Here are 100 books that Freedom's Debtors fans have personally recommended if you like
Freedom's Debtors.
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I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I should start by saying that Thiong'o has recently been accused, by his son, of beating his former wife, claims I take very seriously (and which has put my reading of Thiong'o’s female characters in a new light).
In this book, I found a sharp, cunning satire of despotic post-colonial governments working with and shaped by international funders and Western policymakers. Having worked in NGOs, I found Thiong'o’s characterization of “development” to be darkly funny and cringe-worthily accurate.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
As a physicist by education and therefore fundamentally interested in how things work, my early career was spent in secure communications before moving into finance, specifically payments. I helped to found one of the leading consultancies in the field and worked globally for organizations ranging from Visa and AMEX to various governments and multiple Central Banks. I wrote, it turned out, one of the key books in the field, Identity Is The New Money (2014), and subsequently, Before Babylon, Beyond Bitcoin (2017), about the history and future of money. The Currency Cold War (2020) was a prescient implication of digital currencies, particularly CBDC.
I see David Greaeber’s book as a landmark in the field. He completely changed my understanding of and views on money’s role in society and its evolution. I had the good fortune to meet David a few times (in fact, I made a podcast with him) and feel like I learned from every conversation.
Until I read David’s book, I had assumed that the Barter theory of money and the double coincidence of wants was the natural and unchallenged explanation for how money came to be and what roles it performed. David’s and subsequent authors' work has shown that this view is simplistic and outdated.
The groundbreaking international best-seller that turns everything you think about money, debt, and society on its head—from the “brilliant, deeply original political thinker” David Graeber (Rebecca Solnit, author of Men Explain Things to Me)
Before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era that we also first encounter a society divided into debtors and creditors—which lives on in full force to this day.
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I first read this book over a decade ago, and it has remained one of my favorites ever since. It is moving and exquisitely written, offering a close view of a community living on the edge of one of India’s biggest cities and exploring what it means to live on the cusp of wealth but mired in poverty.
Mostly, it is deeply human and a real page-turner. I expect this will remain my Holy Grail of writing and storytelling for a long time.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE
“Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.”—People
“A tour de force of social justice reportage and a literary masterpiece.”—Judges, PEN/John Kenneth Galbraith Award
ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • O: The Oprah Magazine • USA Today •…
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
When a friend told me about this book, I was immediately taken by the title. Who could resist? The novel reads like a dream; it took me a little while to get situated in time and space but in a deliciously languid way.
I loved the way the author considers the intimate ways that bureaucracy and authoritarianism work themselves into one person’s daily life and the creaky after-effects of British bureaucracy across the former Empire. I appreciated that nothing is idealized here; no one comes out looking pretty.
I love to write stories about people who lived during pivotal times in history. I’m intrigued by what people were thinking and why they thought that way. People, just like us now, were a product of their time and circumstance. They had strong opinions about the issues of the day, and debated fiercely. It’s these conversations and opinions that help me make the past come alive. Being born and raised in Sweden, and having been a New Yorker for thirty years, I was awarded the 2021 Swedish Women’s Educational Association (SWEA) New York’s Scholarship for the artistic promotion of Swedish culture and history in New York.
Someone Knows My Name, is a poignant portrayal of the horrors of the Transatlantic Slave Trade and the inhuman strength and perseverance of a woman who survived it.
As a writer and historian, I love when I find a writer who can put themselves inside the mind of a person from an earlier time. Lawrence Hill truly does, especially the way he describes how alien the new world was for someone who came from a different culture. How every detail is new, and how heart-wrenching it is to be torn from everything you know.
Kidnapped from Africa as a child, Aminata Diallo is enslaved in South Carolina but escapes during the chaos of the Revolutionary War. In Manhattan she becomes a scribe for the British, recording the names of blacks who have served the King and earned their freedom in Nova Scotia. But the hardship and prejudice of the new colony prompt her to follow her heart back to Africa, then on to London, where she bears witness to the injustices of slavery and its toll on her life and a whole people. It is a story that no listener, and no reader, will…
As a child growing up in a rural community in the isle of Lewis, there were very few books I read which had any real connection with my local environment. This changed in my late teenage years when I encountered some of the books I mentioned here, together with some works about rural communities and islands in Ireland. I loved the way these books – including poetry, drama, non-fiction, short stories, and novels – opened my eyes and enabled me to see familiar surroundings in new and enlightening ways. The legacy of this still persists within me today.
Of all the books connected to the Highlands and Islands I have read over the past few years, this is undoubtedly the one that made me feel most uncomfortable.
However, it was also powerful and enlightening, showing how the people in this locality – like many others – profited from the slave trade yet were sometimes victims of those involved in its cruelty and hardship. A fascinating and enlightening read.
Explores the prominent role of Highland Scots in the slavery industry of the cotton, sugar and coffee plantations of the 18th and 19th centuries
Scots were involved in every stage of the slave trade: from captaining slaving ships to auctioning captured Africans in the colonies and hunting down those who escaped from bondage. This book focuses on the Scottish Highlanders who engaged in or benefitted from these crimes against humanity in the Caribbean Islands and Guyana, some reluctantly but many with enthusiasm and without remorse. Their voices are clearly heard in the archives,…
I am at heart a storyteller, with a special interest in archiving and weaving the tales of my people to give you insight into a culture that is quite different from yours. Like an archaeologist digging a forgotten world, I want to bring these stories to life in the form of words. After a long day of animal herding and chores, my family and I would sit by the fire in a vast, open desert covered in blackness, and share century-old stories. My big ears consumed these stories like a thirsty desert after a long drought, so I could one day share this library of wisdom with others.
This memoir captures the journey of child soldiers during the civil war in Sierra Leone, and shows how once-innocent children with ordinary lives became killing machines in the hands of a ruthless rebel leader. Beah doesn't shy away from the gruesomeness of civil war, but there is beauty in how he weaves this memoir that reads like a novel. Though I am not usually a fan of books with a lot of violence, I was drawn to this one and could not put it down. I believe history is best learned from those who have first-hand experience. This is a one-of-a-kind book and to Beah’s credit, well-written as well.
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this…
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This isn’t strictly a travel book—it’s about how the author’s father was brought to his knees and finally executed by the Sierra Leonean dictator Siaka Stevens—but it brilliantly conveys how life and politics work in West Africa and is therefore a must-read if you’re thinking about travelling to the region or want to know more about its post-colonial trajectory.
An extremely moving story, its portrayal of the horror of Stevens’ regime amid the beauty of Sierra Leone encapsulates the fascination of a part of Africa few tourists visit. Tragically, as I discuss in my book, the demise of Stevens’ regime wasn’t the end of Sierra Leone’s troubles.
Praised as “a shining example of what autobiography can be: harrowing, illuminating and thoughtful” (USA Today), Aminatta Forna’s intensely personal history is a passionate and vivid account of an idyllic childhood which became the stuff of nightmare. As a child she witnessed the upheavals of post-colonial Africa, danger, flight, the bitterness or exile in Britain and the terrible consequences of her dissident father’s stand against tyranny.
Mohamed Forna was a man of unimpeachable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
Rather than writing the life of just one person, Pybus scours fragmentary church, legal, military, and prison records on three continents to create what might be called a cumulative biography.
Pybus reconstructs the lives of individuals in the diaspora of men, women, and their families who embraced Britain’s offer of freedom to anyone who fled rebel enslavers to join its forces during the American Revolution.
Among them were men formerly enslaved to George Washington and Patrick Henry.
Evacuated by the withdrawing British forces at the end of the war, the continuing quest for freedom of Black Loyalists brought them to Canada, Britain, Africa, and Australia.
Cassandra Pybus adds greatly to the work of [previous] scholars by insisting that slaves stand at the center of their own history . . . Her 'biographies' of flight expose the dangers that escape entailed and the courage it took to risk all for freedom. Only by measuring those dangers can the exhilaration of success be comprehended and the unspeakable misery of failure be appreciated.--Ira Berlin, from the Foreword
During the American Revolution, thousands of slaves fled their masters to find freedom with the British. Epic Journeys of Freedom is the astounding story of these runaways and the lives they…
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
African civil wars are not about ethnicity, diamonds, or foreign aid. They are genuine political conflicts about how society is to be organized, created by grievances and political marginalization and also deeply embedded in local cultures. As such, they stem from the same roots as the English Civil War of the 1640s or the American Revolutionary War of the 1770s-1780s. This is all revealed in this brilliant book on the Sierra Leone civil war.
Do small wars in Africa manifest a 'new barbarism'? What appears as random, anarchic violence is no such thing. The terrifying military methods of of Sierra Leone's soldiers may not fir conventional western models of warfare,but they are rational and effective nonetheless. The war must be understood partly as a 'performance', in which techniques of terror compensate for lack of equipment.
PAUL RICHARDS is Professor of Technology and Agrarian Development, Wageningen University
Published in association with the International African Institute
