Here are 100 books that Self-Portrait with Boy fans have personally recommended if you like
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I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
The quintessential book for anyone writing a modern biography, as well as a page-turning read. Jean Stein and George Plimpton brilliantly create a moving portrait of an Andy Warhol acolyte who became a Warhol Superstar and then an enduring icon of the 1960s, before dying of a drug overdose at age 28. A fascinating oral history that simultaneously depicts a beautiful, glamourous, and troubled young woman and a nation undergoing a paradigm shift.
A brilliant and unique biography of Andy Warhol's tragic muse, the 60s icon Edie Sedgwick
'Exceptionally seductive... You can't put it down' LA Times
Outrageous, vulnerable and strikingly beautiful - in the 1960s Edie Sedgwick became both an emblem of, and a memorial to, the doomed world spawned by Andy Warhol.
Born into a wealthy New England Edie's childhood was dominated by a brutal but glamourous father. Fleeing to New York, she became an instant celebrity, known to everyone in the literary, artistic and fashionable worlds. She was Warhol's twin soul, his creature, the superstar of his films and, finally,…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
When I set out to write my first biography I was terrified, with the writers’ equivalent of stage fright. I needed something to jump start me, and the late Patricia Bosworth’s wonderful biography of Diane Arbus did the trick. It steadied my nerves and gave me a practical place to start. I forced myself to write the first paragraph of the book after reading the first few pages of Bosworth’s classic biography of the photographer, who was as original as she was tragic.
Diane Arbus's unsettling photographs of dwarves and twins, transvestites and giants, both polarized and inspired, and her work had already become legendary when she committed suicide in 1971. This groundbreaking biography examines the private life behind Arbus's controversial art. The book deals with Arbus's pampered Manhattan childhood, her passionate marriage to Allan Arbus, their work together as fashion photographers, the emotional upheaval surrounding the end of their marriage, and the radical, liberating, and ultimately tragic turn Arbus's art took during the 1960s when she was so richly productive. This edition includes a new afterword by Patricia Bosworth that covers the…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
Hustvedt creates a very compelling picture of the inner and outer life of a female artist in the contemporary art world, notorious for both its sexism and ageism. The protagonist comes up with a clever ploy for achieving the same success as a male artist: she takes on a male artist’s persona and name, and hires a male artist to impersonate her in public, a convoluted ploy with great potential to ultimately backfire. Don’t want to provide any plot spoilers!
Named one of the New York Times Book Review’s 100 Notable Books of the Year ** Publishers Weekly’s Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe’s Best Fiction of 2014 ** The Telegraph’s Best Fiction to Read 2014 ** St. Louis Post Dispatch’s Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed’s Best Books Written by Women in 2014 ** San Francisco Chronicle’s Best of 2014 ** A…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Every novel Peter Carey writes is a rollicking adventure and this one is no exception. I love his way with words that is always original, and his idiosyncratic characters.
Theft tells the story of Michael "Butcher" Boone, an Australian artist whose career is in the doldrums. The novel alternates between the viewpoint of Butcher and that of his "damaged" brother Hugh. And yes, there is theft in the novel,…and scams and forgeries too. This is my favourite of all Carey’s novels.
Michael "Butcher" Boone is an ex-“really famous" painter, now reduced to living in a remote country house and acting as caretaker for his younger brother, Hugh. Alone together they've forged a delicate equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives. Beautiful, smart, and ambitious, she's also the daughter-in-law of the late great painter Jacques Liebovitz. Soon Marlene sets in motion a chain of events that could be the making--or the ruin--of them all.
I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.
It takes courage to carry on living after an emotional catastrophe. Some of us never quite make it and others, like Masha inThe Wisdom of Sally Red Shoes, get there with a little help from unexpected places.
This book made me both laugh and cry. It is poignant and emotional but also parades crazy, colourful characters such as eccentric Elvis and Sally Red Shoes herself. This character of the book’s title has a relatively small but important part in the book, bursting into Masha’s life during her regular meanders in a Victorian graveyard.
Ruth Hogan, the international bestselling author behind the The Keeper of Lost Things returns with an irresistible novel of unexpected friendships, second chances—and dark secrets...
They say friends make life worth living...
Once a spirited, independent woman with a rebellious streak, Masha's life was forever changed by a tragic event twelve years ago. Unable to let go of her grief, she finds comfort in her faithful canine companion Haizum, and peace in the quiet lanes of her town's swimming pool. Almost without her realizing it, her life has shuddered to a halt.
It’s only when Masha begins an unlikely friendship…
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Whenever I give a talk about Dickey Chapelle, I’m always asked why she did it. Why did she risk her life for so many years to cover conflict? I, too, wondered this same thing when I started writing about her, and in truth, I didn’t have a clue.
I began to turn to accounts by other women photojournalists for insight, and I found a great deal in this book. Like Chapelle, Addario has an incredible capacity to connect with those she photographs. There is a palpable sense of empathy in her work—and one that is not easily come by.
From Afghanistan to Iraq, Libya to Pakistan, Addario put herself in harm's way to capture the story—and she brought me as a reader right along with her. Through her lens, I was better able to see the geopolitical forces that shape individuals' lives, the stakes they face, and their bravery in…
“An unflinching memoir . . . [that] offers insight into international events and the challenges faced by the journalists who capture them.” —The Washington Post
War photographer Lynsey Addario’s memoir is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.
Lynsey Addario was just finding her way as a young…
Photography has been a passion throughout my life. I remember so clearly my first experience of the dark room: the dim red light, the chemical smell of the developing solution, and a ghost-like image gradually coming into focus. In my novel I Stopped Time I wanted to pay tribute to the pioneers of photography, but would I be able to bring that same depth of clarity to the written word? It was an incredibly proud moment when one reviewer wrote, "This book voiced everything I’ve held inside of me as a photographer."
I loved the ambitious concept behind William Boyd’s novel. Take seventy-five ‘found photos’ and construct a life around them.
At the age of seventy, Amory Clay is reflecting on her long photographic career, which took her from London, where she photographed the smart set, to Berlin where she captured its nightlife. Like Lee Miller, Amory Clay transitioned from New York fashion shoots to photojournalism, reporting on war-torn Normandy, and, much later, in the Vietnam war. Now, she’s about to embark on a personal mission—to track down her daughter, Blythe.
Boyd seamlessly weaves fact with fiction. This was one of those books that had me Googling the names of characters, thinking that there must be two photographers I had overlooked, only to conclude that they were fictional. (I shan’t give the game away and tell you which!)
THE TOP TEN SUNDAY TIMES BESTSELLER
Amory Clay's first memory is of her father doing a handstand - but it is his absences that she chiefly remembers. Her Uncle Greville, a photographer, gives her both the affection she needs and a camera, which unleashes a passion that irrevocably shapes her future. She begins an apprenticeship with him in London, photographing socialites for magazines. But Amory is hungry for more and her search for life, love and artistic expression will take her to the demi-monde of 1920s Berlin, New York in the 1930s, the Blackshirt riots in London, and France during…
I’m an award-winning children’s author who lives in Australia. I love reading and writing picture books, and although I mostly write fiction, I also love writing biographies. I am drawn to stories about women who have achieved something inspirational and unexpected and who may have not received wide recognition at the time or that any recognition has faded from public knowledge. I find it exciting to work with a team, that is the illustrator and the publisher, to create books that will find their way to children and allow them to imagine and feel another person’s life, and to see that everyday people do amazing things.
The cover shows a woman peering into her camera. She holds the camera carefully, gently and with purpose. Inside, the attractive illustrations show Dorothea Lange who, as a child, was sick leaving her feeling invisible. But the world wasn’t invisible to her. She surprised everyone when she announced one day that she was going to be a photographer. Was it unladylike? What did that even mean? It didn’t matter to Dorothea, who refused to look away from the suffering of people. She used her photos to show that each person is special. Without Dorothea, the images she captured would remain invisible, when they all deserved to be visible. Actual photographs and timeline at the end of this book make it even more fascinating.
"An excellent beginner's resource for biography, U.S. history, and women's studies." -Kirkus Reviews
Here is the powerful and inspiring biography of Dorothea Lange, activist, social reformer, and one of the founders of documentary photography.
After a childhood bout of polio left her with a limp, all Dorothea Lange wanted to do was disappear.
But her desire not to be seen helped her learn how to blend into the background and observe. With a passion for the artistic life, and in spite of her family's disapproval, Lange pursued her dream to become a photographer and focused her lens on the previously…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The story behind this book is nearly as fascinating as the book itself. Evelyn Cameron—Lady Cameron!—accompanied her ne’er do well husband to Montana with a scheme to raise thoroughbreds. When that failed, her husband fell into despair and it was up to Evelyn to put food on the table. She did that by photographing what she saw around her: everything from staged and romanticized “Western photos” that she sold to magazines back East, to interiors of dreary homestead claim shacks. Her glass plate negatives were converted to greenhouses after her passing but were thankfully discovered and restored, resulting in this incredible book of photographs.
Leaving behind her childhood world of the English gentry, Evelyn Cameron began ranching on the harsh and beautiful plains of eastern Montana in 1889 with her husband, Ewen. When their initial venture--raising polo ponies--failed, Evelyn turned to glass-plate photography to help support her family. Nearly 2,000 negatives remained in a friend's basement for 50 years after Evelyn's death until author Donna M. Lucey tracked down the exra-ordinary collection. Photographing Montana showcases more than 150 photographs of life in Montana from the 1890s through the 1920s. Evelyn Cameron's work portrays vast landscapes, range horses, cattle roundups, wheat harvests, community celebrations, and…
My inspiration is my life experience as a high-tech entrepreneur. Real-life events are the source of my stories. I love to explore how the corporate environment shapes businesspeople and to push the boundaries of traditional mystery. I find exploring the themes of ambition, betrayal, loyalty, and integrity important.
I really enjoyed how the writer of this book vividly describes a futuristic society changed by technology and explores important ethical issues. He shows how surveillance, corporate power, and personal freedom intersect in a world where advanced technology is everywhere.
The exciting story and tense mood made me think about how our world is changing because of technology.
"Cumulus is your new favorite surveillance-fueled dystopian novel. It's a future we can all recognize--and one that we should all be genuinely afraid of." -Ars Technica
In the not-so-distant future, economic inequality and persistent surveillance push Oakland to the brink of civil war.
Lilly Miyamoto is a passionate analog photographer striving to pursue an ever more distant dream. Huian Li is preeminent among the Silicon Valley elite as the founder and CEO of the pervasive tech giant Cumulus. Graham Chandler is a frustrated intelligence agent forging a new path through the halls of techno-utopian royalty. But when Huian rescues Lilly…
