Fans pick 78 books like The Faerie Throne

If you’ve read any book by Valente, you will know the worlds she creates are a trip. As a reader, you have no choice but to trust her and she doesn’t let you down. This series is ostensibly for middle graders but I dare say that you will enjoy it no matter your age—as long as you allow your imagination free rein (or is it reign? Either way). The story features a young girl who goes to Fairyland and has many adventures while learning important life lessons. It is loads of fun.

This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.

I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.

I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.

The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.

Prepare to have your world turned upside down in this peculiar take on the faerie novel. We meet Cathy as a resident of modern England but learn she’s actually an escapee from “The Nether,” a faerie mirror world that’s stuck in the 19th century. As a historian, I absolutely love how Newman moves characters between the worlds—without time travel! And just imagine being in the shoes of a young woman forced to straddle the freedoms that come with modern life with a life with an arranged marriage. And above all, she must appeal to the whims of the faerie lord who controls her family’s fortunes. Come for the premise, but stick around for her deep world-building and richly-drawn characters (I mean, who doesn’t love a talking gargoyle?)

I love this book for its keen originality, which turns tropes on their heads while telling a story that both kids and adults enjoy. It is set in a strange, whimsical, and fragmented fairyland. I simply cannot get over how wonderfully surprising Valente's tone and writing style are.

It's both fluid and fun, yet matter-of-fact in its telling of September, a brave and stubborn heroine as she navigates a mostly broken Fairyland and its cadre of colorful and unexpected creatures, such as a soap golem, centipedes, and a spoonless witch, to name a few. 

In the first of two books, Stiefvater introduces us to Deirdre, an accomplished teen musician who has just met the mysterious Luke—who just happens to be a faerie that none of her friends or family can see. Oh, and he’s also an assassin. Caught between a mundane life of music recitals, school, and her family on one side, and the dangerous world of faerie on the other, what’s a girl to do? As a nerd and a loner growing up, what I wouldn’t have given for a secret faerie friend who dragged me into a world of magic and danger! Although Stiefvater has gone on to write more complex novels, her faerie duology will always have a place in my heart.

The workings of the state and the actions of state functionaries have long supplied the essential narrative informing our understanding of Ottoman history. This new volume by University of Chicago partner scholars is the first to give a platform to a wide spectrum of voices hailing from across the sultan's multilingual realm. Women and men, Muslims, Jews and Christians, prisoners and prostitutes, mystics and scholars, and a host of others, reach across the centuries to beguile us with their dreams and legends, anecdotes and jokes, biographies, and hagiographies. Although billed also as a textbook, as is customary these days in order to reach the widest readership, this book is for anyone who seeks affinity with the people of the early modern Ottoman world.

The documents for this important collection, first published in 1874, were originally intended for an official biography of Lee. When that book was abandoned, Jones published all of the documents along with accompanying observations and anecdotes. Lee’s wife approved of the project. One historian said this collection “became a source book for all future Lee biographers.” The hagiography here in some of Jones’s anecdotes actually exceeds that of Douglas Southall Freeman, but it’s still an essential book for serious students of Robert E. Lee. Jones knew Lee personally and had access to all of his private papers.

This book is a literary biography that reads like a detective novel. I found it to be gripping, shocking, hilarious, and tragic. I also consider it a great work of literature in its own right, effectively reinventing the genre of biography and turning it into an artwork forged in the era of Raymond Chandler. It was first published in 1934, but has been through many reissues, including with the alternative subtitle, Genius or Charlatan? 

That question captures perfectly the state of mind in which I was left after finishing Symons’s account of the life of Frederick Rolfe, who called himself Baron Corvo, as he swanned around southern Europe in the 1900s. While Corvo was a writer—he wrote a series of over-ripe novels, most famously Hadrian the Seventh—his life is more the stuff of the unbelievable potboiler than the usual tedious life of authors tied to their typewriters.

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Freeman’s Pulitzer Prize-winning, four-volume account of Lee remains the gold standard among the numerous biographies of the general. Freeman tirelessly examined the documentary record, and wrote a compelling narrative of Lee’s eventful life. The coverage here of the crucial battles of the Civil War is outstanding. One must be careful with Freeman’s biography, however. Freeman is unabashedly devoted to Lee and is extremely biased in his opinions. In the final volume, Freeman admits that he came “to respect and to love” the subject of his biography. In the third volume, which I recommend here, Freeman argues that Lee would have been successful at Gettysburg, if not for the insubordination of General James Longstreet. The Wilderness Campaign is also examined in this volume. Despite all of the hagiography, Freeman’s R.E. Lee remains an essential work for anyone interested in the Confederate general.

Paging Dr. Turov may seem like an odd choice because it doesn’t feature a dominant woman, but a submissive one. Abby Shea has the vulnerability of a submissive, yes. But what’s important about being a submissive in the BDSM world is having the strength to be one. Though it seems strange to some, being submissive means you’re the stronger of the two in the dynamic. Abby has the softness but shows she’s strong enough to submit to the hero, Victor. It’s definitely one of the better BDSM romances out there!