Here are 100 books that The Image of the Black in African and Asian Art fans have personally recommended if you like
The Image of the Black in African and Asian Art.
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I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
Everyone knows about how the People’s Republic of China treats Tibetans and Uighurs today, but how many know about premodern China’s response to people it considered foreign, barbarian, or Black? Don Wyatt’s book shows how people in Southeast Asia—Sumatra, Java, the Malay archipelago—were considered by China as Black, alongside actual Africans. An excellent companion book to read together with this is Shao-yun Yang’s The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China. Many books on race before the modern era focus on the West, but how about race elsewhere? How about China, a country that’s fast becoming a world power?
Premodern Chinese described a great variety of the peoples they encountered as "black." The earliest and most frequent of these encounters were with their Southeast Asian neighbors, specifically the Malayans. But by the midimperial times of the seventh through seventeenth centuries C.E., exposure to peoples from Africa, chiefly slaves arriving from the area of modern Somalia, Kenya, and Tanzania, gradually displaced the original Asian "blacks" in Chinese consciousness. In The Blacks of Premodern China, Don J. Wyatt presents the previously unexamined story of the earliest Chinese encounters with this succession of peoples they have historically regarded as black.
A series…
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
If you’re curious about what the ancient Greeks and Romans thought about their neighbors—Persians, Egyptians, etc.— you’ll want to read this book from cover to cover. It’s smart, learned, and doesn’t shy away from hard truths. After you read it, you’ll also want to read Benjamin Isaac’s The Invention of Racism in Classical Antiquity, David M. Goldenberg’s The Curse of Ham: Race and Slavery in early Judaism, Christianity, and Islam, and The Origins of Racism in the West, edited by Miriam Eliav-Feldon, Benjamin Isaac, and Joseph Ziegler.
How do different cultures think about race? In the modern era, racial distinctiveness has been assessed primarily in terms of a person's physical appearance. But it was not always so. As Denise McCoskey shows, the ancient Greeks and Romans did not use skin colour as the basis for categorising ethnic disparity. The colour of one's skin lies at the foundation of racial variability today because it was used during the heyday of European exploration and colonialism to construct a hierarchy of civilizations and then justify slavery and other forms of economic exploitation. Assumptions about race thus have to take into…
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
In the European Middle Ages—the millennium-long era in the West after antiquity and before the modern period—Christianity was the first and last authority for all sources of knowledge and forms of reasoning. This important book shows in great detail how medieval Christian theology produced arguments and rationales that enabled racism against Jews during the centuries of the long medieval period.
In Figuring Racism in Medieval Christianity, M. Lindsay Kaplan expands the study of the history of racism through an analysis of the Christian concept of Jewish hereditary inferiority. Imagined as a figural slavery, this idea anticipates modern racial ideologies in creating a status of permanent, inherent subordination. Unlike other studies of early forms of racism, this book places theological discourses at the center of its analysis. It traces an intellectual history of the Christian doctrine of servitus Judaeorum, or Jewish enslavement, imposed as punishment for the crucifixion. This concept of hereditary inferiority, formulated in patristic and medieval exegesis through the…
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
You’ll be dazzled by the brilliance of this author, and the beauty of his writing. The book is impossible to summarize, but if you want to understand how the spread of a specifically Christian imagination around the world produces a racial grid, racial thinking, and racism, this book is indispensable. Whether you’re interested in modern race, or race in all the long centuries before, you’ll come away with a better understanding of how the spread of the Christian religion has produced race and racisms.
A ground-breaking account of the potential and failures of Christianity since the colonialist period-winner of the 2015 Louisville Grawemeyer Award in Religion and of an American Academy of Religion Award for Excellence
"Detailing the nooks and crannies of white supremacist Christianity, The Christian Imagination allows not only for greater sophistication when considering race and theology. It also points to possible cures to the disease so elegantly diagnosed."-Edward J. Blum, Journal of Religion
"[A] theological masterpiece."--Chris Smith, Englewood Review of Books
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious…
I have had a love for the early Church in Africa since I took a trip to Egypt when I was in seminary. Since then, I’ve had a chance to visit all of the countries on the continent with ancient churches. It is my greatest joy to share what I learn with my students and any anyone else who will listen. I research and teach in the area of early African Christianity at Fuller Theological Seminary and the Meachum School of Haymanot. I have published two monographs on this topic and hold a doctoral degree in languages and literatures of Northeastern Africa during Late Antiquity and the Middle Ages.
This book assembles a massive collection of ancient African Christian art that has never come together at this level before.
This collection of essays narrates an art exhibit that was housed in 2024 at the Metropolitan Museum of Art in New York City. The thing I love about this book is that readers can continue to see these images in one collection for generations that follow the exhibition.
I also really love how this book not only narrates the history of early Christianity in Africa but is littered with beautiful images that help us to see and feel the way the ancients did when they entered sacred spaces.
The first exploration of the artistic and cultural intersections of the African continent and the Byzantine world
Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques-from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts-Africa and Byzantium recounts Africa's centrality in transcontinental networks of trade and cultural exchange. With…
I’m a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. I’ve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other people’s adventures. My taste is for tales that include plenty of humour, and I’ve selected five which I have particularly enjoyed.
India has always fascinated me, so I was intrigued to read this account of a 30-year-old woman riding 17,000 miles through the sub-continent, alone, on a motorbike. Never having previously ridden a motorbike, she takes a 3-day crash course on how to do so. What could possibly go wrong?
Nonchalantly tackling muddy jungles, deserts, and virtually impassable terrain, frequently breaking down, she muddles through with a mixture of ingenuity, optimism, and the never-failing help of the local people.
A satisfyingly honest and self-deprecating account of a remarkable achievement by a woman who believed she could, and so she did.
The author quits her high-flying job in London, orders a classic Indian Enfield Bullet motorbike and goes off for a year on a 17,000 mile circuit of India. She wants adventures, and as a solo traveller, has plenty of them. Follow her on her travels discovering an unknown world of motorbiking, wanderlust and Indian life. Humorous and well-written, this refreshingly honest book recounts her numerous mishaps, both on and off the bike. This story shows how a can-do attitude can compensate for inexperience and will appeal to those with a « just do it » attitude to life. And for…
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
One of the very first books I read about the Indian freedom struggle, I found its narrative flow easy and swift, veering from the exciting and thrilling to shedding light on so much that went on behind the scenes.
I appreciated for the first time what my own family must have experienced during the partition of the Indian subcontinent, which resulted in one of the largest migrations of people, with millions forced to leave their homes and many more losing their lives.
A detailed narrative of the thirteen months leading to the independence of the Indian subcontinent in February 1948, centering on major and minor figures and on the social and personal upheavals attendant on independence and partition.
T.N. Krishnan’s book discusses Carnatic (south Indian) music in depth, sure. But more importantly, he discusses why music matters, what it’s for, emotion, and human existence. It’s a primer in art, philosophy, and intention. Read it along with Ramani Maharshi’s writings, and one is pretty much ready to be fully human.
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.
The great temples of the Indian subcontinent are uniquely fascinating spaces. Steeped in mythology and history, they are windows into a complex, often contrary culture. Where the Gods Dwell delves into the ‘(hi)stories’—history and mythology—of thirteen architectural marvels that have inspired awe, and not only in the hearts of the faithful.
Every essay in this book is an intriguing mix of historical detail, mythological narrative and architectural commentary, supplementing and complementing each other to tell a story that is more than the sum of its parts. From Pashupatinath in Nepal to the Nallur Kandaswamy in Sri Lanka, the Kamakhya in…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
It is all too easy to forget that when Britain went to war in 1939, it did so as the world’s largest imperial power. Khan’s book is a rich social history of India at war, telling us the stories of not only the soldiers, but the business owners, the peasants, the refugees, and the political activists whose lives were shaped by war in the Indian subcontinent. The flawed political settlement that brought independence and partition to India and Pakistan was born out of the Raj’s experience of war, and this book gives voice to those who experienced this most turbulent time in the region’s recent history.
The Second World War was not fought by Britain alone. India produced the largest volunteer army in world history: over 2 million men. But, until now, there has never been a comprehensive account of India's turbulent home front and the nexus between warfare and India's society.
At the heart of The Raj at War are the many lives and voices of ordinary Indian people. From the first Indian to win the Victoria Cross in the war to the three soldiers imprisoned as 'traitors to the Raj' who returned to a hero's welcome, from the nurses in Indian General Hospitals to…
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