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I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this book because, long ago, it was one of the books that sparked my initial interest in the Second World War and the Holocaust. Through Wouk’s vivid and wonderful story of a fictional family living through the period, he also unexpectedly provided me with a terrific foundation of well-researched historical knowledge.
I had read the prequel a few years earlier and when I discovered this book was coming out (as a poor student, I couldn’t afford it), I eagerly asked for it for Christmas. When the big day arrived, I gleefully tore open the present and spent the next two days reading it nonstop, ignoring all else.
A masterpiece of historical fiction and "a journey of extraordinary riches" (New York Times Book Review), War and Remembrance stands as perhaps the great novel of America's "Greatest Generation."
These two classic works capture the tide of world events even as they unfold the compelling tale of a single American family drawn into the very center of the war's maelstrom.
The multimillion-copy bestsellers that capture all the drama, romance, heroism, and tragedy of the Second World War -- and that constitute Wouk's crowning achievement -- are available for the first time in trade paperback.
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I was immediately captivated by the depth of material and engrossing writing style of this book. Despite being a serious and challenging topic, Helm drew me in from the first page and never let up.
I also learned quite a bit of new information about a topic I thought I knew quite a lot about already.
Months before the outbreak of World War II, Heinrich Himmler—prime architect of the Holocaust—designed a special concentration camp for women, located fifty miles north of Berlin. Only a small number of the prisoners were Jewish. Ravensbrück was primarily a place for the Nazis to hold other inferior beings: Jehovah’s Witnesses, Resistance fighters, lesbians, prostitutes, and aristocrats—even the sister of New York’s Mayor LaGuardia. Over six years the prisoners endured forced labor, torture, starvation, and random execution. In the final months of the war, Ravensbrück became an extermination camp. Estimates of the final death toll have ranged from 30,000 to 90,000.…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this memoir because the author was a very dear and cherished friend.
I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau women’s orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.
Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.
Helena Dunicz Niwińska was born in Vienna in 1915. She lived with her parents and brothers in her hometown of Lwów until 1943. At the age of 10, she began learning to play the violin at the conservatory of the Polish Musical Society. She studied pedagogy from 1934 to 1939, continuing her musical education the whole time. After their arrest in January 1943 and incarceration in Łącki Prison, she and her mother were deported to Auschwitz in October 1943. In Birkenau, she was a member of the women's orchestra—as a violinist—until January 1945. After being evacuated to the Ravensbrück and…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I am anguished by and drawn to this book because the many photographs are so compelling and unique.
Discovered after the war, this collection of images from a Nazi’s photo album detailing the killing process at Auschwitz is, quite simply, extraordinary. Nothing else I have seen illustrates the casualness and ‘normality’ with which the persons who administered Hitler’s policies in the camps viewed their jobs and the sheer mechanization of the killing process.
I knew these things existed better than most, but seeing the visual evidence is, for me, revelatory.
This album, an extraordinary find, was originally discovered during the tumult of the first days after the liberation. It reveals how two SS photographers documented the arrival of shipments of Jews to the platform in the Birkenau concentration camp, the selection process, and their path to the gas chambers and the crematoria. The photographs also memorialize the piles of possessions left by the Jews which were sorted in the 'Canada' Barracks. They are accompanied by three articles that describe the development of the camp, the Holocaust of Hungarian Jewry, and the story of how the album was found; a fourth…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
A Wolf in the Attic by Sophia Richman is a book written by a psychotherapist who was hidden in an attic in Poland as a Jewish child during the second world war. She describes this experience (she was told to never utter a sound) as well as its impact on her relationship with her parents and her life after the war in Paris and then in New York City. She maintained her reluctance to speak in public until very late in life and this book is a kind of coming out for what is now known as a “hidden child” or “child survivor.” I found it fascinating to read how a psychologist analyzes her own childhood and the life choices she makes as an adult.
A Wolf in the Attic: Even though she was only two, the little girl knew she must never go into the attic. Strange noises came from there. Mama said there was a wolf upstairs, a hungry, dangerous wolf . . . but the truth was far more dangerous than that. Much too dangerous to tell a Jewish child marked for death. One cannot mourn what one doesn't acknowledge, and one cannot heal if one does not mourn . . . A Wolf in the Attic is a powerful memoir written by a psychoanalyst who was a hidden child in Poland…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
I first had the privilege of reading Survivors when we were searching for a new professor of transnational history in my department at Durham University; Rebecca is now a treasured colleague, and her ability to tell these child survivors’ stories is second to none! Her writing is humane, passionate, and exquisite. I would recommend this book to anyone who truly wants to understand the impact of the Holocaust on those who survived it as children.
Shortlisted for the 2021 Wolfson History Prize and a finalist for the 2021 Cundill History Prize
Told for the first time from their perspective, the story of children who survived the chaos and trauma of the Holocaust-named a best history book of 2020 by the Daily Telegraph
"Impressive, beautifully written, judicious and thoughtful. . . . Will be a major milestone in the history of the Holocaust and its legacy."-Mark Roseman, author of The Villa, the Lake, the Meeting
How can we make sense of our lives when we do not know where we come from? This was a pressing…
I’d like to say I have no expertise in this topic. And yet…don’t we all? We’ve all lived through it. I was born in 1937—in Honolulu, the daughter of a US Army officer. WW II was a pervasive part of my childhood, as my father spent time in the Pacific and then after the war ended, we lived in Occupied Japan for some years. But war had always been a part of my family’s history, as is true for so many people. My great grandfather left a written account of his capture and imprisonment during the Civil War. And much more recently, my own son, an Air Force pilot, died in the cockpit of a F-15. Ironically, he had married a German wife, and he is buried in her village cemetery near her grandfather, who served on the Russian front years earlier. His child, my granddaughter, puts flowers on both of those graves. All of these pieces of my own history combine, I think, to create this passion I have for the telling and retelling of stories that can make us more aware of the futility of war.
Five years old when the Nazis invaded her homeland of Poland, Anita Lobel spent the war years in hiding. Her memoir is intimate and suspenseful and even occasionally funny. Here’s a glimpse… through the eyes of a real child…of what survival means, and of those who helped her achieve it.
Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Kraków, Poland. Her life changed forever. She spent her childhood in hiding with her brother and their nanny, moving from countryside to ghetto to convent—where the Nazis finally caught up with them.
Since coming to the United States as a teenager, Anita has spent her life makingpictures. She has never gone back. She has never looked back. Until now.
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love historical fiction that reveals little-known elements of real history. That's why I loved this book so much. It tells the story of the Kindertransport - an initiative to save thousands of Jewish children by sending them to England just before the outbreak of the war. The protagonist of this book is modeled on the real-life story of the author. Irene Watts was only 7 1/2 years old when she was sent to England by Kindertransport. I could feel this young child's fear and uncertainty oozing from every page of this book.
As autumn turns toward winter in 1938 Berlin, life for Marianne Kohn, a young Jewish girl, begins to crumble. First there was the burning of the neighbourhood shops. Then her father, a mild-mannered bookseller, must leave the family and go into hiding. No longer allowed to go to school or even sit in a café, Marianne’s only comfort is her beloved mother. Things are bad, but could they get even worse? Based on true events, this fictional account of hatred and racism speaks volumes about both history and human nature.
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I chose this story to illustrate the plight of Jewish people during the Nazi occupation in France. Catherine's War is based on the true story of a Jewish girl named Rachel Cohen who had to leave her boarding school near Paris and find somewhere safe to live. Rachel has to change her name to Catherine Colin and hide her Jewish identity in order to survive. She was sustained by her beautiful camera, which gave her a record of all that she had to through.
“A shining story of a young girl who struggles to come of age and find her place in a world fraught with danger.” —Susan Campbell Bartoletti, Newbery Honor-winning author of Hitler Youth
* Winner of the Youth Prize at the Angoulême International Comics Festival (voted by readers) * Winner of the Artémisia Prize for Historical Fiction * Winner of the Andersen Premio Prize *
A magnificent narrative inspired by a true survival story that asks universal questions about a young girl’s coming of age story, her identity, her passions, and her first loves.
I’m the author/illustrator of over 20 books for children, ranging from whimsical fiction about anthropomorphic cats and rambunctious dogs to serious nonfiction about hidden children, unusual heroes and surprising spies of WWII and the Holocaust. Several of my nonfiction books, including The Grand Mosque of Paris, were created in collaboration.
In 1938, a young Englishman named Nicholas Winton canceled his ski vacation. Instead, he went to Prague to help the Jewish children seeking refuge there from the Nazis. Up until the start of the war in 1939, he made arrangements to send nearly 700 children to safety in England. He did everything from raising funds and locating foster families, to obtaining travel documents—even forging them when necessary. Then he went home and never told anyone what he had done. Fifty years later, his wife found all the records he’d kept and she tracked down as many of those children as she could. A now-famous video clip from a British TV show, “That’s Life,” shows an elderly and very surprised Nicholas as dozens of those he saved stand up in the audience to thank him. Among them was Vera Diamontova, who was just eleven years old when Nicholas saved her life.…
In 1938, twenty-nine-year-old Nicholas Winton saved the lives of almost 700 children trapped in Nazi-occupied Czechoslovakia-a story he never told and that remained unknown until an unforgettable TV appearance in the 1980s reunited him with some of the children he saved.
Czech-American artist, MacArthur Fellow and Andersen Award winner Peter Sis dramatises Winton's story in this distinctive and deeply personal picture book. He intertwines Nicky's efforts with the story of one of the children he saved-a young girl named Vera, whose family enlisted Nicky's aid when the Germans occupied their country. As the war passes and Vera grows up, she…
