Here are 100 books that The Master Executioner fans have personally recommended if you like
The Master Executioner.
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Youāve got to root for the underdog, right? And thereās no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that youāve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, youāre still going down? Keep your flawed anti-heroes; theyāre just too chicken to go over to the losing side. Iāll cheer for the doomed bad guy every single time.
About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer whoās been brutally murdering entire families.
As far as Iām concerned, heās the hero. Hannibal Lecter isnāt Thomas Harrisā best villain. Itās Dolarhyde. Heās everything Lecter isnāt. Heās awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If Iāve got to pick between the Virgin Dolarhyde and the Chad Lecter, itās Dolarhyde every time.
Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, Iām always rooting for him to make it out theā¦
From the author of "Silence of the Lambs" and "Black Sunday", this is the book that introduces the most famous serial killer of them all - Hannibal Lecter.
I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kiplingās Kim to the collection Thrillers: 100 Must Readsand am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.
Connolly weaves taut crime thrillers that I have great trouble putting down once I start reading. Charlie Parker and the rest of the regular cast are beautifully rich characters I care about, which explains the 19 books in this series on my shelf. What sets Connolly apart is an undercurrent of supernatural evil that arcs through these crime stories. In The Black Angel, the shroud that conceals what the reader likely sensed in the early novels is pulled back a little to reveal an underworld of darkness beneath the stories. Charlie Parker is the detective you want on the case when there is more than just a crime and The Black Angelis a milestone in the series.
EVIL TAKES MANY FORMS. PRIVATE INVESTIGATOR CHARLIE PARKER HUNTS THEM ALL.
The Black Angel is not an object. The Black Angel is not a myth. The Black Angel lives.
A young woman goes missing from the streets of New York. Those who have taken her believe that nobody cares about her, and that no one will come looking for her. They are wrong. She is linked to the killer Louis, the man who stands at the right hand of private detective Charlie Parker, and Louis will tear apart anyone who stands in the way of his attempts to find her.ā¦
My passion for historical adventure and Texas history stems from my heritage: Iām a native Texan related to one of the Alamo defenders. My great-great-great-great-great-granduncle, Isaac Millsaps, was one of the Immortal 32, the reinforcements from Gonzales who answered William Barret Travis's call for help, rode to San Antonio, and died in the Alamo on March 6, 1836. My relationship with words began in elementary school, where I read Beowulf and Dracula by the time I was 10 years old (probably explains a lot about me). I began writing for newspapers in 1975 and have been writing professionally ever since.
I chose this for the power of hook and title. This action & adventure novel with historical elements has the greatest title in the history of literature.
The purpose of a title is to sell the book, and no title ever succeeded so well. Raise the Titanic! was published a decade before the wreck of Titanic was discovered, so in the worldās imagination the ship was still largely intact. Cussler tapped into the intoxicating idea of the legendary shipās resurrection and the completion of its maiden voyage.
I was so struck when I saw Raise the Titanic! in a bookstore, I decided to buy it before I picked it up. The book propelled Cussler from moderate success to the best-selling grandmaster of adventure, and it inspired my search for a hook and title.
The fantastic fourth Dirk Pitt classic from multi-million-copy king of the adventure novel, Clive Cussler.
A tidal wave of pounding excitement from the first page to the last . . .
Two and a half miles beneath the icy North Atlantic the mighty Titanic holds the key to the safety of the free world. The Americans want it. So do the Russians. Ace maritime troubleshooter Dirk Pitt faces one of the most stupendous tests of courage and ingenuity ever.
Raise the Titanic is a spellbinding blockbuster of action andā¦
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composerā¦
I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kiplingās Kim to the collection Thrillers: 100 Must Readsand am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.
Steve Berry has built a successful writing career mining interesting nuggets from history and asking a simple what-if question that sends his imagination racing. The seventh Cotton Malone thriller opens with the failed attempt to assassinate President Danny Daniels. Berry links this attempt with the successful, but seemingly unrelated presidential assassinations in 1865, 1881, 1901, and 1963. The historical gold nugget at the heart of The Jefferson Key is a clause in the United States Constitution, contained in Article 1, Section 8. Malone races across the U.S. to break a cipher created by Thomas Jefferson, unravel a mystery concocted by Andrew Jackson, and unearth a document drafted by the Founding Fathers in order to stop the secret society of American pirates.
Cotton Malone has been called on to defend his country's safety in many exotic locations around the world, often using his knowledge of history to get to the heart of mysteries and conspiracies stretching back for centuries. But never has the danger been quite so close to home.
A stunning opening sets the tone of explosive action and mind-bending intrigue as Cotton battles an extraordinary group of families whose unseen influence dates back to the pages of the U.S. Constitution - and whose thirst for power is about to be satisfied by the cracking of a code devised by Thomasā¦
I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didnāt live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work ā fiction and non-fiction ā Iām also interested in telling the stories of so-called āordinaryā people.
The Hanging Tree is one of the best non-fiction books Iāve read about how the other half (more like seven-eights actually) lived. It describes the experience of the mainly lower-class people who suffered under the Bloody Code, when over 250 offences carried the death penalty. By using diaries, memoirs, broadsides, petitions for mercy, letters, and other contemporary documents, Gatrell gives voice to the executed, their executioners, witnesses, reformers, judges and juries. Itās an unflinching study of a ghastly reality that goes to the heart of what it means to be a civilized society and challenges several cozy myths along the way. I admit it doesnāt sound like a lot of fun, and of course, the subject matter is dark, but Gatrell is a compelling writer, vivid, forthright and passionate.
Hanging people for small crimes as well as grave, the Bloody Penal Code was at its most active between 1770 and 1830. In those years some 7,000 men and women were executed on public scaffolds, watched by thousands. Hanging was confined to murderers thereafter, but these were still killed in public until 1868. Clearly the gallows loomed over much of social life in this period. But how did those who watched, read about, or ordered these strangulations feel about the terror and suffering inflicted in the law's name? What kind of justice was delivered, and how did it change?
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the āpoor sinnerā on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
Itās not often Iām moved to tears by an academic book, but this book did it for me by putting me in the shoes of a Florentine patrician trying to comfort his friend the night before his execution. The main historical source of the book is an extraordinary āhow-toā manual: the one used by the ācomforting confraternitiesā of 16th-century Bologna, men who volunteered to spiritually prepare condemned criminals for their final moments on earth and, in so doing, hopefully increase their chances of salvation. The book explains the various methods and tools that the comforter could use, including prayers, songs, and pictures, and reveals the complex rituals of execution that began long before the prisonerās arrival at the scaffold. A moving account of the realities of historical capital punishment.
In Renaissance Italy a good execution was both public and peacefulāat least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution.
The main text is a manual, translated in English for the first time, on how to comfortā¦
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the āpoor sinnerā on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
Many think that the medieval period was the era of cruel and sadistic punishment, but it was, in fact, the Renaissance that saw the rise of the great spectacle of the 'theatre of horror': scaffolds erected to display the brutal dismemberment and suffering of executed prisoners in front of thousands of spectators. Although it focuses on France, Friedland's study explores why, all across Europe, this period saw an appetite for something so graphic. It explores the history of capital punishment from the Romans onwards, so it's essential reading for the theory behind executions, but the real strength lies in its exploration of the gulf between what theorists believed and what the general public actually did at executions, and why they attended in their thousands.
From the early Middle Ages to the twentieth century, capital punishment in France, as in many other countries, was staged before large crowds of spectators. Paul Friedland traces the theory and practice of public executions over time, both from the perspective of those who staged these punishments as well as from the vantage point of the many thousands who came to "see justice done". While penal theorists often stressed that the fundamental purpose of public punishment was to strike fear in the hearts of spectators, the eagerness with which crowds flocked to executions and the extent to which spectators actuallyā¦
Growing up in a comfortable suburb, I was never encouraged to examine my privilege or to ask questions about our countryās social and economic arrangements. I knew shockingly little about U.S. history beyond the triumphalist narratives of great men and military victories; the dark side of that history usually came in footnotes, and always with the implication that our countryās sins are mere aberrations from its good intentions. I had to learn the most important truths about our history from literature, which shows us the impact that events have on individuals, painting a fuller picture of how America became the country it is, and the terrible price so many people have had to pay.
In 1953, a working-class Jewish couple from Brooklyn was executed for allegedly selling nuclear secrets to the Soviet Union. Their two young children were orphaned. E. L. Doctorowās novel about the Rosenbergs is an excruciating examination of these events from the fictionalized perspective of one of those children. Danielās point of viewānaĆÆve, angry, traumatizedābrilliantly illustrates the absurdity and cruelty of American culture when it turns against those who, for reasons of class, race, or religion, have never been fully included in it. Iāve read it a dozen times and still find myself sobbing at the realization of how all the countryās history, all its dreams and delusions about itself and its destiny, were stacked up against this poor pair of nobodies. Their real crime lay in demanding that the United States live up to its ideals, something it has never been able to do.
Based on the trial and execution of Ethel and Julius Rosenberg, convicted of delivering information about the atomic bomb to the Soviet Union E.L. Doctorow's The Book of Daniel includes a new introduction by Jonathan Freedland in Penguin Modern Classics.
As Cold War hysteria inflames America, FBI agents pay a surprise visit to a Communist man and his wife in their New York apartment. After a trial that divides the country, the couple are sent to the electric chair for treason. Decades later, in 1967, their son Daniel struggles to understand the tragedy of their lives. But while he isā¦
The executions of Julius and Ethel Rosenberg seem so distant that it is jarring for me to contemplate that I was born in 1960, only seven years after their deaths. Growing up Jewish, I often heard the Rosenberg case invoked as an example of anti-Semitism. But it was not until I was an undergraduate history major that I read the scholarly literature about the Rosenbergs and subscribed to the newsletter of the Committee to Reopen the Rosenberg Case. My ongoing interest in the case helps me remind students about two crucial points: ongoing historical scholarship gets us closer to the ātruthā but we may never know what āactuallyā happened. Which is OK.
This 2021 book, the latest in the Rosenberg oeuvre, not only recounts the history of what happened to the Rosenbergs but chronicles past historical accounts. One of the most important legacies of this literature is to remind us how all events are historically grounded. The Schneirs wrote that the Rosenberg trial āwas a product of its times, displaying in microcosm many of the prevalent sociopolitical assumptions and preoccupations of the day.ā The same could be said of the books by the Schneirs, the Meeropols, and Doctorow, which viewed the Rosenbergs through the sympathetic prism of American progressivism of the 1960s and 1970s.
Sebba also explores the enduring mystery of the āsingle-mindedā Ethel Rosenberg, a ātragic figureā who herself committed no espionage but orphaned her sons rather than naming names or implicating her husband.
'A heart-piercingly brilliant book about a woman whose personal life put her in the cross-hairs of history' HADLEY FREEMAN 'Totally riveting. I couldn't put it down' VICTORIA HISLOP 'Ethel sings out for all women who have been misunderstood and wronged, and refuse to bow down' NICHOLAS SHAKESPEARE 'A shocking tale of betrayal, naivety, misogyny and judicial failure' SONIA PURNELL 'A historic miscarriage of justice laid bare for our times' PHILIPPE SANDS
Ethel Rosenberg was a supportive wife, loving mother to two small children and courageous idealist who grew up during the Depression with aspirations to become an opera singer.
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the āpoor sinnerā on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
What must it have been like to be an executioner? In this detailed and moving study, Harrington explores the extraordinary diary of Meister Franz Schmidt, the 16th-century executioner of Nuremberg, who kept notes on every one of the 394 people he executed, as well as the countless others he tortured, whipped, and disfigured according to the law's demands. This book is therefore essential for understanding exactly how this mysterious craft was carried out, but the surprising twist in the tale is how Schmidt spent his entire life seeking to have his family's honour restored in a period when executioners were believed to be able to ritually 'pollute' another human simply by touch. Harrington's real achievement here is explaining how dishonour was the central force within public punishmentāsomething we too easily forget today.
In a dusty German bookshop, the noted historian Joel F. Harrington stumbled upon a remarkable document: the journal of a sixteenth-century executioner. The journal gave an account of the 394 people Meister Frantz Schmidt executed, and the hundreds more he tortured, flogged, or disfigured for more than forty-five years in the city of Nuremberg. But the portrait of Schmidt that gradually emerged was not that of a monster. Could a man who practiced such cruelty also be insightful, compassionate - even progressive?
In The Faithful Executioner, Harrington teases out the hidden meanings and drama of Schmidt's journal. Deemed an officialā¦