it’s a true story.
It reads like a fairytale: a peasant, Arnaud du Tilh, is accused of impersonating another man who had abandoned his wife several years before. Arnaud seems to have outwitted the judges until the errant husband returns condemning the impostor to death.
I like this story because it helps to identify with men and women in the past, who in many respects, are just like us. It’s also a piece of great history reconstructed from original trial records. Davis is a great writer.
The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer's day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because on the one hand it tells an incredible story of adventurous derring-do – how a few hundred men conquered a vast empire – and other hand is a testimony to the brutality and savagery that accompanied European colonization.
Diaz is crucial to understanding our present condition. I admire it because it helps us to understand why Europe emerged as the most important region in world history and reminds us of the terrible consequences that conquest had for indigenous people.
2020 Reprint of the 1963 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Díaz took part in the campaigns against the Mexica, later called the Aztec Empire. He was a highly experienced member of Hernán Cortés's expedition. During this campaign, Díaz spoke frequently with his fellow soldiers about their experiences. These accounts, and especially Díaz's own experiences, served as the basis for the recollections that Díaz later told with great drama to visitors and, eventually, in a book entitled Conquest of New Spain. Therein Díaz describes many of the 119 battles in which he…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
If you haven’t read Montaigne’s Essays start now. I suggest reading one a day – they’re quite short.
I love this book because Montaigne is a genius for all time. Montaigne exploration of what it means to be human remains relevant today. It connects our world with past and shows that, although technology has changed and we can become a lot richer, humans haven’t changed so much.
Montaigne’s Essays are not a relic, they are the mirror on our present condition.
One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533-92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau, turning his back on the world, and stoically detaching himself from his violent times? In this definitive biography, Philippe Desan, one of the world's leading authorities on Montaigne, overturns this longstanding myth by showing that Montaigne was constantly concerned with realizing his political ambitions--and that the literary and philosophical character of the Essays largely…
My early memories of San Francisco in the late 1970s are anything but glamorous. We lived in a crummy apartment down the street from the People’s Temple, and my preschool, in the always gray Sunset, served carob, not chocolate. Despite decamping for the greener pastures and white sands of Carmel-By-The-Sea, I was forever hooked by the gritty magic of San Francisco. I eventually returned to the city’s foggy Richmond District, where now I ruminate on past adventures, plot new ones, and write about the place I love. I'm the author of Moon Napa Sonoma, Moon California, and Moon Northern California, and my work has appeared in 7x7, the San Francisco Chronicle, and Alaska Magazine.
Rebecca Solnit’s San Francisco is an onion; not one to be peeled back, but one whose paper skins remain overlapping in layered complexity. Reflecting the city’s élan, this odd-sized book is a beautiful compendium of exquisitely illustrated maps, each unique in style and in juxtaposing themes. You’ll open it to find one plotting Bay Area culinary establishments against its Super Fund sites; then flip to a quixotic mapping of murders and Monterey Cypress; then to another revealing the lost world of South of Market or the Third Street corridor from 4000 B.C.E. to 2001. Each map has a corresponding essay, many written by writers other than Solnit, adding to the vibrancy of voices in this masterwork of a diverse and complex place.
What makes a place? "Infinite City", Rebecca Solnit's brilliant reinvention of the traditional atlas, searches out the answer by examining the many layers of meaning in one place, the San Francisco Bay Area. Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically - connecting, for example, Eadweard Muybridge's foundation of motion-picture technology with Alfred Hitchcock's filming of "Vertigo". Across an urban grid of just…
When I was young, I read Bambi…and it made me want to go hunting. Perhaps I missed the point. But at the time, I thought Bambi’s exploits sounded much like the animal yarns my dad brought home from his autumnal hunting trips. Both fascinated me. I loved the idea of getting a glimpse into a secret world where animals starred in their own stories and people were, at most, part of the scenery. As an environmental historian, I’ve tried to wring those kinds of stories out of historical documents that are much more suited for telling us about human actions and desires.
I cut my environmental historian’s teeth on Ecological imperialism. While not entirely about animals, Crosby’s book was the first to suggest to me how nonhuman creatures could influence human history. This is an environmental history classic by the author who coined the now widely used term “the Columbian Exchange.” In Ecological Imperialism, Crosby expands upon this concept to argue that European colonizing successes were due in large part to the introduction Old World animals, plants, and diseases to the Americas and elsewhere. Colonists reshaped the environment, creating ecological “Neo-Europes” in the New World. What I took away from this book was the novel notion that animals could be active colonizers themselves. I learned that animals could be responsible for changing the landscape and carrying foreign cultures into new lands.
People of European descent form the bulk of the population in most of the temperate zones of the world - North America, Australia and New Zealand. The military successes of European imperialism are easy to explain; in many cases they were a matter of firearms against spears. But as Alfred W. Crosby maintains in this highly original and fascinating book, the Europeans' displacement and replacement of the native peoples in the temperate zones was more a matter of biology than of military conquest. European organisms had certain decisive advantages over their New World and Australian counterparts. The spread of European…
Interested in
human geography,
the Mediterranean,
and
Odysseus?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
human geography,
the Mediterranean,
and
Odysseus.
