Fans pick 100 books like War and Remembrance

I was immediately captivated by the depth of material and engrossing writing style of this book. Despite being a serious and challenging topic, Helm drew me in from the first page and never let up.

I also learned quite a bit of new information about a topic I thought I knew quite a lot about already. 

This book, based on a true story, absolutely blew my mind when I first read it, and I have re-read it multiple times since!

I am still overwhelmed by the sheer fact of survival of the main character, a young Jewish boy who survived a massacre in the Holocaust and then went into hiding as a mascot in the SS. I also identified strongly with his son, who researched and wrote the book and encountered frequent naysayers who questioned the validity of his father’s memories. As someone who has approached the Holocaust as a non-traditional writer, I have struggled with similar challenges.

This book, for me, remains an unforgettable and remarkable read.

I love this memoir because the author was a very dear and cherished friend.

I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau women’s orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.

Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.

I am anguished by and drawn to this book because the many photographs are so compelling and unique.

Discovered after the war, this collection of images from a Nazi’s photo album detailing the killing process at Auschwitz is, quite simply, extraordinary. Nothing else I have seen illustrates the casualness and ‘normality’ with which the persons who administered Hitler’s policies in the camps viewed their jobs and the sheer mechanization of the killing process.

I knew these things existed better than most, but seeing the visual evidence is, for me, revelatory.

I was surprised to learn that John Hersey won a Pulitzer Prize in 1945 for a novel—in fact, his first. I had always thought of him as mainly a journalist for The New Yorker. One of my students recommended this. He was the grandson of the model for the main character, an Italian-American US Army major. My student was proud of his “nonnu,” the Allied military governor of a Sicilian village, for his efforts to help the starving villagers.

What they wanted more than food, though, was to replace the church bell that Mussolini had requisitioned to melt down and make into weapons. Spoiler alert: in the novel (and in real life), he succeeds—despite opposition from a superior officer, a thinly disguised General George S. Patton.

I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.

The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance. 

Before M*A*S*H and Catch 22, Michner’s book gave American readers a captivating view of the human side of U.S. soldiers and sailors at war in the South Pacific. This sequential series of interconnected short stories set in Vanuatu and the Solomon Islands works like the best TV mini-series. There are not just sailors and marines; there are locals and colonial characters. 

A great read. Don’t just take my word for it: it won a Pulitzer in 1947. And yes, the highly successful musical play South Pacific by Rodgers and Hammerstein is based on stories from this Michener classic. 

Michael Ondaatje’s novel is one of the most beautiful books I have ever read. It is not a study or analysis of Herodotus’ history, and yet Herodotus’ spirit infuses virtually every page. Taking place during World War II, it explores the intertwined lives of four characters, including the unnamed English patient, who has survived the shooting-down of his plane, although he is severely burned.

He has nothing with him but his annotated copy of Herodotus’ Histories. I loved Anthony Minghella’s 1996 film adaptation of the novel, and it is no criticism of the film to say that it treats only one of the many strands one finds in the book. Meditating on space, time, identity, and truth, The English Patient is a book that I think Herodotus would have loved.

I had to include Alan Furst, the absolute master of historical fiction of the pre-WWII era. The first book of Furst’s Night Soldiers Series, this book introduced me to a new sort of spy thriller: instead of secret agents, these are ordinary people swept up in history.

I do love a makeover, but this is a life-and-death self-reinvention. When Khristo is targeted by the local fascist gang in 1934 Bulgaria, it’s time to run. When his first reinvention becomes dangerous, he reinvents himself again. And again. And finds love on the way. I was inspired at every turn by Khristo’s transformations without ever losing his core decency. The historical detail is so vivid I felt like I was right there with Khristo, whether he was in Moscow, Spain, or Paris. 

Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.

The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in… show more.