Here are 100 books that How to Draw Cute Stuff fans have personally recommended if you like
How to Draw Cute Stuff.
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For me, art is a journey of relentless questioning, exploring, and introspection. As an artist, author, and educator, I have relied on each book in this collection to further my creative journey. The titles that I've selected offer unique perspectives on the transformative power of art and have had the biggest effect on my students, my peers, and my own artistic growth. I believe that art is a language that is and should be for everyone, providing a conduit for individual expression, problem-solving, and innovation. Each of these titles has offered pivotal "aha" moments while igniting my passion, and I hope they allow you to unlock your creative potential.
This one may surprise you, but I assure you that Understanding Comics is an absolute gem!
McCloud has crafted an intellectual yet accessible guide that is not just a study of comics but a masterclass in communication and the art of storytelling. This book provides a rich fusion of insightful theory and practical advice, all conveyed through the very medium it discusses, making it a uniquely immersive experience.
McCloud’s engaging style and profound understanding of the mechanics of comics didn't just educate me; they enchanted me. His deep dives into the psychology behind why we connect with comics pair perfectly with his diegetic examples of framing, composition, and visual motivation. It’s a journey through the mechanics of comics that turns into a deeper exploration of visual expression and human perception.
Art is, in essence, a storytelling medium, making this book as invaluable for artists and writers as it is for…
The bestselling international classic on storytelling and visual communication "You must read this book." - Neil Gaiman Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.
I really like this book because, while it doesn’t teach much about the actual drawing, it does give the young artist a jumpstart to begin drawing and telling their own stories. The authors include pages and pages of drawn-out panels with word balloons ready to go. I’ve always believed in letting kids find their own path with drawing style, and this book is perfect for that.
75 sheets/150 pages
4 different template styles
Graph paper in the back of the book
Matte finish cover
Measures 8.5x11"
Great Gift For:
Homeschool students
Elementary grades preschool, k-2
Kids who love to create, draw and write
Birthday present for teens
Back to school supplies
Christmas stocking stuffer
Gift for art and design students and
My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.
The author of this book is a working cartoonist and illustrator and that makes this one of the best books out there. The book packs an immense amount of practical information about how to draw cartoons into easy, fun worksheet-style activities. Different styles of writing, as well as complex concepts, are communicated in simple visually striking lessons. I have to admit if I was giving a young artist a book (and they already had both of mine) I would definitely give them this book. It’s comprehensive, fun, and simple. It also allows the young artist room to draw in their own style, instead of copying a given drawing. That’s one of my pet peeves!
A light-hearted interactive guide to comics and cartoon-making that uses an activity book format and creatively stimulating prompts to teach the fundamentals of cartooning in a fun and easy-to-follow fashion.
From a working cartoonist and comic book making instructor, this all-ages activity book uses humorous and informative one-page comics and exercise prompts to guide young readers (and readers who are young at heart) through easy-to-master lessons on the skills needed to make comics. The activities cover a range of essential comics-making tasks from creating expressions for characters to filling in blank panels to creating original characters and placing them in…
My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.
This is an excellent, well-designed book for anyone wanting to improve their Anime style of drawing. Many of the young artists I talk to have an intense interest in drawing in this particular style, sometimes referred to as the “Anime” style. This cartoon-style features sharp lines and shapes with stark, colorful graphics. Although this book doesn’t get into much instruction on how to create comics, it does provide the artist with a starting place for drawing in the anime style. From there, the artists can take this knowledge and apply it to the comics that they create. The drawings in the lessons are very well done, and the content covers all the topics that make anime a unique drawing style. I highly recommend this book.
Let’s spark your creative ability and let your passion run wild with this amazing How To Draw Anime book from Sophia Elizabeth!
This book will teach you how to draw anime step by step, with the easiest approach possible through simple shapes. Inside this wonderful drawing book, you can learn everything you need to know on how to create a perfect original anime character. This includes head, facial details, body proportions, facial emotions, clothing and even basic character models for you to try out. In other words, this book is a perfect head start for any anime-drawing enthusiast.
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
I enjoy this book because it teaches artists of all ages how to draw various simple facial cartoons in a twelve-step sequential style that is easy to follow. How to draw people with different expressions is essential for any cartoonist. I like how this book takes the artist from drawing happy faces to surprised faces while covering a variety of nationalities. There are many components to drawing faces, such as eyes, a nose, a mouth, ears, and hair, and I like how this book covers it thoroughly in 400 different variations of faces. “Face” the fact that I never take a book at “face” value.
Learn how to draw faces! This book features over 425 easy to follow step-by-step lessons that will capture your imagination and inspire creativity. Happy Drawing!
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
This book makes me smile because it's filled with a plethora of the cutest cartoons to draw step by step, from rainbows to cupcakes. Sometimes a person will tell me they don't like to draw certain types of cartoons, such as a cat. Still, I remind them that drawing something you are not interested in broadens your horizons and deepens your understanding of the world as you step out of your comfort zone. I like how author Takeshi Sugimori reminds artists to believe in themselves. Plus, he covers the artform of sketch hatching or shading, which is rarely covered in books. When I taught kids how to draw on my It's Curtoon Time TV show, I would remind them to add shading at the end of each cartoon. Sometimes life is about rainbows and unicorns!
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
This book brings back many fond memories of Saturday mornings as a child when I would watch Popeye and Felix cartoons and The Archie Show on TV. I don’t think we can call a cartoon character Jughead anymore, but you can learn how to draw Jughead step by step and his trademark beanie. This crown-shaped cap, also called a whoopee cap or Jughead cap was popular in the 1930s to 1940s. You’ll go down memory lane with this book and, in a Popeye voice, say, “I yam what I yam.”
Even the youngest artists can make famous characters look great. It is aimed at aged 5 and upwards. "Draw 50 Famous Cartoons" teaches aspiring artists how to draw with easy by following simple, step-by-step instructions. Celebrated author Lee J. Ames shows readers how to draw a myriad of beloved cartoon characters, including Felix the Cat, Tin Tin, Flinstones, Yogi bear, Popeye, Scoobie Doo and many more. Ames' illustration style and renowned drawing method has made him a leader in the step-by-step drawing manual - the twenty-seven books in his "Draw 50" series have sold more than three million copies. It's…
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
A fact lost in their massive success in children’s books is that Stan and Jan Berenstain started as cartoonists.
In the 1940s and 1950s their work appeared in the likes of the Saturday Evening Post,Collier’s,and McCall’s, and they had a series of best-selling “cartoon essay” books. Their famous bears debuted in 1962 as part of Beginner Books, a line created by Theodor “Dr. Seuss” Geisel, Helen Palmer Geisel, and Phyllis Cerf.
With 1978’s The Spooky Old Tree, The Berenstains created the quintessential early reader, using repetition and predictability, prepositional phrases, rich visuals, and high drama to captivate their young audience (and their parents). “Do they dare? Yes. They dare.”
Join the Berenstain Bears on a spooky adventure in this classic children's book perfect for learning to read!
Climb the Spooky Old Tree with the Berenstain Bears! This classic children's book makes great use of rhyming and repetition of phrases to encourage children's reading, and the spooky story will delight young and old!
Bright and Early Books are designed to encourage even 'non-reading' children to read. Some Bright and Early Books are simple stories, others are hilarious nonsense: both types have been designed to give children confidence and make them want to go on reading. Perfect for both boys and…
I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.
This is the backstory of Spiegelman’s two-volume masterpiece.
What was the impetus for MAUS?
How did comic creatures find their way into a Holocaust narrative? What were the reactions to such a unique
merging of cartoons and historical horror? How has Spiegelman dealt with the
book’s tremendous reception?
The book answers these questions with many interviews,
photos, explanations, and reflections. Even agent and publisher rejection
letters are included.
NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals.
In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.
He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process.
Compelling and intimate, MetaMaus is poised to become a classic in its own right.
I am the author of eleven children’s books, including Double Pink, My Mom is Trying to Ruin My Life, and No Go Sleep! As a dog lover, many of my books are about dogs or feature dogs. In President Pennybaker, illustrated by Diane Goode, a dog become president. In The Problem with The Puddles, illustrated by Tricia Tusa, a chihuahua and a Great Dane, both named Sally, get separated from their family and have a rollicking adventure trying to get reunited. When I write, I try to find clever approaches to universal themes and enjoy making children laugh. (I am also the event producer for Islanders Write, a writer’s festival on Martha’s Vineyard Island.)
As a lifelong doodler and a dog lover, I am a fan of James Thurber’s simple lines that say a lot and his witty whimsical way with words. Thurber was a celebrated writer and cartoonist—he died in 1961—who had a wry take on human nature and our idiosyncrasies. While much of his work feels dated now, in my opinion, his dog doodles are evergreen.
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