Here are 100 books that Twice a Stranger fans have personally recommended if you like
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I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because it changed the way I look at the world. It was a game changer when it was first written in French in 1949 and remains essential reading for anyone interested in European History.
Braudel offers a panoramic view of Europe’s diverse civilizations and how they were shaped by the continent’s environment and geography. Centred on the Mediterranean Braudel ranges across time and space and explores the interaction, exchange and conflict between people who lived on the sea, in the mountains and on the plain.
It remains a classic because Braudel was a rare thing among historians – he was a great writer.
The focus of Fernand Braudel's great work is the Mediterranean world in the second half of the sixteenth century, but Braudel ranges back in history to the world of Odysseus and forward to our time, moving out from the Mediterranean area to the New World and other destinations of Mediterranean traders. Braudel's scope embraces the natural world and material life, economics, demography, politics, and diplomacy.
Growing up in what was becoming Silicon Valley, I escaped to San Francisco on weekends and, through it, fell in love with what other great cities have to offer. However, as an environmental writer and TV producer there in the 1980s, I became aware of how cities exploit the territories on which they rely. A winter sojourn in the most lovely, fragile, and ingenious of all towns—Venice—in 1985 focused my too-diffuse thought on what might otherwise seem a contradiction.The lagoon cityis, as John Ruskin said, the finest book humanity has ever written; I owe it my life and the book it inspired.
I first read this book while living in Venice in the winter of 1985. Morris writes of a sea voyage along the ancient trade route and to the maritime colonies of her beloved lagoon city and, in the process, reveals much about the aggression and rapacity required by its merchant rulers to build one of humanity’s most beautiful and audacious creations.
Her book, along with Mumford’s, was formative for my understanding of the dependence of imperial cities upon an expansive hinterland and the role of warfare in its acquisition. In Venice’s case, its ship-building Arsenale made possible the splendid palaces that line the Grand Canal and the immense pile of loot that is the Basilica San Marco.
For six centuries the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean - an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'.
Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
When life gets a little too much I’d recommend a visit to Corfu in the 1930s with Lawrence Durrell. It’s a diary, semi-fictionalised, of a year living on the island, both a history and a personal evocation of one corner of the Mediterranean world – Corfu’s people, landscape, and history, woven through Durrell’s island idyll beside the most enchanting sea. Durrell hunts fish at night by lamplight, discusses philosophy in taverns, records the timeless cycles of island life – olive harvesting, grape gathering, village festivals, puppet shows, folklore, and superstitions –and sits by candlelight watching the moon rise over the sea, the night air ‘cool as a breath from the heart of a melon’. It’s bitter sweet.
Lose yourself in this glorious memoir of the island jewel of Corfu by the king of travel writing and real-life family member of The Durrells in Corfu.
'In its gem-like miniature quality, among the best books ever written.' New York Times
In his youth, before he became a celebrated writer and poet, Lawrence Durrell spent four transformative years on the island jewel of Corfu, fascinated by the idyllic natural beauty and blood-stained ancient history within its rocky shores.
While his brother Gerald collected animals as a budding naturalist - later fictionalised in My Family and Other Animals and filmed as…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Logue’s modernist reworking of the Iliad – the Trojan war - mother of all Mediterranean contests, is quite unlike anything you’ll ever read. Logue doesn’t translate, he remakes. It’s as cinematic as a film script, cast in a poetic language as brilliant as anything in modern times, full of jump cuts, staccato effects, and startling contemporary references. The violence of the fighting has a slamming immediacy (‘Dust like red mist/Pain like chalk on slate’), the Mediterranean – ‘the sea that is always counting’ - glimmers and sighs, the Gods behave like spoiled children, helicopters go whumping over the dunes.
A remarkable hybrid of translation, adaptation, and invention
Picture the east Aegean sea by night, And on a beach aslant its shimmering Upwards of 50,000 men Asleep like spoons beside their lethal Fleet.
“Your life at every instant up for― / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
Reading this book you will come to understand the extent of the suffering brought on by World War I to Ottoman society.
I particularly like Akin’s retelling of the experience of ordinary people who lived through the ordeal. Accounts of the war by soldiers and survivors of the nearly decade-long conflict that engulfed Ottoman lands add texture and shape to the military narrative that began in 1914 and only came to an end with the signing of the Treaty of Lausanne in 1923.
The Ottoman Empire was unprepared for the massive conflict of World War I. Lacking the infrastructure and resources necessary to wage a modern war, the empire's statesmen reached beyond the battlefield to sustain their war effort. They placed unprecedented hardships onto the shoulders of the Ottoman people: mass conscription, a state-controlled economy, widespread food shortages, and ethnic cleansing. By war's end, few aspects of Ottoman daily life remained untouched.
When the War Came Home reveals the catastrophic impact of this global conflict on ordinary Ottomans. Drawing on a wide range of sources-from petitions, diaries, and newspapers to folk songs and…
Studying unexplored topics has always fascinated me as a historian. Some overlooked aspects in history might shed a new light on many things that we consider obvious. I studied the Ottoman home front during the First World War from an unusual perspective by taking up the concept of moral crisis. Until very recently, talking about the First World War in the Middle East meant talking about only the European side of the story such as the famous “Lawrence of Arabia” and/or only political events that were attached to the Anglo-British rivalry. Instead, we need a “new” history of this watershed event that takes the local aspects into consideration. After all, the Great War was the most remarkable moment in the history of the Middle East which shaped its modern dynamics.
Based on a wide array of archival sources, the book discusses the Ottoman governance of Greater Syria during the First World War. During the war, the Ottoman government-appointed Cemal Pasa, one of the chief names of the ruling Committee of Union and Progress, as the commander of the Fourth Army and the military governor of Ottoman Arab provinces to lead a campaign against in the British-held Suez Canal. However, in addition to the military aim of this appointment, there was also a political and social one that can briefly be summarized as further centralization of the state through the “iron fist” of the governor. The book presents us the power struggle in the region between the Ottoman government, Arab leaders, Zionists, and the Central Powers (the allies of the Ottoman Empire during the war) who attempted to increase their influence in the region after the British and French were declared…
During the First World War, Cemal Pasha attempted to establish direct control over Syrian and thereby reaffirm Ottoman authority there through various policies of control, including the abolishment of local intermediaries.
Elaborating on these Ottoman policies of control, this book assesses Cemal Pasha's policies towards different political groups in Syrian society, including; Arabists, Zionists, Christian clergymen and Armenian immigrants. The author then goes on to analyse Pasha's educational activities, the conscription of Syrians- both Muslim and Christian, and the reconstruction of the major Syrian cities, assessing how these policies contributed to his attempt to create ideal Ottoman citizens.
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
This magisterial and sweeping history explains why the Ottomans went to war on the side of the Central Powers and how they failed to achieve victory. It discusses the military confrontations and battlefront traumas that resulted from the decision to go to war against the Allies in 1914 in a highly readable and engaging style.
By 1914 the powers of Europe were sliding inexorably toward war, and they pulled the Middle East along with them into one of the most destructive conflicts in human history. In The Fall of the Ottomans, award-winning historian Eugene Rogan brings the First World War and its immediate aftermath in the Middle East to vivid life, uncovering the often ignored story of the region's crucial role in the conflict. Unlike the static killing fields of the Western Front, the war in the Middle East was fast-moving and unpredictable, with the Turks inflicting decisive defeats on the Entente in Gallipoli, Mesopotamia,…
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
Focusing on the period beginning with 1571’s epic battle of Lepanto and extending through the so-called “Northern Invasion” of the English and the Dutch into the Mediterranean, this book examines the central role piracy played in the emergence of an “Ottoman Mediterranean” as a legal space shaped by multiple, ever-shifting factors. In this wide-ranging and beautifully written study, archival sources spanning both religious and imperial spheres of law become windows onto the astonishing complexity of an early modern Mediterranean in which there were “no hard and fast lines separating Christian and Muslim spheres, but rather a culture of legal pluralism in which merchants, travelers, and seamen took advantage of multiple overlapping jurisdictions.” Evocatively written, blending narrative and analysis, White brings this exciting age to vivid life.
The 1570s marked the beginning of an age of pervasive piracy in the Mediterranean that persisted into the eighteenth century. Nowhere was more inviting to pirates than the Ottoman-dominated eastern Mediterranean. In this bustling maritime ecosystem, weak imperial defenses and permissive politics made piracy possible, while robust trade made it profitable. By 1700, the limits of the Ottoman Mediterranean were defined not by Ottoman territorial sovereignty or naval supremacy, but by the reach of imperial law, which had been indelibly shaped by the challenge of piracy.
Piracy and Law in the Ottoman Mediterranean is the first book to examine Mediterranean…
I fell in love with Greece 50 years ago, when I had the good fortune of spending a summer on my father’s native island of Ikaria. I bagged my first writing job four years later when I wrote a guide to all the Greek islands. As a travel writer I tend to fall in love with all the places I write about! But Greece is where I feel most at home, and it has inspired some truly memorable travel books. I hope you like some of my all-time favorites.
I came across this book while researching my guide to Northern Greece. Kapka Kassabova is a Bulgarian writer now living in the Scottish Highlands, who returned to the land she knew as a child: the once heavily militarized border between Greece, Bulgaria, and Turkey. Her account of the places and people she meets in this forgotten corner of the world are uncanny, full of wonder, tragedy and horror, comedy and beauty, in a place where even in the 21st-century magic and the supernatural still live on.
“Remarkable: a book about borders that makes the reader feel sumptuously free.” —Peter Pomerantsev
In this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose…
