Love Species of Spaces and Other Pieces? Readers share 100 books like Species of Spaces and Other Pieces...

This path-breaking book presents a view of human communication as theater, where speakers choose their words to create desired impressions, and listeners try to interpret speech while guarding against manipulation and deceit.

Strategic interaction and interpretation are central to the argument. In effect, Goffman is examining dynamic games with incomplete information, decades below the formal language for such analyses was developed. 

I think Joe Moran is one of the most interesting authors writing about modern life. He is interested in the ordinary and the mundane, those things you might (probably would) miss if they weren’t drawn to your attention. This beautifully written book has sixteen chapters which begin with breakfast (do you know where the idea of a ‘full English’ came from?), and takes us on a journey that includes the morning commute, the changing status of the working lunch (increasingly now experienced as ‘dining al desko’) our evening eating and viewing habits, all the way through to turning in at the end of the day (when did we switch to duvets?). An easy read which in its own way is also quite profound.

This is a remarkable book (the first of two volumes), taking in a huge sweep of history, making bold claims about social change over the centuries, yet focusing as much on manners, civility, and such everyday matters as how we eat at table as much as it does on the changing nature of medieval society and the rise of the modern nation-state. A deeply serious book, but one with chapter titles that include ‘On blowing one’s nose’, ‘On spitting,’ and ‘On behaviour in the bedroom’. Elias has had a huge impact on modern understanding of social change, not least in documenting and analysing the centuries-long trend toward diminishing violence and increasing shame and ‘civility’ in daily life. 

I read this book as a student in my teenage years. To say it was an eye-opener is both to underestimate its impact on me and to reveal just how little I understood, or simply took for granted, about women’s lives (including my mother’s). Oakley’s book, published in 1974, explores the role of the ‘housewife’ and the nature of ‘housework’ and places both in their historical and social context. At heart, it helped puncture such male-oriented myths as the idea that there was something intrinsic to such activity that made it “women’s work” and that it wasn’t the equivalent of real work. In short, using in-depth interviews with young mothers (four of which are used as case studies here) it made housework visible as something to be considered alongside, and in some respects in the same way, as we might think about other forms of labour.  

This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!

You may be wondering why I’ve listed this 20-year-old book as my top recommendation if you want to write a terrific commercial novel. This was my go-to “bible” when I penned my first few novels. I religiously followed all her advice, as I was and still am an avid fan of her Inspector Lynley detective novels.

Listen: you don’t have to be a crime or thriller writer to learn the best skills for writing a best seller from this book. She shares personal routines and techniques, an overview of the craft, and covers the plot, characters, and scene structure. It’s not extensive but will give any fiction writer new eyes and skills in the art of writing.

We’ve all got one of those life stories that we end up telling over and over again. Research has confirmed that those stories hold power. Meg Files in Writing What You Know offers us a path to transform those stories from the telling onto the page, and just maybe into the larger world. I credit Files’ workshops for helping me refine work that was later published. While you might notice that she draws on her teaching, conference creating, and publishing experience, she also writes with the voice of a supportive, nurturing friend. She reminds us not to be too self-critical, gives us the questions to get started, and challenges us with many opportunities to be “Jumping into the Abyss.”

This book was like a trusted mentor in book form, helping me craft content that’s clear, engaging, and downright effective. Ann strips away the boring writing advice everyone seems to give and delivers practical advice (which aligns with my own copywriting philosophy) with warmth and wit. It’s not just about grammar or structure—it’s about connecting with your audience in a way that feels authentic.

What I loved most is how versatile this book is. Whether I’m writing blog posts, website copy, or emails, I’m always using something Ann taught me. Her book is packed with actionable tips and relatable examples, and her conversational tone made it a joy to read. This is another book in my toolkit that I flick through whenever I need inspiration.

Without having to query Google that serves up writers in a single file, this book is a delightful repository of the entire “who’s who” of literature, particularly of little-known factoids, served up as a rich smorgasbord that you want to devour without end. It proves that “the pen is the tongue of the mind,” even though “writing is a dog’s life,” and is a comfort to writers to know that others, more famous than them, have skirted the edges of penury, fame, and madness. You will also laugh a lot, in relief, I think.

Erin Lebacqz is an experienced business writing teacher, and her practical and practiced bent shows in this book. It offers solid advice for clear and effective writing, covering topics like word choice, sentence structure, and more. The numerous examples will serve people new on the job as well as those who simply want to sharpen their skills and tighten their prose.

Even as someone who writes about writing, I found fresh approaches and ideas in this book. For example, Lebacqz suggests that as writers, we should act like “hosts” for our readers. I love that.