Here are 100 books that The Gospel of Rot fans have personally recommended if you like
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I was born and raised in the suburbs of eastern Pennsylvania, not far from the Appalachian Mountains, but a world away from the place the rest of the country calls “Appalachia.” Researching All This Marvelous Potential, my book about Robert Kennedy’s 1968 tour of eastern Kentucky, was a revelation. Appalachia is rich in Black history, and queer history, and labor history, and a national leader in education. I am a journalist and author. All This Marvelous Potential is my sixth book.
A welcome and necessary antidote to J.D. Vance’s drivel, Elizabeth Catte shatters stereotypes about Appalachia with a sledgehammer then crushes the pieces to dust under her feet. Contrary to much of what you hear and read about the place, Catte’s Appalachia is diverse, creative, entrepreneurial, energetic, and smart. The problem isn’t in Appalachia. The problem is outside it.
In 2016, headlines declared Appalachia ground zero for America's "forgotten tribe" of white working class voters. Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America's recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to…
I don’t consider myself specifically a horror reader (or writer for that matter!) any more than I consider myself a fantasy, mystery, or science fiction reader. As a writer (under my real name John Mantooth as well as my pseudonym, Hank Early), much of my work has been classified as horror, though I take pride in my novels appealing to people who aren’t typically well-versed in the genre. So, it got me thinking… what are some novels that may or may not be classified as horror that will appeal to a wide range of readers? I call these books horror-adjacent, and no matter what you typically read, I think you’ll enjoy them.
Another one I read many years ago that still has its claws in me today. A sprawling epic made up of many Appalachian voices. There’s magic and grief and family secrets. It’s a Southern Gothic that will grip you from the first page and has influenced me as a writer in a myriad of ways. This might be an example of a novel that wasn’t classified as horror, but very well could have been. Will appeal to all kinds of readers.
A dark and riveting story of the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations.
Myra Lamb is a wild girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain. Her grandmother, Byrdie, protects her fiercely and passes down “the touch” that bewitches people and animals alike. But when John Odom tries to tame Myra, it sparks a shocking disaster, ripping lives apart.
"A fascinating look at a rural world full of love and life, and dreams and disappointment." --The Boston Globe
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentuckian Harriet Arnow married the child of Jewish immigrants and lived much of her life in Michigan.
Her great American novel, Hunter’s Horn, however, is set back in Kentucky. Rich in local color, the novel’s main storyline centers on the hunt for the great fox known as King Devil.
The men’s challenge of catching the fox, though, is just the warp thread for a tapestry of conflict and interplay among industrialization, old folkways, popular culture, and the aspiration to join the larger culture. The novel, which also proves to be strongly feminist, ends with the resounding close of a trap, which is a warning to all of us.
In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people - the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages".
Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska - with studied realism, with landscapes and characters that take on mythic proportions,…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Ron Rash is a national, literary treasure. The author of multiple award-winning novels, this book is an assembly of 34 short stories, most set in Appalachia, and depicting the social nuances and landscape of the American rural South. I recommend this because it will provide a great introduction to the incomparable author known as The Appalachian Shakespeare. As a writer, Ron Rash epitomizes the idea of landscape as destiny, and his well-drawn characters come to life from his flawless use of regional language.
From the acclaimed, New York Times bestselling award-winning author of Serena and The Cove, thirty of his finest short stories, collected in one volume.
No one captures the complexities of Appalachia—a rugged, brutal landscape of exquisite beauty—as evocatively and indelibly as author and poet Ron Rash. Winner of the Frank O'Connor International Short Story Award, two O Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and new south, tenderness and violence, man and nature. Though the focus is regional, the themes of Rash’s work are universal,…
I love field guides. I can vividly picture my first copy of Peterson’s Field Guide to Birds, tattered and weather-beaten. I also love poetry and literature, so it seemed natural to me to bring the two together in my work. I’m from New England, but I've lived in the U.S. Southwest for over twenty years. Place is important to me: I think a lot about how we get to know and care for the places we live and call home and how we can work to be good neighbors. I worked for about a decade as a hiking guide and have also taught environmental education. I now teach geography at New Mexico State University.
I remember talking with Laura-Gray Street when they were planning this book, and I love how it turned out! A beautiful mixture of natural history, poetry, and artwork featuring species of the Southern Appalachians. If you live in or care about Southern Appalachia, I’d especially recommend this to you (and it makes a great gift for anyone you know who lives there).
Getting acquainted with local flora and fauna is the perfect way to begin to understand the wonder of nature. The natural environment of Southern Appalachia, with habitats that span the Blue Ridge to the Cumberland Plateau, is one of the most biodiverse on earth. A Literary Field Guide to Southern Appalachia-a hybrid literary and natural history anthology-showcases sixty of the many species indigenous to the region.
Ecologically, culturally, and artistically, Southern Appalachia is rich in paradox and stereotype-defying complexity. Its species range from the iconic and inveterate-such as the speckled trout, pileated woodpecker, copperhead, and black bear-to the elusive and…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentucky writer Robert Gipe’s graphic novel is about a teen-age girl growing up in Appalachia.
Dawn tells the story of her drug-dealing junk-food-scarfing Kentucky family and their dilemmas. Like Maynard’s characters, Gipe’s border stereotypes, or would, if Gipe didn’t know and respect his people so well. These are the descendants of the hunters of Hunter’s Horn and the battling miners of Storming Heaven.
There is also a strong political thread about Dawn's grandmother who is an organizer against mountaintop removal. The novel has the bonus of Gipe’s wry little black and white illustrations.
Dawn Jewell is fifteen. She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother's fight against mountaintop removal mining almost in spite of herself. "I write by ear," says Robert Gipe, and Dawn's voice is the essence of his debut novel, Trampoline. She lives in eastern Kentucky with her addict mother and her Mamaw, whose stance against the coal companies has earned her the community's ire. Jagged and honest, Trampoline is a powerful portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral…
I have been a fan of the horror genre since I was a kid. Even though sometimes I was so scared, I had to sleep with the light on or not sleep at all. Something about the darkness and the unknown has always seemed so alluring. I can't even count the number of horror movies I've watched or books I've read. That feel of the hair standing up on your arms or the back of your neck is a thrill like no other.
Tales of a witch's curse in Appalachia draw a grieving father to sacrifice everything for his son. How far will a parent go to save their child and then how much farther will they have to go to save themselves? A Southern voodoo twist on Pet Cemetery that’s twice as frightening and just as engaging.
SOMETHING EVIL ROSE FROM WITHIN, AN ANCIENT BEING, ONE OLDER THAN TIME ITSELF...
Deep in the mountains of Appalachia, a legend is told about something evil that lurks within the dense woods of Gunrack Hollow. A witch is said to live there, one whose appetite for innocent souls dates back hundreds of years.
Sam Fletcher had heard the story his whole life, but he never really believed it. After all, as his father always said, it's just an old folktale...only a story.
But two years ago, something happened that made him believe. Something that ties back to an ancient evil…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
West Virginian Denise Giardina’s brilliant Great American Novel is the fictionalized account of the mine wars of 1920 and 1922 in the coal fields of southern West Virginia.
I love it for the mix of the lives of real (albeit fictional) human beings with actual history and allusions to labor figures and other American political struggles and strikes. Giardina, an ordained deacon in the Episcopal Church, grew up herself in a mining camp, and gives us a perfect introduction to the struggles of industrial workers of central Appalachia– and a grand epic of American life.
“Brilliant, diamond-hard fiction, heartwrenching, tough and tender.”—Los Angeles Times Book Review
Annadel, West Virginia, was a small town rich in coal, farms, and close-knit families, all destroyed when the coal company came in. It stole everything it hadn't bothered to buy—land deeds, private homes, and ultimately, the souls of its men and women.
Four people tell this powerful, deeply moving tale: Activist Mayor C.J. Marcum. Fierce, loveless union man Rondal Lloyd. Gutsy nurse Carrie Bishop, who loved Rondal. And lonely, Sicilian immigrant Rose Angelelli, who lost four sons to the deadly mines.
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
This is a foul-mouthed, sexist, scatological, absolutely hilarious novel about a boy’s last year in his hometown.
It is a traditional American young-man-coming-of-age novel, set during the Korean War. The real star is the tall tale version of a real town in Southern West Virginia called Crum. It is a great American novel from Appalachia in its quintessential form of coming of age and breaking away.
It is about friendship, sexual initiation, and growing up. Much of the novel sits just this side of the line separating humor from ugly stereotypes, and Maynard often pushes very close to the line, but always somehow brings us through safely to understanding and affection.
In Crum, a gritty coal town on the West Virginia-Kentucky border, the boys fight, swear, chase and sometimes catch girls. The adults are cramped in and clueless, hemmed in by the mountains. The weight of wonder, dejection, and even possibility loom over this tiny, suffocating town. This story is the tale of Jesse Stone, who doesn't know where he's going, but knows he is leaving, and whose rebellion against the people and the place of his childhood allows him to reject the comfort and familiarity of his home in search of his place in a larger world.
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
I grew up in southern Appalachia. Every time I fly home to visit my family, I see the scars of mountaintop removal coal mining as the plane begins to descend over the Blue Ridge Mountains. Lost Mountainchronicles the far-reaching effects of this devastating and unethical practice. I truly believe it ought to be required reading for anyone living in America today.
A new form of strip mining has caused a state of emergency for the Appalachian wilderness and the communities that depend on it-a crisis compounded by issues of government neglect, corporate hubris, and class conflict. In this powerful call to arms, Erik Reece chronicles the year he spent witnessing the systematic decimation of a single mountain and offers a landmark defense of a national treasure threatened with extinction.
