Here are 100 books that The Beautyful Ones Are Not Yet Born fans have personally recommended if you like
The Beautyful Ones Are Not Yet Born.
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I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I should start by saying that Thiong'o has recently been accused, by his son, of beating his former wife, claims I take very seriously (and which has put my reading of Thiong'o’s female characters in a new light).
In this book, I found a sharp, cunning satire of despotic post-colonial governments working with and shaped by international funders and Western policymakers. Having worked in NGOs, I found Thiong'o’s characterization of “development” to be darkly funny and cringe-worthily accurate.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
As a physicist by education and therefore fundamentally interested in how things work, my early career was spent in secure communications before moving into finance, specifically payments. I helped to found one of the leading consultancies in the field and worked globally for organizations ranging from Visa and AMEX to various governments and multiple Central Banks. I wrote, it turned out, one of the key books in the field, Identity Is The New Money (2014), and subsequently, Before Babylon, Beyond Bitcoin (2017), about the history and future of money. The Currency Cold War (2020) was a prescient implication of digital currencies, particularly CBDC.
I see David Greaeber’s book as a landmark in the field. He completely changed my understanding of and views on money’s role in society and its evolution. I had the good fortune to meet David a few times (in fact, I made a podcast with him) and feel like I learned from every conversation.
Until I read David’s book, I had assumed that the Barter theory of money and the double coincidence of wants was the natural and unchallenged explanation for how money came to be and what roles it performed. David’s and subsequent authors' work has shown that this view is simplistic and outdated.
The groundbreaking international best-seller that turns everything you think about money, debt, and society on its head—from the “brilliant, deeply original political thinker” David Graeber (Rebecca Solnit, author of Men Explain Things to Me)
Before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era that we also first encounter a society divided into debtors and creditors—which lives on in full force to this day.
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I first read this book over a decade ago, and it has remained one of my favorites ever since. It is moving and exquisitely written, offering a close view of a community living on the edge of one of India’s biggest cities and exploring what it means to live on the cusp of wealth but mired in poverty.
Mostly, it is deeply human and a real page-turner. I expect this will remain my Holy Grail of writing and storytelling for a long time.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE
“Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.”—People
“A tour de force of social justice reportage and a literary masterpiece.”—Judges, PEN/John Kenneth Galbraith Award
ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • O: The Oprah Magazine • USA Today •…
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I was particularly fascinated with this book because I lived in Sierra Leone for several years, and part of the book I wrote takes place there. But I think that anyone who is interested in the history of colonialism, West Africa, and/or modern capitalism and the ongoing effects of that history will find it interesting.
Sierra Leone is unique in that it was conceived of as a place for freed slaves; the British have long championed this as an example of one of their “good” colonial projects. Scanlan details how this “humanitarianism” entailed reformulating a population, particularly people’s ideas about money and debt, to instill specific notions about what it meant to be “civilized” that still reverberate today.
A history of the abolition of the British slave trade in Sierra Leone and how the British used its success to justify colonialism in Africa
British anti-slavery, widely seen as a great sacrifice of economic and political capital on the altar of humanitarianism, was in fact profitable, militarily useful, and crucial to the expansion of British power in West Africa. After the slave trade was abolished, anti-slavery activists in England profited, colonial officials in Freetown, Sierra Leone, relied on former slaves as soldiers and as cheap labor, and the British armed forces conscripted former slaves to fight in the West…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
I studied this book with my graduate students a few years ago, and it’s truly a remarkable achievement. If there’s a (somewhat artificial) spectrum of book-length poems ranging from fragmented lyricism to linear narration, Dawes’ Prophets is fascinating because it lives somewhere in the middle: a powerful narrative informs the lyrical intensity throughout.
I highly recommend this book to writers who want to expand their ideas of what can be done with narration.
Set in Jamaica in the late 1980s and 1990s, Prophets is a poem of rhythmic and metaphoric inventiveness that portrays the social and cultural resonances of Jamaican society along with the tension between an ebullient cynicism and a heartfelt desire for faith. As 24-hour television, belching out the voices of American hellfire preachers, competes with dancehall, slackness, and ganja for Jamaican minds, Clarice and Thalbot preach their own conflicting visions. Clarice has used her gifts to raise herself from the urban Jamaican ghetto. She basks in the adulation of her followers as they look to her for their personal salvation.…
Ever since I readIsland of the Blue Dolphinsin 5th grade I’ve loved historical fiction. I am inspired by amazing humans who lived across centuries and around the globe and left their mark on the world. My 2023 book I’m Gonna Paint: Ralph Fasanella, Artist of the People is about a social activist artist. Future published books include middle grade novels on the 1838 Trail of Tears, a day on Ellis Island in 1907, and a 1935 book about Eleanor Roosevelt and the planned community of Arthurdale, WV. Like I said, I love exploring history!I read in many genres, but still enjoy learning about history through fiction.
I’ve had an easy life in so many ways, so I appreciate learning from people whose childhood adversities shaped them to make positive changes in the world. When Emmanuel was born in Ghana with a deformed leg, his future looked bleak. Some considered him “cursed.” His mother encouraged him to dream big and become independent. He refused to be defined by his disability and ended up showing “that being disabled does not mean being unable.” To bring attention to the difficulties disabled people face Emmanuel organized and completed a 400-mile bike ride across Ghana.
I love this book because Emmanuel’s mother believed he was more than his disability, and the way Emmanuel proved this to be true prompted the Ghanaian Parliament to pass the Persons with Disability Act.
Emmanuel Ofosu Yeboah's inspiring true story—which was turned into a film, Emmanuel's Gift, narrated by Oprah Winfrey—is nothing short of remarkable.
Born in Ghana, West Africa, with one deformed leg, he was dismissed by most people—but not by his mother, who taught him to reach for his dreams. As a boy, Emmanuel hopped to school more than two miles each way, learned to play soccer, left home at age thirteen to provide for his family, and, eventually, became a cyclist. He rode an astonishing four hundred miles across Ghana in 2001, spreading his powerful message: disability is not inability. Today,…
I am a debut novelist writing stories that peel back the layers of complex and often fraught relationships with those who are closest to us, family relationships being among the most intriguing to me. I wrote a novel focused on a single father and his daughter in part as a tribute to my own incredible father, who has dedicated his life to bettering life for my mother, my brother, and me. I also think father-daughter stories go largely unwritten and uncelebrated, so Our Best Intentions is my attempt to fill that void.
This is the story of the relationships and legacy of surgeon Kweku Sai, who passes away of a heart attack in his garden in Ghana in the opening pages of this page-turning family drama. The novel explores Kweku’s relationships with each of his four children and how each makes sense of and mourns his death.
While slightly different than the other selections in this list in that it doesn’t focus on a single father-daughter relationship, the novel nonetheless explores the complexity of Kweku’s estranged relationships with each of his children, including his daughters Taiwo and Sadie.
A "buoyant" and "rapturous" debut novel (The Wall Street Journal) about the transformative power of unconditional love
Electric, exhilarating, and beautifully crafted, Ghana Must Go introduces the world to Taiye Selasi, a novelist of extraordinary talent. In a sweeping narrative that takes readers from Accra to Lagos to London to New York, it is at once a portrait of a modern family and an exploration of the importance of where we come from to who we are.
A renowned surgeon and failed husband, Kweku Sai dies suddenly at dawn outside his home in suburban Accra. The news of his death…
Assassins are always compelling characters. They fit within that archetype of the gunslinger and the private eye and the ronin samurai, highly-skilled characters with a strict moral code who take the law into their own hands to deliver justice in an unjust world. But more than that, they’re fantastic vehicles for exploring the moral gray areas of the world. As a concept, it’s pretty straightforward: kill someone and collect a paycheck. But I’m always looking for books that do something new and special with the genre.
Angoe didn’t just write a ripping thriller; she offered another unique look at the genre by centering the story around Aninyeh, a woman born in a village in Ghana who was captured and sold into captivity as a teen.
She’s adopted and trained by the Tribe, a business group uniting various African countries into a strong economic force. Assassin stories tend to be US-centric, but these types of characters flourish on an international stage. Moreover, it’s a deeply affecting story about the reclamation of power and identity.
A smash debut novel from rising star Yasmin Angoe, Her Name Is Knight features an elite assassin heroine on a mission to topple a human trafficking ring and avenge her family.
Stolen from her Ghanaian village as a child, Nena Knight has plenty of motives to kill. Now an elite assassin for a powerful business syndicate called the Tribe, she gets plenty of chances.
But while on assignment in Miami, Nena ends up saving a life, not taking one. She emerges from the experience a changed woman, finally hopeful for a life beyond rage and revenge. Tasked with killing a…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
I really admire how this book traces two lines of a tumultuous family history through a series of short stories.
Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.
This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
This book is a brief introduction to the history of Elmina, its castle, the people, and their traditions. It outlines the town’s 500-year relations with Europeans, highlighting the transformations that have developed out of these interactions. Written by one of the top historians of Ghana and a leading scholar of the African diaspora, the book is based on original archival information and oral sources. It is richly informed by the writer’s own personal knowledge as a citizen of Elmina.
This is a brief introduction to the history of Elmina, its castle, the people, and their traditions. It outlines the town’s 500-year relations with Europeans, highlighting the transformations that have developed out of these interactions. Written by one of the top historians of Ghana and a leading scholar of the African diaspora, the book is based on original archival information and orally-derived sources. It is also richly informed by the writer’s own personal knowledge as a Nyampa Safohen and citizen of Elmina. Despite the tremendous changes engendered by the European contact, Elmina’s historical development demonstrates an amazing degree of cultural…
