Here are 100 books that The House in the Pines fans have personally recommended if you like
The House in the Pines.
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Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
I found out about this book when a friend urged me not to buy this book because it messed her up. Needless to say, I bought and read it right away, and even though it took me a long time with frequent pauses to get through this behemoth of a book, I understand why my friend said what she said.
Even beyond the striking visuals and the slowly escalating typographic madness (just google it and you’ll know what I mean) a feeling of dread suffuses this novel that stayed with me long after I put it down.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.
Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
You are in the house and the house is in the woods. You are in the house and the house is in you.
If these words don’t send a tingle down your spine, or don’t make you suddenly aware of the house surrounding you, then we aren’t the same. Thomas’ feverish debut is the perfect example of “dark academia” done right.
Catherine House is not a home. It’s a mysterious school. Every student seems to have something odd hidden in the past. Students are encouraged to cultivate school spirit that goes well beyond the usual measures. They become one with Catherine House, submitting to cryptic experiments, cutting off contact with the outside world.
I love the way Thomas explores the ways an institution can exploit while pretending to protect.
“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE
“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST
A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!
A gothic-infused debut of literary suspense, set within…
I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
When Magnolia’s grandmother dies, the nineteen-year-old protagonist of Brashear’s sultry novel experiences another kind of loss as well. Her predatory landlord turns Magnolia’s home into a hostile space, quite literally forcing her out of the protection her grandmother left behind.
I love the way fairytales take center stage… Magnolia often imagines herself as part of iconic fables. I devoured fairytales as a child, so I felt particularly drawn into this obsession.
Without her own house, Magnolia seeks shelter with a mysterious artist named Cotton. But as always happens in such tales, nothing comes without a cost. Magnolia agrees to pose as mourners’ lost loved ones. Just like her house is no longer her own, even Magnolia’s own body doesn’t fully belong to her.
An enchanting Black Southern gothic debut, perfect for readers of Mexican Gothic... "Fresh, haunting...In her roller-coaster ride of a gothic debut novel, Monica Brashears upends expectations at every turn." ―The New York Times
“Every page, every scene, every sentence of Monica Brashears’s debut novel House of Cotton dazzles and surprises. An intense, enthralling, and deeply satisfying read!” ―Deesha Philyaw, author of The Secret Lives of Church Ladies
"A new, dazzling, and essential American voice." ―George Saunders, author of Lincoln in the Bardo
Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her…
Allen Klein is a former hospice volunteer and the former director of The Life-Death Transitions Institute in San Francisco. He has also spoken at over 100 hospice events around the world. In addition, several of his books have dealt with death, dying, and grief. Among them are, The Healing Power of Humor, The Courage to Laugh, and Embracing Life after Loss. Klein’s interest in the connection between humor and death and dying came out of the death of his wife, who had a wonderful sense of humor. He saw how humor helped her, and those around her, cope with this challenging circumstance.
This meditation teacher shows those who have experienced a loss new ways to embrace the pain so that they can feel joy again. Written for all types of loss, Welshons shows readers how grief can provide a unique opportunity to live a fuller and richer life in spite of our losses.
In this remarkable book, Welshons weaves together his own personal awakening with those of others he's counseled to bestow a deeply felt and exquisitely expressed primer on dealing with grief. We learn new ways to embrace our pain so that our hearts can open to feel joy. We discover how grieving gives us the unique opportunity to develop deeper and fuller life experiences. Written for people who have experienced any type of loss—whether through death, divorce, or disappointment—this compelling and memorable guide will take its place among the insightful works of grief management.
In the past ten years, I have had to guide my young children through two unexpected and tragic deaths of loved ones. Both times, I was struggling with my own grief and wasn’t sure what my kids understood or didn’t. I made a lot of mistakes (as my son’s therapist can attest) but through it all, I learned a great deal about how much children notice, how deeply they feel a loss, and how to tend to our own grief and our children’s. From that pain, I wrote You’ll Find Me, and since then, have been able to use that book as a jumping-off point to discuss grief with others.
One of the most frustrating parts of losing someone involves all the well-meaning but ultimately terrible things people say to you. It’s even harder for children who often have to grapple with euphemisms like “passed away” or “in a better place.” This book provides space to feel anger about these phrases and talk about why they don’t make sense. It also broaches feelings of missing, the scary feeling of seeing grownups grieve loudly, and gives little ideas for remembering your loved one, including providing a place in the back to write their name and paste in a picture.
Part of the Ordinary Terrible Things series, the new and expanded edition of Death Is Stupid is an invaluable tool for discussing death, exploring grief, and honoring the life of our loved ones.
When someone we love dies, adults often say things like, "She's in a better place now," or "I know how you feel." You do not, one little boy thinks after his grandma passes away. Caught in the swirl of anger, confusion, and fear that accompanies grief and mourning, he doesn't just think death is unfair-he thinks death is stupid. It takes…
Ever since I was a young girl, I always turned to writing to work through anything that was happening in my life, ranging from the first time I experienced loss to my parents’ divorce. I have since published three children’s books on tough topics as I have aimed to provide parents, children, and teachers with tools to discuss loss and change. My most recent book, Goodbye, Gus is specifically about the loss of a pet. My dad died when I was 21, and that was the first death (other than my dogs) that I ever experienced. I was able to experience first-hand the fact that the loss of my pets helped prepare me to cope with grief, and I also learned that we can all focus on what we did have and hang on to those memories forever.
This book is full of comforting information for those who have lost a pet and are going through the grieving process. I remember reading this book and feeling so grateful that a psychologist put together this information specifically for those of us who are coping with losing a pet. I love my dogs, and they are a big part of my family. When I have lost them, I feel devastated. Pet grief is a bereavement process that deserves attention, care, and understanding, and this book helps us to understand that intense grief.
Understanding helps heal the hurt when you lose a pet.
This award-winning book has been hailed as the seminal work in the field. And now the fourth newly revised and expanded edition offers so much more to the bereaving pet owner. This edition also includes a significant new way of considering the meaning of afterlife for us and our pets. It discusses the topic from a twenty-first century scientific perspective that is very different from existing religious or metaphysical ones, offering a new comfort to skeptics and agnostics as well.
This book will help you in your healing from that…
At the age of fifty-three, I was suddenly thrust into the role of primary caregiver for my disabled twin sister who was unable to sit, stand, feed herself, eat solid foods, or communicate. Up to that point, that role had been my mother’s with the help of home-attendants; but my mother was aging and the care provided by the ever-changing attendants was wanting. I was forced to place Judy in a nursing home. The challenge left me overwhelmed with the responsibility of overseeing her care and there were days I wondered if I could go on. With the support of family and friends, I was able to make it through.
In May of 2015, two-year-old Greta Greene was hit in the head by bricks falling from a nearby building while sitting on a bench with her grandmother. She died shortly after.
I remember hearing of it on the news and wondering how the parents and grandmother could survive such a trauma. Jayson Greene’s book tells us how. For me, it was a reminder that, even when the worst happens and we find ourselves in the dark of the tunnel, the light can shine again.
Reading this book I realized that this family made it through the same way I got through my own trauma: one step at a time, one day at a time; sometimes even just one small moment at a time.
'A gripping and beautiful book about the power of love in the face of unimaginable loss' Cheryl Strayed, author of Wild
'Extraordinary . . . both heartbreaking and life-affirming . . . you will find your heart magically expanded' Mail on Sunday
'Unimaginably poetic . . . I learned a lot reading this book and have passed it on to others' Jessie Cave, Red Magazine
'Greene's account of his loss is remarkably uplifting. It's hard-won proof that love can survive our worst fears and our darkest, most desperate emotions' Daily Mail
'This minutely observed memoir will surely be helpful to…
Told from the perspective of Helena, a veterinarian whose career was cut short by—you guessed it!—cancer, this book explores the ethical implications of testing on animals while unpacking the messy reality of grief. As Helena’s husband, David, struggles to care for his late wife’s houseful of beloved animals, ghost-Helena reflects on the meaninglessness of her existence. I think we all like to believe we leave some kind of impact on the world, but what if we don’t? And who are we to call ourselves superior beings when other creatures are forced to suffer at our expense?
UNSAID is told from the perspective of Helena Colden, a veterinarian who has just died of breast cancer. Helena is forced to witness the rapid emotional deterioration of her husband David. With Helena's passing, David, a successful Manhattan attorney, loses the only connection that made his life full. He tries to carry on the life that Helena had created for them, but he is too grief stricken, too angry, and too quickly reabsorbed into the demands of his career. Helena's animals likewise struggle with the loss of their understanding and compassionate human companion. Because of Helena, David becomes involved in…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.
I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Winner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family…
