Here are 100 books that A Southern Music fans have personally recommended if you like
A Southern Music.
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She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book.
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the…
Lyons' 100 Best Jazz Albums shaped my listening for a long, long time. His references to Ornette Coleman, Cecil Taylor, Sun Ra, and Art Ensemble were well-written and hugely informed. Some of the choices are now extremely dated, but it is a great overview of the history of jazz (up to the early 1980s). It could give even an experienced listener or artist some pointers about where to round out their listening. Jazz is twice as old now (as a genre) as it was when I was coming up, so there’s so much more to listen to, and so much more has happened. This book should be a listening test for every student and faculty member—especially everything Duke and before and after Monk.
I’ve been trying to balance a need to help make the world a better place with my own small expertise as a musician and teacher. So I’ve played music with birds, whales, and bugs, taught philosophy to engineers for decades, written many books and released many albums, and traveled all over the world learning what people are doing to improve things. I need to find words to read that encourage me and lift me out of the looming pull of depressing statistics and real suffering that we all read about every day. I hope change is possible, and I urge everyone to work toward it in their own specific and unique ways.
From the 1960s but still one of the greatest books on how being creative means trying everything, trusting no one, and listening to everybody and everything. After you read this you will know that you can be an artist, that is, if you are meant to be one.
Silence, John Cage's first book and epic masterpiece, was published in October 1961. In these lectures, scores, and writings, Cage tries, as he says, to find a way of writing that comes from ideas, is not about them, but that produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching. Fifty years later comes a beautiful new edition with a foreword by eminent music critic Kyle Gann. A landmark book in American arts and culture, Silence has been translated into more than forty languages and has…
How do we decide what is true and untrue, what is real and what isn’t? It’s something I’ve tried to understand since I was a child. In each book I chose, a character has to face a universe completely unlike what they’d believed—in some cases, what they’d spent their entire lives devoted to. How someone would react in such a situation is deeply fascinating to me, and each of these books has not only stayed with me for years but has profoundly influenced my own writing and worldview.
I love books that explore how ordinary people might react in extraordinary circumstances, and this one takes that to another level.
The main characters, Tengo and Aomame, see that the world has changed—the most obvious clue being that there are now two moons in the sky—and it is fascinating to watch how these two very different people cope with living in a new and mysterious context. Murakami has a knack for making the surreal seem believable, and in this book, he is at the top of his game.
NATIONAL BESTSELLER • The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her.
She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course…
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
This is a small book. But in its own way, it is rich and detailed when it comes to how profoundly it draws out the relationship between the forest and the Kadars, an indigenous community residing in South India. The authors visiting the forest are researchers from the city, but here in the forest their teachers are the Kadars whose very name means “people of the forest.” With a touch of humour the book, wonderfully illustrated, is an ode to the traditional ecological knowledge, powers of observation, and story-telling skills of the Kadars. The simple activity of walking on a forest path with the Kadars is a revelation of the wealth of knowledge they possess and their relationship with the plants, animals, and even spirits. This is knowledge no ecological textbook can provide, but this knowledge is immeasurable in its value.
This is the story of a Kadar elder who takes a young urban visitor through the tangled woods that make up his ancient home. The book captures an urban nature lover's experience of learning from a forestdweller - and is beautifully illustrated to bring alive the dark richness of an lndian tropical forest.
Thirty-two years ago, I got my start as a chef by cooking in a shoebox cafe in Boston that played with curious Asian ingredients. Ten years later, after using lots of Asian cookbooks, I was incorporating Thai and Vietnamese cooking into my menus at the restaurant I was running. A few years after that, I opened and ran a Vietnamese restaurant in Cambridge (unfortunately, after major success, it burned down after a year). After this, the tourism board of Malaysia sent me on a four-week trip to write about the street food for FoodArts magazine. It is these experiences that greatly influenced my interest in Southeast Asian cooking.
This is a glossy cookbook published first in India and then in 1994 by an Australian division of Harper Collins. I’ve made many, many recipes in this book and it’s opened my eyes to the meat-free, texturally complex cuisine of South India. The careful but dynamic mix of ingredients such as mustard seeds, curry leaves, dried coconut, dal, and cumin seeds used in tempering dishes brings the food to life. I recommend this book to the curious and adventuresome home cook who enjoys shopping at Indian markets. The recipes are solid and for the most part easy once you become familiar with its cuisine and techniques.
"Dakshin" in an ancient Sanskrit word meaning "south." It symbolizes what this Indian cookbook is all about - the best and most delicious of South Indian vegetarian cuisine.
Filled with tempting recipes and beautiful photographs, Dakshin: Vegetarian Cooking from South India presents the finest cooking from the region. Drawn from the states of Kerala, Karnataka, Tamil Nadu, and Andhra Pradesh, and the union territory of Pondicherry, the recipes in this vegetarian cookbook bring traditional South Indian cooking within reach of any cook in any kitchen.
From sambars and rasams, to cooling desserts and sweet treats, Dakshin takes you through the…
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
One of the very first books I read about the Indian freedom struggle, I found its narrative flow easy and swift, veering from the exciting and thrilling to shedding light on so much that went on behind the scenes.
I appreciated for the first time what my own family must have experienced during the partition of the Indian subcontinent, which resulted in one of the largest migrations of people, with millions forced to leave their homes and many more losing their lives.
A detailed narrative of the thirteen months leading to the independence of the Indian subcontinent in February 1948, centering on major and minor figures and on the social and personal upheavals attendant on independence and partition.
I’m a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. I’ve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other people’s adventures. My taste is for tales that include plenty of humour, and I’ve selected five which I have particularly enjoyed.
India has always fascinated me, so I was intrigued to read this account of a 30-year-old woman riding 17,000 miles through the sub-continent, alone, on a motorbike. Never having previously ridden a motorbike, she takes a 3-day crash course on how to do so. What could possibly go wrong?
Nonchalantly tackling muddy jungles, deserts, and virtually impassable terrain, frequently breaking down, she muddles through with a mixture of ingenuity, optimism, and the never-failing help of the local people.
A satisfyingly honest and self-deprecating account of a remarkable achievement by a woman who believed she could, and so she did.
The author quits her high-flying job in London, orders a classic Indian Enfield Bullet motorbike and goes off for a year on a 17,000 mile circuit of India. She wants adventures, and as a solo traveller, has plenty of them. Follow her on her travels discovering an unknown world of motorbiking, wanderlust and Indian life. Humorous and well-written, this refreshingly honest book recounts her numerous mishaps, both on and off the bike. This story shows how a can-do attitude can compensate for inexperience and will appeal to those with a « just do it » attitude to life. And for…
I am a speaker, author, and academic. Originally from Rome, I now live in the Netherlands, where I lecture and do research on international and diplomatic history. My book examines the ethical and pragmatic dilemmas that characterized the making of the German-Israeli relationship after the Holocaust at the outset of the global Cold War. I value good reads and excellent conversations, and I held visiting fellowships in, among others, Berlin, Jerusalem, and Oxford. My work won a Dutch National Research Council grant, a major research grant from the Alfred Landecker Foundation, and the LNVH award for ‘Distinguished Women Scientists.’ These days, I divide my time between Rome, Berlin, and Utrecht.
This is a classic ancient Indian text on diplomacy and one of the earliest books written in secular Sanskrit.
This book is many things–including one of the most comprehensive manuals on statecraft, which makes for a fascinating read and an important corrective to Western-centric conceptualizations of the history of diplomacy.
A comprehensive guide to everything you need to know about the principles of politics, statecraft, and warfare tactics. What makes a king powerful? What makes a kingdom undefeatable? What makes a government efficient? Kautilya' s Arthashastra answers all these questions and explores much more in this beautiful deluxe edition.A timeless classic from one of the greatest thinkers and strategists!• An easy-to-understand translation of the ancient Sanskrit text• A treatise on politics, philosophy, and military strategy• Discover why we need laws for efficient governance• A peak into one of the best minds of the Indian subcontinent• Text that had a major…
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
The Image of the Black in Western Art is a multi-volume series that extends from antiquity to the modern era, and it’s famous for its extraordinary images. This series now has an excellent additional volume—on how Black peoples were portrayed in African, Middle Eastern, and Asian art. The images from these non-Western regions of the world are incomparable, and the accompanying essays take us all the way from the beginnings to the present day.
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt-positioned properly as part of African history-this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition,…
