100 books like Special Topics in Calamity Physics

I know, I know…this is a book you’re either going to love or hate, and it’s probably on a lot of lists. I love this book because before it was as common to “break the rules” and write frankly about taboo subjects, Katherine Dunn dove headfirst into an ocean of taboo and told a story that’s as exquisitely heart-wrenching as it is ghastly.

Despite her flaws (and I mean flaws in character–I don’t consider her physical traits to be flawed at all), the protagonist, Oly, is driven by devotion to her family as much as anything.

Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.

The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.

I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.     

This is Flynn’s debut novel and my favorite. I liked it even more than Gone Girl. Camille, the protagonist, had me cheering for her at every turn, yet I couldn't shake a persistent sense of dread.

Some scenes are so vivid and disturbing that they’ve stuck with me long after I finished the book—especially the chilling scene at a pig farm. And Camille’s mother, Adora? Let’s just say she isn’t adorable.

The ending? Bone-chilling and unforgettable.

So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents. 

But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden. 

Michael Faber is one of my favorite writers of all time, and the same author of Under the Skin, another wonderful book with a female protagonist you’ll hate yourself for loving. Faber’s range as a storyteller is incredible, and along with his mastery of horror and science fiction, he shows that he can put together a Victorian epic that is gorgeously written, with a main character, Sugar, who is a complicated character—a sex worker by trade who sometimes makes bad choices but is admirable in how she has to navigate the world of pompous, detestable men to survive. 

Emotion, in particular love, knows no bounds of race, culture, past, or future. I think love reaches uncommon heights in times of stress, which accounts for falling in love with abandon–like in wartime. Or when culture curbs or forbids love’s expression.

So here in this book, Lin Kong, a doctor, feels constrained during the Chinese Cultural Revolution–perhaps seeing through its façade of freedom, particularly in his own marriage. And upon that conundrum rests the plot: Lin’s waiting 18 years (by law) for divorce so he can be with the woman he desires. But the longer he waits, the more he desires her; then, once the waiting is over, desire leaves him.

Perhaps it is better for Lin to live in never-ending desire? Was his grass greener on the other side? 

I originally read Thayer Hamann when I was in high school and identified so deeply with Evie, the protagonist, and also saw in her the person I yearned to become. Evie shares the intricacies of the teenage girl experience, beginning with her high school career in East Hampton and spanning through her undergraduate years at NYU.

Her perspective is graceful, smart, and deeply feeling, with her heart fully exposed on her sleeve—much in the way mine was as a teenager (and still is, in many ways). There’s an epic love story at the heart of the novel, as well (even though I wrote a thriller, I am a romantic to my core), and I’m not too proud to say that the love interest, Roarke, continues to be one of my favorite “book boyfriends.” I reread this every couple of years and can confirm it stands the test of time.  

I love this book because Edna Pontellier is perhaps the original flawed yet sympathetic heroine—a character ahead of her time and a symbol of the growing stirrings of feminism.

I underlined many passages in my dog-eared copy from college (my professor was the editor), including the line, “Mrs. Pontellier was not a mother-woman,” a contrast with the other mothers summering on Grand Isle who doted on their children. She’s not what a woman and mother was supposed to be in 1899—she’s in love with a man other than her husband; she eschews the trappings of motherhood; and ultimately she escapes in the most heartbreaking way.

This book was so explosive at the time, that it was pulled from shelves and didn’t enjoy success and a rightful place in the literary cannon until it was reissued in 1966. There’s a reason it’s had a treasured place on my bookshelf for nearly… show more.

I read this wonderful coming-of-age tale when I was in my teens, but its magical mood remained with me ever since.

Reading the story of Emil Sinclair meeting the enigmatic Demian at school–who not only freed him from bullies but showed him that there was another world usually invisible to the common senses–set me on a life-long journey in search of the miraculous. 

Carey followed up the wildly popular zombie epic The Girl With All The Gifts with this book about a ghost story in a women’s prison. It’s smart horror based on an assembly of compelling characters, and Carey uses language beautifully.

Another example of an author who has versatility is how he can handle different genres simply through his skill as a storyteller who knows how to craft compelling characters and twists on common themes. Do you like Orange is the New Black and might be up for some supernatural elements? This is your book.