100 books like A Chain of Thunder

I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states. 

I am saddened and frustrated by polarization in American life today, and I believe that the Civil War has lessons to teach us about how we can avoid deeper divisions in our country. I grew up in Maryland, a border state, and have relatives that fought for the North, as well as relatives who fought for the South. In addition, I have Quaker ancestors who hated slavery and supported the Union, but who would not fight because they were pacifists. I am passionate about understanding the tensions that have always run through American life, and want to explore the topic deeply in my reading and writing. 

I am saddened and frustrated by polarization in American life today, and I believe that the Civil War has lessons to teach us about how we can avoid deeper divisions in our country. I grew up in Maryland, a border state, and have relatives that fought for the North, as well as relatives who fought for the South. In addition, I have Quaker ancestors who hated slavery and supported the Union, but who would not fight because they were pacifists. I am passionate about understanding the tensions that have always run through American life, and want to explore the topic deeply in my reading and writing. 

I am saddened and frustrated by polarization in American life today, and I believe that the Civil War has lessons to teach us about how we can avoid deeper divisions in our country. I grew up in Maryland, a border state, and have relatives that fought for the North, as well as relatives who fought for the South. In addition, I have Quaker ancestors who hated slavery and supported the Union, but who would not fight because they were pacifists. I am passionate about understanding the tensions that have always run through American life, and want to explore the topic deeply in my reading and writing. 

I am all the characters in this and every book I have written. I grew up in Rome, teach Roman art and architectural history, and am a practicing architect. My books are suffused with the things I love, from culture to cuisine, pace of life, love of consort, affection for children and animals, to the adventures I have been so fortunate to enjoy through my fifties. Reading has been a big part of my education. I have many interests and loves to share. These five book recommendations are but the tip of the iceberg. I became an author so I could write what remains unwritten and read the stories I wish to tell.

I love to read and write historical fiction—seeing, hearing, smelling, tasting, and feeling the past—revealing the thoughts and emotions of characters real and imagined through psychological insights. My mentor Fawn Brodie wrote non-fiction, specifically psychobiography. Her Thomas Jefferson: an Intimate History introduced the world to the enslaved Sally Hemings. The seeds of my first novel The Woman Who Loved John Wilkes Booth were sown in Fawn Brodie’s UCLA lecture hall. I can only imagine what her historical fiction might’ve been. Now I wait for novels from historians Imani Perry South to America and Isabel Wilkerson Caste. Meantime there are so many wonderful novelists writing history. 

I’ve written ten books, four of them prize-winning best sellers, but this is my first book on the Civil War. Fortunately, it’s been generously received. The Wall Street Journal declared it “an epic story” and “rattling good history,” while Pulitzer Prize-winning James M. McPherson declared it “the fullest and best history of the Vicksburg campaign.“ Another Pulitzer receipient, David Blight, praised it for its “sizzling and persuasive prose. Miller has found the way,” he said, “to write both military and emancipation history in one profound package.”

I’m an old guy. I say this with a bit of cheek and a certain amount of incongruity. All the books on my list are old. That’s one area of continuity. Another, and I’ll probably stop at two, is that they all deal with ordinary people caught in extraordinary circumstances—those curveballs of life we flail at with an unfamiliar bat; the getting stuck on the Interstate behind a semi and some geezer in a golf cap hogging the passing lane in a Buick Le Sabre. No one makes it through this life unscathed. How we cope does more to define us than a thousand smiles when things are rosy. Thus endeth the lesson.

I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them. 

I read the books in my list decades before I started writing air war stories. My first novel was a sci-fi space opera about hot starpilots flying from what I called “spacecraft carriers” in an interstellar war. Over the years I’ve flown sailplanes, power planes, and logged time in the SNJ and the DC-3. Since I was never there, flying high-performance airplanes in combat, I try to read all the histories and memoirs and pilot’s manuals I can get my hands on, and study pictures of the people, time, place, and airplanes I’m writing about.