Here are 100 books that Rethinking Race in Modern Argentina fans have personally recommended if you like
Rethinking Race in Modern Argentina.
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Fiction has a way of capturing people, places, and phenomena that often elude source-bound historians. As I say in my book, you feel the weight of all the terrible things Colonel Kurtz has done in central Africa far more by his whispering “the horror, the horror” than I, as a historian, could possibly convey by listing them out and analyzing them. That feel–especially what contingency feels like–is something historians should seek out and try to pull into their craft of writing. Getting used to and using fiction to help historians see and feel the past is a worthwhile endeavor.
Do you know how many gallons of blood are in a mature seal? That’s one of the many things you’ll find out in this gripping book about the true story that lies behind Herman Melville’s iconic short story, Benito Cereno.
It was the South Pacific in 1805, and a sealing vessel came upon a ship that they discovered was the result of an onboard slave insurrection. What happened, including the gushing of copious amounts of warm seal blood, is for you to discover. This is an amazing piece of history writing.
One morning in 1805, off a remote island in the South Pacific, Captain Amasa Delano, a New England seal hunter, climbed aboard a distressed Spanish ship carrying scores of West Africans he thought were slaves. They weren't. Having earlier seized control of the vessel and slaughtered most of the crew, they were staging an elaborate ruse, acting as if they were humble servants. When Delano, an idealistic, anti-slavery republican, finally realized the deception, he responded with explosive violence. Drawing on research on four continents, The Empire of Necessity explores the multiple forces that culminated in this extraordinary event-an event that…
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
Erika Edwards decenters the study of the African diaspora in Argentina from Buenos Aires by studying Cordoba, at the geographic heart of this country. The author employs gender as a structuring category of understanding conceptions of race, as she examines the actions of Black women who shaped their own sexual experiences and marriage patterns, creating new forms of identity based on the changing conceptions of race and law at the time, as Argentina was transitioning from colony to nation. In doing so, Edwards charters a process beginning in nineteenth-century Cordoba, which then became one of the keys to understanding a gendered conception of Blackness in modern Argentina.
One of the African American Intellectual History Society's Best Black History Books of 2020
Details how African-descended women's societal, marital, and sexual decisions forever reshaped the racial makeup of Argentina
Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed-African, Indian, European-heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a "black disappearance" by delving into the intimate lives of black women and explaining how they contributed to…
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
Paulina Alberto wrote a binge-reading biography of Raúl Grigera, a Black legend of Buenos Aires during the golden age of tango. While Alberto reconstructs the family’s history of Grigera since the times of slavery in early nineteenth-century Argentina, the narrative arc of the book is the unequal power to control narratives about the self, which affected Grigera and other Black men and women who suffered the dominant and racist narratives about Blackness in Argentina, particularly on the disappearance of Afro-Argentines. This book illustrates the biographical turn in African Diaspora Studies combined with an exquisite interdisciplinary approach, which Alberto employs in her examination of “racial stories” as a methodology.
Celebrities live their lives in constant dialogue with stories about them. But when these stories are shaped by durable racist myths, they wield undue power to ruin lives and obliterate communities. Black Legend is the haunting story of an Afro-Argentine, Raul Grigera ('el negro Raul'), who in the early 1900s audaciously fashioned himself into an alluring Black icon of Buenos Aires' bohemian nightlife, only to have defamatory storytellers unmake him. In this gripping history, Paulina Alberto exposes the destructive power of racial storytelling and narrates a new history of Black Argentina and Argentine Blackness across two centuries. With the extraordinary…
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
George Reid Andrews is one of the founders of Afro-Latin American Studies. In Blackness in the White Nation, he combines the study of Afro-Uruguayan music and performance of candombe, the African-based rhythm that Uruguay shares with Argentina (as these countries share tango too), with the history of Afro-Uruguayan political mobilization in the twentieth century. Andrews guides readers into this story by telling them about his experience of learning candombe, and marching playing the drums on the streets of Montevideo, which makes this story unique. We learn how a country who depicts itself as predominantly populated by descendants of Europeans, appropriated African-based music and dance as a national rhythm.
Uruguay is not conventionally thought of as part of the African diaspora, yet during the period of Spanish colonial rule, thousands of enslaved Africans arrived in the country. Afro-Uruguayans played important roles in Uruguay's national life, creating the second-largest black press in Latin America, a racially defined political party, and numerous social and civic organizations.
Afro-Uruguayans were also central participants in the creation of Uruguayan popular culture and the country's principal musical forms, tango and candombe. Candombe, a style of African-inflected music, is one of the defining features of the nation's culture, embraced equally by white and black citizens.
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
J M Taylor captures the successes and tragedies of Argentina’s ‘Santa Evita’. She unravels the myth-making that surrounded her eventful life.
Eva Peron’s public image and iconography are contrasted with complex class politics, religious observation, political coups, and sexism. Peron’s untimely death from cancer and the story of her corpse not being left to rest in peace is particularly jarring. I like how the book reveals that the history of heroines is complicated and that myth-making can hide important nuances.
Eva Peron , one of the most powerful women in the world at the time of her death in 1952, rose from humble origins to international renown as First Lady of Argentina and the force behind her husband, Juan Peron. Despite her popularity she was inaccessible to the people of Argentina, and so images were constructed around her to fill that void. According to J.M. Taylor, these "myths" around Eva Peron reflect Argentine culture and political history at the time of her seven-year reign. With a brief biography of Eva Peron serving as a backdrop, this study offers an analysis…
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
This is a concise noir with clear and simple prose. There is no metafiction, magical realism, or non-linear narrative to contend with. The protagonist, Mr. Machi, is a terrible person, almost psychopathic, a symbol of everything that is wrong in Argentina. The book is a critique of unbridled capitalism and its status symbols. To kick things off, Machi finds a dead body inside the boot of his beloved BMW and from there the action and the hilarity don’t stop. Told from the point of view of Machi, we have an uncomplicated antihero, a person completely without redeeming features. According to legend, the author still works as a subway station cleaner.
"This novel should come not with blurbs but with a hazardous-material warning: There's bone and gristle here, be ready for that taste in your mouth you can't spit out. First words to last, it's strong stuff." —James Sallis, author of Drive
The first novel to appear in English by the "subway janitor by night, novelist by day," who began his writing career while an undocumented immigrant in the United States, Like Flies from Afar will demonstrate why K. Ferrari is already an award-winning star of international crime fiction. A hardboiled noir thriller, a whodunit, a black comedy, and a filthy…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.
Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.
Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years.
'A portrait of a world in fragments, a mirrorball made of razor blades' Guardian
Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires - a place where reality and the preternatural fuse into strange, new shapes. These stories follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is a paragon of contemporary Gothic from a writer of singular…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects…
Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers…
I fell in love with Latin America as I meandered around Mexico in the summer of 1969. The passion has never died. Within a year I walked into Brazil’s ‘wild west’ to research the violence along its moving frontier, while over fifty years later I am an emeritus professor of Latin American politics at the University of Oxford and an honorary professor at the University of Exeter. An early decision to look at politics from the ‘bottom up’ led to a life-long inquiry into the theory and practice of democracy, and the publication of many essays and books that are available to view on my Amazon author page.
Anyone who aspires to an understanding of Latin American democracy must read the work of Guillermo O’Donnell, who almost single-handedly set the terms of the key debates over a period of thirty to forty years; and the only possible reason for this not being my 1st pick is that it is a collection of essays, not a monograph. O’Donnell was a passionate scholar, and both his passionate engagement and meticulous scholarship are amply illustrated in the discussions here of the vicissitudes and possibilities of democracy in Latin America, his wide survey encompassing everything from democratic struggles against authoritarian regimes to the flaws arising in the new democracies from defective institutionalism and extreme social inequalities. Read and admire.
The central, driving theme of this volume is democracy, its vicissitudes and its possibilities in Latin America. Guillermo O’Donnell considers the pattern of political and social alliances that have shaped Argentina’s agitated history, and focuses on the tensions and intrinsic weaknesses of bureaucratic-authoritarianism, especially in its most repressive guises, at a time when it projected itself as an enduring, efficient, and potentially legitimate form of political authority. He includes detailed empirical analysis of daily life under extremely repressive regimes and argues throughout that the struggle for democracy is the most appropriate way, both morally and strategically, to take advantage of…
I worked at the International Center for Transitional Justice in 2009 when Uruguay held a second referendum to overturn the country’s amnesty law that protected the police and military from prosecution for human rights abuses during the country’s dictatorship. Despite the country’s stable democracy and progressive politics in the 21st century, citizens quite surprisingly rejected the opportunity to overturn the state-sanctioned impunity law. My interest in broader accountability efforts in the world and that seemingly shocking vote in Uruguay drove me to want to study the roots of that failed effort, ultimately compelling a broader investigation into how human rights culture in Uruguay evolved, particularly during and after its period of military rule.
This book also centers on a post-dictatorship period, looking not only at accountability for the thousands that were killed or disappeared during Argentina’s military junta, but also at the struggle for social and economic rights amid an economic crisis in the 1980s.
Adair centers her book on the Raúl Alfonsín presidency to look at the various challenges he faced, and the demands that citizens placed on his government to ensure basic needs. The book is also imminently readable and filled with moving anecdotes about citizens’ struggles during this period.
In 1983, following a military dictatorship that left thousands dead and disappeared and the economy in ruins, Raul Alfonsin was elected president of Argentina on the strength of his pledge to prosecute the armed forces for their crimes and restore a measure of material well-being to Argentine lives. Food, housing, and full employment became the litmus tests of the new democracy. In Search of the Lost Decade reconsiders Argentina's transition to democracy by examining the everyday meanings of rights and the lived experience of democratic return, far beyond the ballot box and corridors of power. Beginning with promises to eliminate…
