Here are 100 books that The Berenstain Bears and the Spooky Old Tree fans have personally recommended if you like
The Berenstain Bears and the Spooky Old Tree.
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I am the author and illustrator of the baby book listed below. As a mom of a 1-year-old, I am no stranger to kids’ books. After 1 year of going through my baby’s bookshelf and finding my own personal favorites, I realized that the common theme amongst all of my favorites is that all my selects happen to rhyme. Therefore, when I set out to write my own book, it was a given that this would be a rhyming story. Since then, I have been reading and researching all of the rhyming books to create my own. After all this research, these top five books are my top picks.
The only book you need! Compiled over several short stories, you can pack just this one book with you on a trip and be set for your entire trip. It is so fun to have short stories as an option—you can read one if the baby is tired or five if the baby needs time to wind down before bedtime.
Shel Silverstein, the New York Times bestselling author of The Giving Tree, A Light in the Attic, Falling Up, and Every Thing On It, has created a poetry collection that is outrageously funny and deeply profound. Come in...for where the sidewalk ends, Shel Silverstein's world begins. This special edition contains 12 extra poems. You'll meet a boy who turns into a TV set, and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow…
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
Crockett Johnson worked as a cartoonist for Collier’s before his strip Barnaby first appeared in newspapers in 1942. He illustrated a couple of children’s books in the 1940s, before writing and drawing his minimalist ode to the power of creativity, Harold and the Purple Crayon.
He’d do six more books about Harold, but for my money the best is the second one, in which Harold visits a castle, and has to do all sorts of creative problem solving to defeat a witch. The ending – in which Harold returns home and asks his mother to read him a story – is a cozy happily ever after.
From the treasured creator of Harold and the Purple Crayon, Crockett Johnson, comes another adventure for Harold and his magical purple crayon.
Unable to fall asleep one night, Harold uses his purple crayon to create his very own bedtime fairy tale, complete with castles, fairies, flying carpets, and an enchanted garden.
“An ingenious and original little picture story in which a small boy out for a walk—happily with a crayon in his hand—draws himself some wonderful adventures.” (The Horn Book)
I spent 10+ years in supply chain and analytics, but now I tell the stories that data doesn’t. I love exposing the hidden logic that makes the world work. Correction: I love discovering the hidden logic that makes the world work, and what I figure out, I love to share. Whether it’s getting kids interested in supply chain (e.g., how the things in the Amazon package actually get to their mailbox) or shedding light on corporate absurdity in funny novels (e.g., Firebrand), I figure that the more we can pull back the curtain and look behind the scenes, the more we can understand—and appreciate—the world around us.
This book is not about supply chain, but it is about dragons, and it definitely talks about a behind-the-scenes phenomenon that we see in the world. This is one of those lessons-wrapped-in-a-story books that I think are so effective… you don’t know you’re learning a universal truth about human nature until it jumps up cutely and breathes fire in your face.
In this case, the truth is that refusing to recognize the reality of an unpleasant situation will only make it worse. It’s better to name the dragon in the room and discuss it courageously instead of making blanket statements about why it doesn’t and can’t exist. At the end of the day, acknowledging our shared reality and talking about our struggles is something we can all get better at... because we, like dragons, just want to be seen.
When Billy Bixbee finds a tiny dragon in his bedroom, his mom tells him, “There’s no such thing as a dragon!” This only makes the dragon get bigger. He grows, and grows, and grows, until he’s bigger than Billy’s house—and that’s just the beginning!
A funny, madcap story and playful illustrations by beloved author-illustrator Jack Kent pair in a book that will have children wondering if maybe friendly pet dragons do exist after all!
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
Shrek! was a book before it was ever a wildly successful film franchise, but the book bears almost no resemblance to the movies.
Yes, William Steig’s ogre is both vile and reviled, and he has a donkey for a friend, but the story itself is very straightforward, detailing Shrek’s rampage across the countryside on his way to meet a “stunningly ugly princess” with whom he can live “horribly ever after.”
Steig had been a celebrated New Yorker cartoonist for almost four decades when he produced his first children’s book in 1968. He wrote and drew Shrek! when he was in his early 80s. He breaks the cardinal rule of using simple language, but makes up for it with fun-to-read-aloud choices in vocabulary and sentence structure, such as “The irascible dragon was preparing to separate Shrek from his noggin.”
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author picked
Shrek!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
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What is this book about?
Read the book that inspired the famous film franchise in this wonderfully funny picture book.
Before Shrek made it big on the silver screen, there was William Steig's SHREK!, a book about an ordinary ogre who leaves his swampy childhood home to go out and see the world. Ordinary, that is, if a foul and hideous being who ends up marrying the most stunningly ugly princess on the planet is what you consider ordinary.
I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.
This is the backstory of Spiegelman’s two-volume masterpiece.
What was the impetus for MAUS?
How did comic creatures find their way into a Holocaust narrative? What were the reactions to such a unique
merging of cartoons and historical horror? How has Spiegelman dealt with the
book’s tremendous reception?
The book answers these questions with many interviews,
photos, explanations, and reflections. Even agent and publisher rejection
letters are included.
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals.
In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.
He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process.
Compelling and intimate, MetaMaus is poised to become a classic in its own right.
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
I enjoy this book because it teaches artists of all ages how to draw various simple facial cartoons in a twelve-step sequential style that is easy to follow. How to draw people with different expressions is essential for any cartoonist. I like how this book takes the artist from drawing happy faces to surprised faces while covering a variety of nationalities. There are many components to drawing faces, such as eyes, a nose, a mouth, ears, and hair, and I like how this book covers it thoroughly in 400 different variations of faces. “Face” the fact that I never take a book at “face” value.
Learn how to draw faces! This book features over 425 easy to follow step-by-step lessons that will capture your imagination and inspire creativity. Happy Drawing!
My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.
This book features a simple, modern art style that will be appealing to most young artists. It starts out with a nice introduction to drawing tools and basic shapes then moves on to drawing simple objects that can be found around the house. Character design and perspective are also covered and done so with a light, humorous tone. A very comprehensive guide to drawing and an excellent resource!
Enter Planet Cute—where kids can make any drawing absolutely adorable! Draw anything and everything—people, animals, and things—and make it CUTE. It’s easy! Budding artists just have to pick up their pencils, pens, crayons, or gel markers and follow these step-by-step how-to sequences. They’ll learn the basics of Japanese kawaii, which emphasizes simple, rounded shapes; faces with large eyes and sweet expressions; and personifying inanimate objects. They’ll also master animals, mythical creatures, food, plants, vehicles, and more!
My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.
The author of this book is a working cartoonist and illustrator and that makes this one of the best books out there. The book packs an immense amount of practical information about how to draw cartoons into easy, fun worksheet-style activities. Different styles of writing, as well as complex concepts, are communicated in simple visually striking lessons. I have to admit if I was giving a young artist a book (and they already had both of mine) I would definitely give them this book. It’s comprehensive, fun, and simple. It also allows the young artist room to draw in their own style, instead of copying a given drawing. That’s one of my pet peeves!
A light-hearted interactive guide to comics and cartoon-making that uses an activity book format and creatively stimulating prompts to teach the fundamentals of cartooning in a fun and easy-to-follow fashion.
From a working cartoonist and comic book making instructor, this all-ages activity book uses humorous and informative one-page comics and exercise prompts to guide young readers (and readers who are young at heart) through easy-to-master lessons on the skills needed to make comics. The activities cover a range of essential comics-making tasks from creating expressions for characters to filling in blank panels to creating original characters and placing them in…
I am the author of eleven children’s books, including Double Pink, My Mom is Trying to Ruin My Life, and No Go Sleep! As a dog lover, many of my books are about dogs or feature dogs. In President Pennybaker, illustrated by Diane Goode, a dog become president. In The Problem with The Puddles, illustrated by Tricia Tusa, a chihuahua and a Great Dane, both named Sally, get separated from their family and have a rollicking adventure trying to get reunited. When I write, I try to find clever approaches to universal themes and enjoy making children laugh. (I am also the event producer for Islanders Write, a writer’s festival on Martha’s Vineyard Island.)
As a lifelong doodler and a dog lover, I am a fan of James Thurber’s simple lines that say a lot and his witty whimsical way with words. Thurber was a celebrated writer and cartoonist—he died in 1961—who had a wry take on human nature and our idiosyncrasies. While much of his work feels dated now, in my opinion, his dog doodles are evergreen.
Throughout my oddly circuitous career, my mission has always been to help clients grow their businesses. Along the way, I’ve come up with some pretty useful insights and innovations. I mixed cartoons (I’m also one of the WSJ cartoonists) with direct marketing and created a new genre that broke many response records. Then I wrote How to Get a Meeting with Anyone, which helped readers drastically improve their sales results (and was named one of the top 64 sales books of all time). And now, How to Grow Your Business Like a Weed adapts nature’s ultimate growth model for business use, to produce explosive, sustainable growth.
Early in my career, I found myself mentored by several of the world’s top cartoonists from Playboy and The New Yorker, including the amazing Gahan Wilson. His cartoons were works of wonder, with intricate cross-hatching, quirky details, and trademark macabre stylings. By sheer luck, I’d stumbled into a backstage pass with one of the greatest cartooning talents ever, so observing his process was a privilege. Humor is about revealing the truth with a twist, which is why I treasure this particular book by Gahan. It’s a collection of his work, but also a statement of entire purpose for all of cartooning—to capture truth.
