Here are 100 books that The Leisure Seeker fans have personally recommended if you like
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Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This story is a twist on a familiar Lewis Carroll tale.
It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive.
This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.
In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo with the screams of the poor souls inside.In the hospital, there is a woman. Her hair, once blonde, hangs in tangles down her back. She doesn't remember why she's in such a terrible place-just a tea party long ago, and long ears, and blood...Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her…
Like the Bach sisters in my novel Things We Do For Love, my sisters and I have cared for our mother, who battles Alzheimer's. Witnessing her transformation from a vibrant powerhouse to someone resembling the Walking Dead has been heart-wrenching. Despite the emotional rollercoaster, this journey has deeply connected us with our mother. Delving into the depths of her being has been a privilege, offering profound insights into her true essence. This challenging experience has unfolded as a disguised blessing. In this journey, we've discovered the beauty of unconditional love that binds our family together. It reflects the central question of my novel: What truly makes a happy family?
Receiving a dementia diagnosis at just 58 years old can be paralysing, but Wendy Mitchell chose a different path. Instead of preparing for the end, she embraced life with newfound determination.
Wendy became a passionate advocate and speaker for dementia awareness. Her remarkable journey includes earning two honorary doctorates and achieving many of her life's dreams, including becoming a published author to share her deeply personal story.
With engaging wit and unwavering courage, Wendy candidly narrates her daily battle with the illness. Her story is both heartwarming and inspirational, as she shows us that despite the challenges, dementia can also bring unexpected gifts alongside sorrow.
Wendy's character is endearing, and her resilience shines through, leaving readers with a profound sense of hope and a deeper understanding of the human spirit in the face of adversity.
THE RICHARD AND JUDY BOOK CLUB PICK
THE SUNDAY TIMES BESTSELLER
A BBC RADIO 4 BOOK OF THE WEEK
CHOSEN AS A 2018 SUMMER READ BY THE SUNDAY TIMES, FINANCIAL TIMES, DAILY TELEGRAPH, THE TIMES AND THE MAIL ON SUNDAY
'Revelatory' Guardian
'A miracle' Telegraph
'A landmark book' Financial Times
Brave, illuminating and inspiring, Somebody I Used to Know gets to the very heart of what it means to be human.
What do you lose when you lose your memories? What do you value when this loss reframes how you've lived, and how you will live in the future? How…
As a reader, I’ve always been attracted to novels that are character-driven, filling my shelves with books about people who seize the day and fight for what they want, who are interesting, relatable, and flawed but who don’t let those flaws define them. As a writer, I like to put my own flawed characters in situations that force them to face who they are and either come to terms with it or overturn themselves and their lives entirely, and all the novels I’ve listed have a hint of this, too. I hope you enjoy them!
I love novels that challenge me emotionally, and this one does that in spades. It tackles a topic that all of us find terrifying–an illness that steals who you are as a person, but it does it with such a gentle touch that rather than scare you, it makes you realize what’s truly important in life. It’s so well written you almost forget it’s a novel.
A moving story of a woman with early onset Alzheimer's disease, now a major Academy Award-winning film starring Julianne Moore and Kristen Stewart.
Alice Howland is proud of the life she worked so hard to build. At fifty, she's a cognitive psychology professor at Harvard and a renowned expert in linguistics, with a successful husband and three grown children. When she begins to grow forgetful and disoriented, she dismisses it for as long as she can until a tragic diagnosis changes her life - and her relationship with her family and the world around her - for ever.
As a reader, I’ve always been attracted to novels that are character-driven, filling my shelves with books about people who seize the day and fight for what they want, who are interesting, relatable, and flawed but who don’t let those flaws define them. As a writer, I like to put my own flawed characters in situations that force them to face who they are and either come to terms with it or overturn themselves and their lives entirely, and all the novels I’ve listed have a hint of this, too. I hope you enjoy them!
I loved the completely unique plot of this novel; I haven’t read anything quite like it before or since. I was entranced by the story of a completely ordinary person who decided to do something extraordinary, not for attention or fortune, but because they became convinced that if they did, it would save the life of someone they once cared about.
It’s poignant, funny, moving, and I cried more than once. If you like to really feel things when you read a novel, try this one.
'Impossible to put down' TIMES 'Life-affirming delight. A comic pleasure' WOMAN AND HOME 'Profoundly moving' RICHARD MADELEY
OVER 4 MILLION COPIES SOLD. SOON TO BE A MAJOR MOVIE STARRING JIM BROADBENT AND PENELOPE WILTON ____________________
When Harold Fry nips out one morning to post a letter, leaving his wife hoovering upstairs, he has no idea that he is about to walk from one end of the country to the other.
He has no hiking boots or map, let alone a compass, waterproof or mobile phone. All he knows is that he must keep walking. To save someone else's life.
Like the Bach sisters in my novel Things We Do For Love, my sisters and I have cared for our mother, who battles Alzheimer's. Witnessing her transformation from a vibrant powerhouse to someone resembling the Walking Dead has been heart-wrenching. Despite the emotional rollercoaster, this journey has deeply connected us with our mother. Delving into the depths of her being has been a privilege, offering profound insights into her true essence. This challenging experience has unfolded as a disguised blessing. In this journey, we've discovered the beauty of unconditional love that binds our family together. It reflects the central question of my novel: What truly makes a happy family?
This book inspired me to write my own account of dealing with my mum’s Alzheimer’s.
This darkly comic yet gripping novel reveals the humorous aspects of the disease. Maud, an eighty-year-old who grapples with forgetting even the cup of tea she just made or recognising her own daughter, surprisingly unravels a seventy-year-old mystery.
The story delicately weaves warm and uplifting moments with touches of comedy, anxiety, and sheer terror that arise when one realises the advancing years and the struggle to be heard in a society that often overlooks the elderly. The portrayal of dementia in this novel is both sympathetic and profoundly moving, capturing the emotional complexity of the experience.
Maud's character is both exasperating and compelling, embodying the kind of older protagonist I yearn to encounter more in literature.
NOW A MAJOR BBC DRAMA A SUNDAY TIMES TOP FIVE BESTSELLER
How do you solve a mystery when you can't remember the clues?
Maud is forgetful. She makes a cup of tea and doesn't remember to drink it. She goes to the shops and forgets why she went. Sometimes her home is unrecognizable - or her daughter Helen seems a total stranger.
But there's one thing Maud is sure of: her friend Elizabeth is missing. The note in her pocket tells her so. And no matter who tells her to stop going on about it, to leave it alone, to…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
As a kid, I loved this funny and frightening book about the terrible things that happen to bratty children (the same could be inferred for bratty octogenarians).
I’m sure my parents hoped these tales would encourage more reasonable behavior. Instead, these tales set me on a path to writing dark stories. In this case, the contrast of humor and the horrifying is addictive, and characters in any kind of book that combine these traits are always compelling.
The illustrations in the version published by John C. Winston Company are particularly quirky, increasing the impact of each story. This book probably had more influence on my book than I realized during the writing.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
In 1948, my life focused on horses, and this was my favorite book.
Pictures were always a plus since dyslexia (though undiagnosed at that point) made reading difficult.
I have no memory of how well the book might have been written. Most likely I didn’t care, never suspecting I’d become a writer. I lived and worked on a farm, eventually running a boarding stable.
The book didn’t have the horror or the humor, but Lightning’s gratifying story of achievement gave me hope for the future, unlike Black Beauty which filled me with horror. I couldn’t read it to my children.
His hideous treatment overwhelmed me, yet the first two books I wrote were even darker.
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This exquisitely written, dark saga of family intrigue is worth reading over and over, and I do.
The protagonist’s devotion to family and the land that feed her, both physically and emotionally, is rich and consuming.
Events are seen from her point of view and her antagonist’s, giving opposing slants that generate an exquisite tension throughout the book.
This story was instrumental in my education as a writer, as was the author, both showing the use of deep interiority in every character, and a setting that made me live within the story.
Enidina Current and Mary Morrow live on neighboring farms in the flat, hard country of the upper Midwest during the early 1900s. This hardscrabble life comes easily to some, like Eddie, who has never wanted more than the land she works and the animals she raises on it with her husband, Frank. But for the deeply religious Mary, farming is an awkward living and at odds with her more cosmopolitan inclinations. Still, Mary creates a clean and orderly home life for her stormy husband, Jack, and her sons, while she adapts to the isolation…
Growing up, I built snow forts, climbed the white birch tree in my front yard, and talked to a rabbit named Bobby who lived in the bushes. I rode my bike on adventures, getting lost and exploring woods, ditches, and surrounding landscapes. In a household where I often felt unsafe, time outdoors was a refuge. Working in a career as a university professor of social work for the past 20 years, I have used mindful outdoor experiences, as well as yoga and meditation, as a source of healing. And I have loved sharing these practices with my students. Today, I am documenting my rewilding adventures in my van which has been a joyful way to honor my inner child.
I remember reading this book on a camping trip. It’s a story of the nomad movement, particularly focused on low-income adults who are forced to live in their cars, campers, and RVs.
I fell in love with the grit and resilience of the people who often face difficult circumstances but embrace the minimalism, connection to the natural world, and community they build on the road out in wild places in the desert Southwest.
You might be familiar with the movie that came out a few years ago, but I highly recommend the book, which I couldn’t put down.
From the beet fields of North Dakota to the campgrounds of California to Amazon's CamperForce programme in Texas, American employers have discovered a new, low-cost labour pool, made up largely of transient older adults. These invisible casualties of the Great Recession have taken to the road by the tens of thousands in RVs and modified vans, forming a growing community of nomads.
Nomadland tells a revelatory tale of the dark underbelly of the American economy-one which foreshadows the precarious future that may await many more of us. At the same time, it celebrates the exceptional resilience and creativity of these…
I’ve been a very sexual woman since my twenties, and provided sex education for women as a young feminist. When I embarked on a fun dating project in my late fifties to date 50 men in order to find the right partner for me, I knew that many of my dates would include sexual encounters. My upbeat memoir about that project, Fifty First Dates After Fifty, includes the sex scenes, because I wanted to provide healthy, satisfying images of older women enjoying sex so that our sexuality would be validated and visible to each other and the world. The sex-positive books I recommend celebrate the variety of women’s sexuality.
I recommend this hot and sexy collection of erotic fiction and memoir because for me it doubles as a source of arousal and a mesmerizing glimpse of the range of sexual activities that seniors (mostly hetero, some lesbians, some gay men) imagine and carry out.
From the slow sex of long-term lovers, to hand jobs offered despite arthritic hands or carpel tunnel, to the variety of ways married couples orchestrate hot love-making, to the pleasure of “in-the-meantime” lovers, these stories sizzle and burn. They expand our view of what is sexually possible as we age, and provide an inspiring and stimulating bedside reference for singles and couples of all ages.
To be savored one story at a time, not gulped down as a whole.
Ageless Erotica is a steamy anthology of erotic stories and memoir essays written for a mature audience by writers over the age of 50. Edited by senior sex expert and advocate Joan Price, this collection is full of erotica seniors can relate to,embracing the agelessness of sexuality while still encompassing the changes that accompany aging. Some selections are tender and loving, while others are edgy and kinky. But whether characters are going solo, having spicy sex with partners they love and have loved for decades, or engaging in casual encounters, every story included in these pages aims to arouse and…
