Here are 100 books that The House in the Pines fans have personally recommended if you like
The House in the Pines.
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I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
This is a book as sprawling and twisting as the house in question. It’s one people love or hate, or love to hate, but for me, it was an immersive and chilling experience. The idea that a house can grow around you, that you can get trapped and lost within it, is horrifying and yet so attractive. This is one of those novels that gives you those “someone’s behind me” chills until you’re just one huge shivering mass.
The story and the way that the author tells the story is unsettling in every sense. You never know fully what’s coming. What’ll appear on the next page or the next corridor.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
The novel’s prose is breathtaking. Jackson tells us from the start that Hill House is not sane and that sets the tone for the unraveling of the other characters’ minds.
For me, one of the best things about the novel is that it gives the reader space to create their own horrors. Nothing is explicitly stated and that makes it all the more frightening. Add to that an unreliable narrator and this novel captured my mind from the moment I read it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
You are in the house and the house is in the woods. You are in the house and the house is in you.
If these words don’t send a tingle down your spine, or don’t make you suddenly aware of the house surrounding you, then we aren’t the same. Thomas’ feverish debut is the perfect example of “dark academia” done right.
Catherine House is not a home. It’s a mysterious school. Every student seems to have something odd hidden in the past. Students are encouraged to cultivate school spirit that goes well beyond the usual measures. They become one with Catherine House, submitting to cryptic experiments, cutting off contact with the outside world.
I love the way Thomas explores the ways an institution can exploit while pretending to protect.
“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE
“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST
A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!
A gothic-infused debut of literary suspense, set within…
I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
When Magnolia’s grandmother dies, the nineteen-year-old protagonist of Brashear’s sultry novel experiences another kind of loss as well. Her predatory landlord turns Magnolia’s home into a hostile space, quite literally forcing her out of the protection her grandmother left behind.
I love the way fairytales take center stage… Magnolia often imagines herself as part of iconic fables. I devoured fairytales as a child, so I felt particularly drawn into this obsession.
Without her own house, Magnolia seeks shelter with a mysterious artist named Cotton. But as always happens in such tales, nothing comes without a cost. Magnolia agrees to pose as mourners’ lost loved ones. Just like her house is no longer her own, even Magnolia’s own body doesn’t fully belong to her.
An enchanting Black Southern gothic debut, perfect for readers of Mexican Gothic... "Fresh, haunting...In her roller-coaster ride of a gothic debut novel, Monica Brashears upends expectations at every turn." ―The New York Times
“Every page, every scene, every sentence of Monica Brashears’s debut novel House of Cotton dazzles and surprises. An intense, enthralling, and deeply satisfying read!” ―Deesha Philyaw, author of The Secret Lives of Church Ladies
"A new, dazzling, and essential American voice." ―George Saunders, author of Lincoln in the Bardo
Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her…
In the past ten years, I have had to guide my young children through two unexpected and tragic deaths of loved ones. Both times, I was struggling with my own grief and wasn’t sure what my kids understood or didn’t. I made a lot of mistakes (as my son’s therapist can attest) but through it all, I learned a great deal about how much children notice, how deeply they feel a loss, and how to tend to our own grief and our children’s. From that pain, I wrote You’ll Find Me, and since then, have been able to use that book as a jumping-off point to discuss grief with others.
One of the most frustrating parts of losing someone involves all the well-meaning but ultimately terrible things people say to you. It’s even harder for children who often have to grapple with euphemisms like “passed away” or “in a better place.” This book provides space to feel anger about these phrases and talk about why they don’t make sense. It also broaches feelings of missing, the scary feeling of seeing grownups grieve loudly, and gives little ideas for remembering your loved one, including providing a place in the back to write their name and paste in a picture.
Part of the Ordinary Terrible Things series, the new and expanded edition of Death Is Stupid is an invaluable tool for discussing death, exploring grief, and honoring the life of our loved ones.
When someone we love dies, adults often say things like, "She's in a better place now," or "I know how you feel." You do not, one little boy thinks after his grandma passes away. Caught in the swirl of anger, confusion, and fear that accompanies grief and mourning, he doesn't just think death is unfair-he thinks death is stupid. It takes…
Allen Klein is a former hospice volunteer and the former director of The Life-Death Transitions Institute in San Francisco. He has also spoken at over 100 hospice events around the world. In addition, several of his books have dealt with death, dying, and grief. Among them are, The Healing Power of Humor, The Courage to Laugh, and Embracing Life after Loss. Klein’s interest in the connection between humor and death and dying came out of the death of his wife, who had a wonderful sense of humor. He saw how humor helped her, and those around her, cope with this challenging circumstance.
This meditation teacher shows those who have experienced a loss new ways to embrace the pain so that they can feel joy again. Written for all types of loss, Welshons shows readers how grief can provide a unique opportunity to live a fuller and richer life in spite of our losses.
In this remarkable book, Welshons weaves together his own personal awakening with those of others he's counseled to bestow a deeply felt and exquisitely expressed primer on dealing with grief. We learn new ways to embrace our pain so that our hearts can open to feel joy. We discover how grieving gives us the unique opportunity to develop deeper and fuller life experiences. Written for people who have experienced any type of loss—whether through death, divorce, or disappointment—this compelling and memorable guide will take its place among the insightful works of grief management.
At the age of fifty-three, I was suddenly thrust into the role of primary caregiver for my disabled twin sister who was unable to sit, stand, feed herself, eat solid foods, or communicate. Up to that point, that role had been my mother’s with the help of home-attendants; but my mother was aging and the care provided by the ever-changing attendants was wanting. I was forced to place Judy in a nursing home. The challenge left me overwhelmed with the responsibility of overseeing her care and there were days I wondered if I could go on. With the support of family and friends, I was able to make it through.
In May of 2015, two-year-old Greta Greene was hit in the head by bricks falling from a nearby building while sitting on a bench with her grandmother. She died shortly after.
I remember hearing of it on the news and wondering how the parents and grandmother could survive such a trauma. Jayson Greene’s book tells us how. For me, it was a reminder that, even when the worst happens and we find ourselves in the dark of the tunnel, the light can shine again.
Reading this book I realized that this family made it through the same way I got through my own trauma: one step at a time, one day at a time; sometimes even just one small moment at a time.
'A gripping and beautiful book about the power of love in the face of unimaginable loss' Cheryl Strayed, author of Wild
'Extraordinary . . . both heartbreaking and life-affirming . . . you will find your heart magically expanded' Mail on Sunday
'Unimaginably poetic . . . I learned a lot reading this book and have passed it on to others' Jessie Cave, Red Magazine
'Greene's account of his loss is remarkably uplifting. It's hard-won proof that love can survive our worst fears and our darkest, most desperate emotions' Daily Mail
'This minutely observed memoir will surely be helpful to…
Ever since I was a young girl, I always turned to writing to work through anything that was happening in my life, ranging from the first time I experienced loss to my parents’ divorce. I have since published three children’s books on tough topics as I have aimed to provide parents, children, and teachers with tools to discuss loss and change. My most recent book, Goodbye, Gus is specifically about the loss of a pet. My dad died when I was 21, and that was the first death (other than my dogs) that I ever experienced. I was able to experience first-hand the fact that the loss of my pets helped prepare me to cope with grief, and I also learned that we can all focus on what we did have and hang on to those memories forever.
This book is full of comforting information for those who have lost a pet and are going through the grieving process. I remember reading this book and feeling so grateful that a psychologist put together this information specifically for those of us who are coping with losing a pet. I love my dogs, and they are a big part of my family. When I have lost them, I feel devastated. Pet grief is a bereavement process that deserves attention, care, and understanding, and this book helps us to understand that intense grief.
Understanding helps heal the hurt when you lose a pet.
This award-winning book has been hailed as the seminal work in the field. And now the fourth newly revised and expanded edition offers so much more to the bereaving pet owner. This edition also includes a significant new way of considering the meaning of afterlife for us and our pets. It discusses the topic from a twenty-first century scientific perspective that is very different from existing religious or metaphysical ones, offering a new comfort to skeptics and agnostics as well.
This book will help you in your healing from that…
In the past ten years, I have had to guide my young children through two unexpected and tragic deaths of loved ones. Both times, I was struggling with my own grief and wasn’t sure what my kids understood or didn’t. I made a lot of mistakes (as my son’s therapist can attest) but through it all, I learned a great deal about how much children notice, how deeply they feel a loss, and how to tend to our own grief and our children’s. From that pain, I wrote You’ll Find Me, and since then, have been able to use that book as a jumping-off point to discuss grief with others.
About 9 months after my 3-year-old son sat in the room with us as his uncle quietly passed away, he began having panic attacks about dying. When I took him to a therapist, I realized that I’d done just about everything wrong in how I handled this loss with him. The therapist gave me this book.
The text is simple and focuses on what is important to the child, including what they are seeing in the people around them. Grief is scary to experience, and when you don’t quite understand what’s happening, it’s terrifying to watch your caretakers experience it. This book helps process all of that. I recommend inserting the name of the relative that died into all the places where the text mentions “grandma.”
When a loved one dies, it can be hard to know how to explain it to a young child, particularly if you are grieving the loss yourself.
Sensitively written and gently illustrated, Something Very Sad Happened explains death in developmentally appropriate terms for two-and three-year-old childern. It reassures the child that it is okay to feel sad, and that love never dies.
Includes a Note to Parents and Caregivers with more information about how to talk about death, answer your child's questions, and maintain your connection throughout the grieving process.
We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
Sheryl Sandberg movingly tells the story of losing her husband suddenly and having to continue with her family on her own. Grief seems a solitary process that we have to work through by ourselves. But she describes how her process of recovery required connections with friends, with family, and with institutions in her neighborhood. All of us have to deal with personal tragedies like the deaths of loved ones, and I appreciated how this book combined her sharing her personal experience with broader expertise from psychology and social science.
From Facebook's COO and Wharton's top-rated professor, the #1 New York Times best-selling authors of Lean In and Originals: a powerful, inspiring, and practical book about building resilience and moving forward after life's inevitable setbacks.
After the sudden death of her husband, Sheryl Sandberg felt certain that she and her children would never feel pure joy again. "I was in 'the void,'" she writes, "a vast emptiness that fills your heart and lungs and restricts your ability to think or even breathe." Her friend Adam Grant, a psychologist at Wharton, told her there are concrete steps people can take to…
