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I am a scholar of literature, literary history, and American Studies based at the University of Hong Kong where I landed thanks to a Fulbright Scholarship in 2008. Prior to this I was very happily in Philadelphia, researching authors and artists who alluded to lucrative trade in the Far East when rendering scenes of the Far West premised on the promotion or the protest of continental Manifest Destiny. Archival materials at the Library Company and Swarthmore College inspired me to visit the places about which I was writing. Travelling to places that feature in my scholarly projects keeps me busy studying languages and humbly amazed by the enduring cultural varieties of our shared humanity.
Sea of Poppiesis the first of Amitav Ghosh’s Ibis Trilogy—an epic of global opium trade that features Zachary Reid, a mixed-race American whose story unfolds as it connects Baltimore to Bengal to Canton across the Atlantic and Indian Oceans.
Filled with heartbreak and humor the trilogy invokes Herman Melville’s Moby Dick as Ghosh revives the primary sources of the Old China Trade and brings them into refreshing literary life.
Ghosh’s novel complements another (very different) gem of historically based literary fiction featuring American involvement in opium smuggling and the ensuing First Opium War: Timothy Mo’sInsular Possession.
At the heart of this epic saga, set just before the Opium Wars, is an old slaving-ship, The Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its crew a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed villager, from an evangelical English opium trader to a mulatto American freedman. As their old family ties are washed away they, like their historical counterparts, come to view themselves as jahaj-bhais or ship-brothers. An…
As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s.
Forster’s novel showed me the majesty and mystery of India at the height of British occupation. In delineating a complex friendship between an Englishman (Fielding) and an Indian (Aziz), it illustrated for me the difficulties of interracial relations at that time, even with the best of intentions. I love that the novel centers around a dramatic event in the Malabar Hills, a mystery that kept me guessing as to what really happened.
Set in British India in the 1920s, this book looks at racial conflict. The characters struggle to overcome their own differences and prejudices, but when the Indian Dr Aziz is tried for the alleged assault of Adela Quested even the strongest inter-racial friendships come under pressure.
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
When I read this book, I felt like I was back walking on the streets of India. Alka Joshi's vivid storytelling will transport you to a world of vibrant colors, rich traditions, and compelling characters.
In this first book of the Jaipur Trilogy, Lakshmi, a skilled henna artist, navigates a complex society, unraveling secrets and defying societal norms. Joshi's exquisite prose and the book's engrossing plot offer the perfect blend of escapism and depth, making it an ideal companion for a journey.
As you soar through the skies, it promises to transport you to another time and place, making the flight feel like a brief detour into an enchanting literary world.
For fans of Balli Kaur Jaswal's Erotic Stories for Punjabi Widows and Thrity Umrigar's The Space Between Us, Alka Josh's The Henna Artist by is lushly-rendered, emotional book club fiction set in post-Raj 1950s Jaipur about a young woman struggling to shape her own destiny in a world pivoting between the traditional and the modern.
After fleeing an arranged marriage as a fifteen year old to an abusive older man, Lakshmi Shastri steals away alone from her rural village to Jaipur. Here, against odds, she carves out a living for herself as a henna artist, and friend and confidante to…
As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s.
Set in the present-day cosmopolitan city of Mumbai, India, the novel follows the lives of two women: Serabai Dubash, a middle-class widow, and her maidservant, Bhima. The pair experience similar situations in their lives: abuse, the death or absence of a husband, and the longing for a better future. They both have pregnant daughters, a fact that becomes significant as the novel progresses.
This book shows us the difficulties faced by women in Indian society but also their courage. Ultimately it is an upbeat book with great spirit. The plot twist at the end, and the resolution, blew me away.
In this beautifully crafted novel about the interlinked lives of two women, Thrity Umrigar explores the complex relationships between the classes in India, rarely addressed in contemporary fiction.
'Bhima is real. She worked in the house I grew up in, year after year, a shadow flitting around our middle-class home, her thin brown hands cleaning furniture she was not allowed to sit on, cooking food she was not allowed to share at the family dining table, dusting the stereo that mainly played American rock and roll, music that was alien and unfamiliar to her, that only reminded her of her…
Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
Those who know the field of religious violence may find my choice of Ashis Nandy’s book of essays to be a peculiar one since it deals with a variety of issues besides religious violence. But one of his essays, “The Discrete Charms of Indian Terrorists,” is worth the price of the book. In it, Nandy describes the remarkably civil behavior of young Sikh activists who hijacked an Indian plane in the 1980s. He then goes on to disagree with Gandhi that terrorism necessarily absolutizes a conflict, and he rejects the common perspective, especially in the West, that terrorism is always evil. Though Nandy’s analysis does not fit all, or perhaps most, instances of religion-related terrorism it makes us reconsider our assumptions about the use of violence in certain situations.
One of India's leading public intellectuals, Ashis Nandy is a highly influential critic of modernity, science, nationalism, and secularism. In this, his most important collection of essays so far, he seeks to locate cultural forms and languages of being and thinking that defy the logic and hegemony of the modern West. The core of the volume consists of two ambitious, deeply probing essays, one on the early success of psychoanalysis in India, the other on the justice meted out by the Tokyo War Crimes Tribunal to the defeated Japanese. Both issues are viewed in the context of the psychology of…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
It takes a lot from a lot of different stakeholders for a democracy to thrive. It requires unbiased institutions that ensure a level playing field for all political parties and candidates, and one of the primary institutions that keep democracy alive is the media. A vote is only an informed decision when voters have accurate information to base their decision on. The responsibility of making this information accessible rests with a nation’s media. For this reason, it is also one of the first institutions that is targeted by any politician wanting to consolidate power. This book, written by one of India’s leading journalists details how media institutions can be transformed from sources of accurate information to drivers of fear, and how that damages democracy.
'This brave and timely book should be required reading for every Indian.'--Nayantara Sahgal
In this revised paperback edition of his best-selling book, Ravish Kumar, one of our bravest and most mature public voices, examines why debate and dialogue have given way to hate and intolerance in India, how elected representatives, the media and other institutions are failing us, and looks at ways to repair the damage to our democracy.
A new introduction and two additional essays examine developments since the election results of May 2019.
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Reading Guha was an eye-opening experience for me for at least two reasons. One, he was the founding figure of subaltern historiography; and two, abandoning the colonial knowledge project, he introduced a whole new horizon of South Asian studies to his readers. First by acknowledging and then by understanding the consciousness and politics of the colonial marginal, Guha explored peasant insurgency in a new light.
In his battle against colonialist and nationalist historiographies, Guha also distanced himself from his Marxist colleagues in history.
This classic work in subaltern studies explores the common elements present in rebel consciousness during the Indian colonial period. Ranajit Guha-intellectual founder of the groundbreaking and influential Subaltern Studies Group-describes from the peasants' viewpoint the relations of dominance and subordination in rural India from 1783 to 1900. Challenging the idea that peasants were powerless agents who rebelled blindly against British imperialist oppression and local landlord exploitation, Guha emphasizes their awareness and will to effect political change. He suggests that the rebellions represented the birth of a theoretical consciousness and asserts that India's long subaltern tradition lent…
For over 44 years, I have been a writer, speaker, anchor, interviewer, teacher, analyst/commentator, publisher, producer, director, and consultant across different mass media: the written word, the spoken word, and the audio-visual medium – printed publications and websites, radio and podcasts, television, and documentary cinema. As a student of the political economy of India, I have sought to investigate the working of the nexus between business and politics. I am of the view that crony capitalism and oligarchy are at the roots of much that has gone wrong in the country of my birth and domicile which is often described as the “world’s largest democracy”.
This book describes in fascinating detail several episodes of crony capitalism in contemporary India. The author focuses on the intimate nexus between big business and politics that shapes economic policies and covertly funds elections, often to the detriment of the interests of underprivileged sections of society. Drawing on his experience as an investigative journalist, Josy Joseph delineates corporate rivalries, the activities of shady lobbyists and recounts financial scandals. A riveting read.
'Every day, millions of people -- the rich, the poor and the many foreign visitors -- are hunting for ways to get their business done in modern India. If they search in the right places and offer the appropriate price, there is always a facilitator who can get the job done. This book is a sneak preview of those searches, the middlemen who do those jobs, and the many opportunities that the fast-growing economy offers.' Josy Joseph draws upon two decades as an investigative journalist to expose a problem so pervasive that we do not have the words to speak…
I'm a historian of global capitalism and South Asia, writing about corporations as they are and how they could be. I've looked at India with the eyes of an outsider, drawing on my experiences growing up in 1990s Eastern Europe during a time of political upheaval and shock privatizations as the old communist order crumbled. Having witnessed the rise of a new class of monopolists and oligarchs in its stead, I became interested in the many different ways capitalists exercise power in society over time and around the world, and how we as ordinary citizens relate to them. I'm now interested in thinkers, activists, and entrepreneurs who have tried to experiment with alternatives.
Readers are spoiled for choice when it comes to investigative journalism and narrative non-fiction about contemporary India, but Siddhartha Deb’s collection of essays (titled after F. Scott Fitzgerald) stands out in a crowded field. Though a decade old, it has not lost any of its relevance or punch. Deb profiles a series of unforgettable figures, from a controversial upstart businessman to emigrant engineers, peasant revolutionaries, informal industrial workers, and a waitress who serves the rich and powerful. The book moves seamlessly from the city to the countryside, exposing both the aspirations and the frustrations of capitalism as it is really lived and felt by a wide cross-section of people across India.
A Globe and Mail Best Books of the Year 2011 Title
Siddhartha Deb grew up in a remote town in the northeastern hills of India and made his way to the United States via a fellowship at Columbia. Six years after leaving home, he returned as an undercover reporter for The Guardian, working at a call center in Delhi in 2004, a time when globalization was fast proceeding and Thomas L. Friedman declared the world flat. Deb's experience interviewing the call-center staff led him to undertake this book and travel throughout the subcontinent.
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