Fans pick 100 books like Solitary

I loved this book because it is another time-slip novel, but mostly because of the characters that Gabaldon has created. Claire is a strong woman both in the present time zone–post-war Britain–and the Scottish Highland time zone of the seventeenth century and the uprising. You sense immediately that she is in danger as the story is told from her point of view. 

I loved learning about the lives of the Scottish highlanders, how the story moves from one-time zone to another, and how the characters overlap.

This book is the first in A.L. Jackson’s Bleeding Stars series and I can’t say enough about how much I love it. Two very broken people, Sebastian Stone and Shea Bentley, kept me on the ledge, knots tight in my stomach, waiting for their story to unfold. Jackson does an amazing job at building the depths of these characters and developing the consuming, can’t-live-without, love affair. I’m a true sucker for a story that is gut-wrenchingly beautiful. Both the characters have deep secrets, but Shea shows great courage and control over her life which I admire. Quick disclaimer: Jackson leaves a major cliffhanger so be ready to read book 2!

This book still fits into my niche of romantic suspenseful thrillers, but has an air of fun Rom-Com style writing and not the dark gritty suspense of my other recommendations. I loved this story. Sydney Logan was very creative with building the lust and desire between two professional thieves that are typically out to rival each other. A book about con artists may turn some off, but the sweet sassy relationship built between Ethan and Jenne will suck you in. Just when you think it's all flowers and chocolate, Logan has Ethan hiding Jenne away from a bigger threat until they join forces and take revenge. Suspense, intrigue, angst, and sass… This book is a homerun! 

This book… Wow! I read it in one night. No joke. Could not put it down. Colleen Hoover has hit the mark with many #1 selling novels, but this particular novel was a favorite for me. Not many YA romances are this thrilling but Hoover’s writing and story building have a way of drawing you in. The flashback memories give you snapshots of why Sky Davis never feels anything for a guy, without giving away the BIG reveal. When she meets Dean Holder, her attraction to him is jarring because she’s used to feeling nothing. The reason why she’s drawn to him was such a thrill ride of suspense, drama, pain, and real love. If you’ve never read a Colleen Hoover novel, start with this book.

I first met Simon Schama in 1963, when he joined me as an undergraduate reading History at Christ’s College Cambridge. Both of us decided to undertake research on the Low Countries, but in an international context: in my case, Spain and the Netherlands between 1550 and 1650; in Simon’s case, France and the Netherlands between 1770 and 1815, leading to his brilliant first book, Patriots and Liberators (a study of what the expansion of Revolutionary France meant for an occupied country.) This led him to analyse the social and cultural history of the country before occupation, using visual as well as written sources to recreate the mental state of a complex society. The embarrassment of Riches tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. It shows how the Dutch celebrated themselves and how they were… show more.

As a Dutch co-author, I highly recommend the books of Miffy, the very known rabbit in the Netherlands and worldwide, who shares his experiences in colourful, child friendly and short books. This copy is about celebrating birthdays. I love the good colorful illustrations and the imagination of Miffy. For children, this is the perfect combination, as a child loves birthdays, presents and especially from grandparents.

This is a guidebook on Dutch culture written by a long-time American resident of the Netherlands.

It is a quirky, funny book that, unlike many books that attempt to describe another culture, makes explicit the personal bias of the author.

This is clearly Greg Shapiro’s take on the Dutch, and his keen eye and sense of humour make this a great read for short- and long-term visitors.

I’ve married into the Dutch culture and chuckled my way through the book.

The muse occupies a slightly different role in Deborah Moggach's novel in that she spends a large part of the book supposedly already dead. Muses often exerted a posthumous influence on their artists, usually reflecting a legacy of guilt on the artist's part for his mistreatment or neglect. (Rossetti is a case in point. He had all his poems buried with his muse Lizzie Siddal, only to request permission to exhume them years later.) The painter, in this case, Jan van Loos, remains true, spending his life painting portraits of his muse Sophia and their love. Perhaps to be a muse, even a dead one, wasn't all bad.         

This book tells the story of how the people of the Netherlands – the country where I’ve lived for more than a decade, and which I wrote my first book about – have not just managed to survive below sea level, in a land riddled with rivers and canals, but managed to turn their boggy environment to their advantage, becoming grandmasters at building dikes, draining land and constructing water-pumping windmills. The book isn’t a heavy read – the emphasis is on photos, maps, and interesting factoids – but it’s full of insights into everything from how Amsterdam was built to why the Dutch aren’t too worried about climate change. Perfect reading when I’m sitting in my garden in the Dutch countryside, with water on both sides.

Impulse and happenstance set the syllabus of my reading, and so it was that, shortly after reading Lydia Davis’s Madame Bovary, I chanced to see a notice for her rendering into English, from the Dutch, a selection of the very short stories written by the late A. L. Snijders. He wrote plainly, eschewing elegance and complications of form and syntax in favor of simple sentences that laid out, in workmanlike prose, his casual, wry observations of, and on, his fellow Dutchmen, Dutch women, and also Dutch animals, of whom he was fond. Here is no Modernist heroic ambition, no Postmodernist archness, no posturing, or overbearing intellectual or moral superiority. He wrote thousands of his peculiar miniatures, we are told by Davis in her foreword on the writer and on the problems of translation in general.

Those she chose for Night Train rise above anecdote or sketch, despite their Dutch… show more.