Here are 100 books that The Guns of the South fans have personally recommended if you like
The Guns of the South.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am all the characters in this and every book I have written. I grew up in Rome, teach Roman art and architectural history, and am a practicing architect. My books are suffused with the things I love, from culture to cuisine, pace of life, love of consort, affection for children and animals, to the adventures I have been so fortunate to enjoy through my fifties. Reading has been a big part of my education. I have many interests and loves to share. These five book recommendations are but the tip of the iceberg. I became an author so I could write what remains unwritten and read the stories I wish to tell.
I have never been brought so close to a battle and a battlefield experience as when reading this book.
The horror, tension, excitement, valor, and regret of warfare are clearly depicted. The motivations for fighting for a terrible cause are examined. The determination to see things through to the bitter end is in evidence. It is a blueprint for writing warfare and helps the reader understand the excitement and tension in leading troops to the fear and futility of being on the line.
Best of all, Shaara has been able to bring life to Lee, who so often is referred to as a marble man. Here, he’s been humanized, and this alone makes our reading of history so much more personal and relevant.
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson
In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could.
I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.
With extraordinary narrative power, New York Times bestselling author Colleen McCullough sweeps the reader into a whirlpool of pageantry and passion, bringing to vivid life the most glorious epoch in human history.
When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural "upstart" Marius, and Sulla, penniless and debauched but of aristocratic birth. Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes. Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with…
I have been known to read a book a day, and I read widely: all the classics, mystery and suspense, science fiction, future fiction, and fantasy. My favorite novels in any genre take me to a place or time far away. My favorite characters are like hobbits; they are caught up in big adventures but fun to have a beer with and don’t take themselves too seriously. And all the protagonists in the novels I have chosen are women, because women my age have spent enough time reading about men who have adventures.
This book is both future fiction and historical. An Oxford historian journeys back in time and ends up by accident in a plague-filled village in the Middle Ages.
What I love about this novel is the bravery of the characters and their commitment to the good. Willis makes me a believer that humans have not changed much in a thousand years. Ties of love, faith, and humor are the stronghold for confused humans in the past, present, or future, and Willis’ universe is a benevolent one that responds to reward those acts of faith.
Although this book could be classified as science fiction, it is lovingly historical with a deeply researched and rich experience of our past. I absolutely love this book.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.
Five marriageable girls, a nervy mother, a sarcastic father, a sensible best friend, and a plethora of good-looking young men in uniform and breeches. What’s not to like?
This novel has everything. The story of two people who fall in love with each other in spite of themselves is still as fresh as paint today, and the supporting cast is fantastic. Austen’s writing is pin-sharp, revolutionary, and addictive.
I’ve read the novel hundreds of times, but I never tire of its wit, romance, and perfect plotting. Whether you love a good romance, enjoy digging around in the dusty corners of Regency fiction, or just like seeing a baddie getting their comeuppance, it is universally acknowledged that this is the book for you.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
As someone who published her first book in 1991, I have several decades of reading experience with excellent speculative fiction now considered “backlist.” Yes, the technology can seem dated, but if you’re willing to go with it, you will find these novels by award-winning authors still have characters and situations relevant to us today. And isn’t that what fiction is about? The opportunity to see people just like us through a foreign lens, and know that despite our differences, we hold many things in common.
I am frequently unimpressed by the way male authors write female protagonists, but David Weber is an exception. His Honor Harrington character feels completely authentic to me in this first book of a military space opera series. Having run afoul of a superior officer, Honor is relegated to a backwater outpost with an aging gunship and a cantankerous crew. That would be bad enough if the place was quiet, but this star system is rife with smugglers and merchant cartels, and interstellar politics threaten to trap her between the ruling body and an adversarial power.
I am all the characters in this and every book I have written. I grew up in Rome, teach Roman art and architectural history, and am a practicing architect. My books are suffused with the things I love, from culture to cuisine, pace of life, love of consort, affection for children and animals, to the adventures I have been so fortunate to enjoy through my fifties. Reading has been a big part of my education. I have many interests and loves to share. These five book recommendations are but the tip of the iceberg. I became an author so I could write what remains unwritten and read the stories I wish to tell.
I love the main character, the strongest woman in literature, who, in late Paleolithic times, literally invents the modern world. She is strong but thinks herself weak. She is beautiful but thinks herself ugly. She circumvents and overcomes every instance of adversity thrown her way. I want to be her, and the book permits me to wear her shoes.
I have been highly influenced by Jean Auel’s storytelling, especially the graphic scenes of Ayla’s loss of innocence, growth into sexuality, and descriptions of lust, love, and completion.
This book is not erotica, yet the love scenes are the best I’ve ever read and are a roadmap to create tension and heat in my writing. With her influence, my audience laughs, cries, and cheers their way through my books.
This unforgettable odyssey into the distant past carries us back to the awesome mysteries of the exotic, primeval world of The Clan of the Cave Bear, and to Ayla, now grown into a beautiful and courageous young woman.
Cruelly cast out by the new leader of the ancient Clan that adopted her as a child, Ayla leaves those she loves behind and travels alone through a stark, open land filled with dangerous animals but few people, searching for the Others, tall and fair like herself. The short summer gives her little time to look, and when she finds a sheltered…
I grew up in the sixties and loved all things science fiction when it was at its peak. Being a voracious reader, I spent many days in the local library. I wanted to learn how to be good enough to get my books there. I was encouraged by friends and began studying writing at workshops and conventions. There, I met many of my favorite authors, including Anne McCaffery, Orson Scott Card, Lois McMaster Bujold, and A. C. Crispin. I also met scientists and actors. Critique groups honed my craft and expanded my appreciation of books. I learned to read and write outside my comfort zone.
I loved Lois McMaster Bujold’s Vorkosigan series. By this book; I had become a hopeless fan girl. Not of Bujold, though she is a Grandmaster of writing, but of her character, Miles Vorkosigan. I became a proud member of Miles Minions.
As someone with a genetic abnormality myself, I adored the way he let nothing stop him and careened from one adventure/disaster to the next. The characters and story are so well written that I forgot the author and was immersed in Miles’ life.
This gave me my almost impossible goal as an author. I want to create a character that is as much fun to write as Miles is to read. I was honored to sit near Bujold at a dinner and share my dream with her.
NEW YORK TIMES BEST-SELLING AUTHOR. NEW EDITION OF THE BOOK THAT STARTED THE VOKOSIGAN SAGA LEGEND. WITH AN ALL-NEW INTRODUCTION BY LOIS MCMASTER BUJOLD!
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.
Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.
In 2075, the Moon is no longer a penal colony. But it is still a prison...
Life isn't easy for the political dissidents and convicts who live in the scattered colonies that make up lunar civilisation. Everything is regulated strictly, efficiently and cheaply by a central supercomputer, HOLMES IV.
When humble technician Mannie O'Kelly-Davis discovers that HOLMES IV has quietly achieved consciousness (and developed a sense of humour), the choice is clear: either report the problem to the authorities... or become friends.
And perhaps overthrow the government while they're at it.
I love to read and write historical fiction—seeing, hearing, smelling, tasting, and feeling the past—revealing the thoughts and emotions of characters real and imagined through psychological insights. My mentor Fawn Brodie wrote non-fiction, specifically psychobiography. Her Thomas Jefferson: an Intimate History introduced the world to the enslaved Sally Hemings. The seeds of my first novel The Woman Who Loved John Wilkes Booth were sown in Fawn Brodie’s UCLA lecture hall. I can only imagine what her historical fiction might’ve been. Now I wait for novels from historians Imani Perry South to America and Isabel Wilkerson Caste. Meantime there are so many wonderful novelists writing history.
When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.
From the author of the acclaimed YEAR OF WONDERS, a historical novel and love story set during a time of catastrophe, on the front lines of the American Civil War. Set during the American Civil War, MARCH tells the story of John March, known to us as the father away from his family of girls in LITTLE WOMEN, Louisa May Alcott's classic American novel. In Brooks' telling, March emerges as an abolitionist and idealistic chaplain on the front lines of a war that tests his faith in himself and in the Union cause when he learns that his side, too,…
Not only am I a cyberpunk writer, I’m officially a Doctor of Cyberpunk. My Ph.D. thesis, The Dark Century: 1946–2046, looked at hardboiled fiction, film noir, and tech-noir (AKA cyberpunk) traditions across the past, the present, and an imagined future. It was a radical break from my previous career as an aid worker, where I ran poverty alleviation programs throughout Southeast Asia. And yet, I’ve drawn on that experience in my prose, using the experience of the cultures that I lived and worked in to breathe life into the settings for my short stories and novels.
This book largely takes place over a three-day battle. It showcases the stupidity of war, the cowardice, the luck, the incompetence, and yes, sometimes even the breathtaking courage.
As you’d expect from Abercrombie–the so-called Lord of Grimdark–the ‘heroes’ are no such thing, but rather, flawed and broken individuals who go to war out of obligation or ambition or because they know no other way of life.
Joe Abercrombie writes superb action scenes. Visceral, urgent, bloody. He’s also particularly cruel to his characters. I’m not sure if he’s picking on me particularly or if it’s just the dark alchemy of his literary soul that makes him such a popular author, but he’s always a bit of a bastard to the characters I like the most.
They say Black Dow's killed more men than winter, and clawed his way to the throne of the North up a hill of skulls. The King of the Union, ever a jealous neighbor, is not about to stand smiling by while he claws his way any higher. The orders have been given and the armies are toiling through the northern mud. Thousands of men are converging on a forgotten ring of stones, on a worthless hill, in an unimportant valley, and they've brought a lot of sharpened metal with them.
