100 books like A Southern Music

She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book. 

Lyons' 100 Best Jazz Albums shaped my listening for a long, long time. His references to Ornette Coleman, Cecil Taylor, Sun Ra, and Art Ensemble were well-written and hugely informed. Some of the choices are now extremely dated, but it is a great overview of the history of jazz (up to the early 1980s). It could give even an experienced listener or artist some pointers about where to round out their listening. Jazz is twice as old now (as a genre) as it was when I was coming up, so there’s so much more to listen to, and so much more has happened. This book should be a listening test for every student and faculty member—especially everything Duke and before and after Monk.  

From the 1960s but still one of the greatest books on how being creative means trying everything, trusting no one, and listening to everybody and everything. After you read this you will know that you can be an artist, that is, if you are meant to be one.

Here’s another book with two lovers occupying two parallel realities, though I would say that the romance is almost beside the point in this book, where a multitude of stranger, more engrossing things are always threatening to steal the spotlight: Cults! A town of cats! The return of Ushikawa! Two moons! A novel named Air Chrysalis! You couldn’t ask for more, really.

This is a small book. But in its own way, it is rich and detailed when it comes to how profoundly it draws out the relationship between the forest and the Kadars, an indigenous community residing in South India. The authors visiting the forest are researchers from the city, but here in the forest their teachers are the Kadars whose very name means “people of the forest.” With a touch of humour the book, wonderfully illustrated, is an ode to the traditional ecological knowledge, powers of observation, and story-telling skills of the Kadars. The simple activity of walking on a forest path with the Kadars is a revelation of the wealth of knowledge they possess and their relationship with the plants, animals, and even spirits. This is knowledge no ecological textbook can provide, but this knowledge is immeasurable in its value.

This is a glossy cookbook published first in India and then in 1994 by an Australian division of Harper Collins. I’ve made many, many recipes in this book and it’s opened my eyes to the meat-free, texturally complex cuisine of South India. The careful but dynamic mix of ingredients such as mustard seeds, curry leaves, dried coconut, dal, and cumin seeds used in tempering dishes brings the food to life. I recommend this book to the curious and adventuresome home cook who enjoys shopping at Indian markets. The recipes are solid and for the most part easy once you become familiar with its cuisine and techniques.

India has always fascinated me, so I was intrigued to read this account of a 30-year-old woman riding 17,000 miles through the sub-continent, alone, on a motorbike. Never having previously ridden a motorbike, she takes a 3-day crash course on how to do so. What could possibly go wrong?

Nonchalantly tackling muddy jungles, deserts, and virtually impassable terrain, frequently breaking down, she muddles through with a mixture of ingenuity, optimism, and the never-failing help of the local people. 

A satisfyingly honest and self-deprecating account of a remarkable achievement by a woman who believed she could, and so she did.

One of the very first books I read about the Indian freedom struggle, I found its narrative flow easy and swift, veering from the exciting and thrilling to shedding light on so much that went on behind the scenes.

I appreciated for the first time what my own family must have experienced during the partition of the Indian subcontinent, which resulted in one of the largest migrations of people, with millions forced to leave their homes and many more losing their lives.

I’m pretty sure that you will find it gripping.

If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.

The Image of the Black in Western Art is a multi-volume series that extends from antiquity to the modern era, and it’s famous for its extraordinary images.  This series now has an excellent additional volume—on how Black peoples were portrayed in African, Middle Eastern, and Asian art.  The images from these non-Western regions of the world are incomparable, and the accompanying essays take us all the way from the beginnings to the present day.