Here are 100 books that Regent's of Paris fans have personally recommended if you like
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I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
With biting satire and elegiac prose, Main Street is the paragon of stories set in small towns.
Author Sinclair Lewis was obviously not enamored of small towns, and like Sherwood Anderson’s Winesburg, Ohio, is perhaps exorcising some demons from his own upbringing. Nevertheless, perhaps unable to help himself, he instills his protagonist, Carol Milford (Kennicott) with a “Never give up” small town value. At the end she is undaunted. Even though she’s been stifled at nearly every turn, in her own words she has “kept the faith.”
I love the work of Sinclair Lewis. I based the character of July Huffaker in Delphic Oracle, U.S.A. on Elmer Gantry, and when I taught in medical schools, kept copies of Arrowsmith in my office that I gave to students and residents interested in a career in academic medicine. “Read this,” I told them. “If you still want in, come talk to…
In this classic satire of small-town America, beautiful young Carol Kennicott comes to Gopher Prairie, Minnesota, with dreams of transforming the provincial old town into a place of beauty and culture. But she runs into a wall of bigotry, hypocrisy and complacency. The first popular bestseller to attack conventional ideas about marriage, gender roles, and small town life, Main Street established Lewis as a major American novelist.
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Another book that uses humor to get at the truth of things, in this case a dark truth that author Mimi Herman expertly negotiates. Plus, The Kudzu Queen has characters with great names (Mattie Lee Watson, James T. Cullowee).
I love characters with odd names, probably hearkening back to a childhood love of O. Henry, Charles Dickens, and Mark Twain. Best of all, the bad guy gets his comeuppance in this book.
That’s one of the best things about writing fiction. You can make villains drown in their villainy. It beats reading the newspaper where the villains get page one attention, while the golden retrievers who save babies are on page six.
"Funny, sad, and tender... Mimi Herman has written a novel that possesses a true and hard won understanding of the South." -David Sedaris, author of Happy-Go-Lucky
Fifteen-year-old Mattie Lee Watson dreams of men, not boys. So when James T. Cullowee, the Kudzu King, arrives in Cooper County, North Carolina in 1941 to spread the gospel of kudzu-claiming that it will improve the soil, feed cattle at almost no cost, even cure headaches-Mattie is ready. Mr. Cullowee is determined to sell the entire county on the future of kudzu, and organizes a kudzu festival, complete with a beauty pageant. Mattie is…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
It is laugh-out-loud funny in places, but the humor also sees the pettiness, pride, and obstinance that can affect human behavior.
Pearson’s narrator is cloaked in childhood innocence that makes his incisive observations not cruel, but simply honest. After I first read this book many years ago, I decided that I would never again make my readers feel wretched nor would I cheat them. Like Pearson, I will, however, trick them.
Marvelously funny, bittersweet, and beautifully evocative, the original publication of A Short History of a Small Place announced the arrival of one of our great Southern voices. Although T. R. Pearson's Neely, North Carolina, doesn't appear on any map of the state, it has already earned a secure place on the literary landscape of the South. In this introduction to Neely, the young narrator, Louis Benfield, recounts the tragic last days of Miss Myra Angelique Pettigrew, a local spinster and former town belle who, after years of total seclusion, returns flamboyantly to public view-with her pet monkey, Mr. Britches. Here…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Faulkner has great names: Lucius Priest, Boon Hogganbeck, Miss Carrie.
He uses humor to make us like them, heart to make us love them, and a crime they must commit for true justice to prevail. My most recent book follows the same humor, heart, dash of crime roadmap. Faulkner also likes long, complex sentences. I’m no Faulkner, but it’s an affection we share.
One of Faulkner’s comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family’s retainers, to steal his grandfather’s car and make a trip to Memphis. The Priests’ black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba’s bordello in Memphis. From there a series of wild misadventures ensues—involving horse smuggling, trainmen, sheriffs’ deputies, and jail.
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
I fell in love with this book so hard that I read it all in one sitting. (Yes, that means I spent one, entire, luxurious day reading it! That day was an absolute gift.) I loved the writing style, the chance to armchair travel to Paris on the back of Leo’s moped alongside Hannah. It had just enough intrigue but was quiet and charming overall. Reading this book was like taking my mind to a spa to be pampered and rejuvenated.
In this witty and heartfelt debut love story for fans of Josie Silver's One Day in December, a woman stranded in Paris for the day discovers that the wrong road can sometimes lead us in the right direction.
When Hannah and her boyfriend, Simon, set out to Amsterdam, they’re confident that they’ll make it to his sister’s wedding in time. However, unbeknownst to them, their train is scheduled to divide in the middle of the night. And when it does, half of it continues the route to Amsterdam. And the other half—the…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.
Beginning with a visceral description of the society and politics of Paris, The Girl with the Golden Eyes considers the sex life of the upper class by its raw depiction of the underside of Parisian life. Henri de Marsay is a young, rich man who is nearly devoid of morals and virtue. After he meets Paquita Valdes, a mysterious and beautiful woman, he becomes infested with a deviant lust for her. When his plan to seduce her succeeds, Henri and Paquita maintain an intensely sexual relationship. However, when Henri starts to suspect Paquita is involved with another lover, he becomes…
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
We are coded as homo sapiens to look at each other. To observe, study, analyse our fellow creatures. One of the reasons I’ll never live in the country is that I’ll miss observing urban life.
This is such a simple book with a simple premise. Perec recorded everything he saw while sitting at a café on a Parisian square over three days. When I lived in Paris in the 1990s, I had a dog-eared French version of this book and I dutifully went to the same place. Not to record my own observations but to try and see things that Perec might have seen twenty years prior.
A city-dweller regards their city. This book is at once nothing and yet it is everything about urban life. I found in Perec a comrade in arms. The romantic in me insists on believing that the seeds for my later urban observations lie…
"Take it with you to any cafe in any city, and Perec will be both your drinking partner and your tour guide, drawing your attention to each little detail coming and going.” –Ian Klaus, CityLab
One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one café window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and…
I’ve been completing Dry Januarys (and other sober months) since 2017! In turn, I’ve felt more energized, more positive, have experienced better sleep and better skin, among other benefits. I think giving up alcohol for any amount of time is beneficial and I encourage people to try it.
With recipes from renowned bars all over the world -- including Death & Co in Denver and NYC, Employees Only, The Aviary NYC, Broken Shaker in LA, Everleaf Drinks in London, and Little Red Door in Paris -- the book serves as the ultimate guide to making (and enjoying!) well-balanced non-alcoholic cocktails. The beverages are tasty, visual, creative, and fun to concoct, and will motivate you to stay dry for a month (and beyond).
90 spirit-free cocktail recipes from leading and lauded mixologists across the country
More than 100 years after Prohibition was enacted, bartenders are actually excited about people not drinking again. From Dry January and alcohol-free bars opening around the country to people interested in abstaining from drinking for better health, the no-proof movement is one of today's fastest-growing lifestyle choices, as consumers become more mindful and re-examine their relationship to alcohol. The no-proof drinker could be anyone, and even traditional bars have taken note with no-alcohol offerings. What do the world's most talented bartenders concoct when they can't use booze? This…
As a kid, I wrote a series of plays with my family as characters. Everyone (even the dog and cat) had lines that demonstrated their quirks, except me—the sane and reasonable one. When I performed these playlets for my mother (performing all parts, since no one else would co-operate) she laughed so hard she cried, and it’s fair to say my subsequent writing career has been an attempt to recapture the feelings that experience generated. Beginning as a joke writer (including a stint working for Jay Leno), I now focus on literary fiction, though humor is always a part of my work.
I bought an English version of this French novel about Paris while actually in that city as a starving backpacker, and have forever associated the wacky joyfulness of the book with the pleasures of that trip. Originally written in a high-energy, idiomatic, slangy, bawdy version of French that scandalized many conservative readers, the plot involves a young country girl named Zazie, obsessed with the Parisian subway system called the Metro, though she’s never seen it. Finally allowed to visit her uncle in the city, she is outraged to find the Metro closed, its workers on strike. She runs away, roaming the crowded city streets, her hilarious extended tantrum not only upsetting her befuddled uncle’s safe and settled lifestyle, but also spreading a generalized craziness throughout Paris.
Impish, foul-mouthed Zazie arrives in Paris from the country to stay with Gabriel, her female-impersonator uncle. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, Zazie in the Metro remains as stylish and witty as ever.
I worked in high-tech electronics for thirty years, specialising in the design of radio communication equipment. My first love, though, has always been books, particularly exciting page-turners about spies and assassins. Eavesdrop – my first thriller – brought those two worlds together, and “what-if” ideas from my professional life engendered the plot’s high-tech angle. I wrote the early drafts largely while on planes and in airport lounges during business trips, and in snatched moments before starting work each morning. It was exciting when Assent Publishing took it on and did such a great job of producing the thriller ready for you to read. I hope you enjoy it.
Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.
Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.
But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.
His name is a cover He has no home And he kills for a living
Victor is an assassin, a man with no past and no surname. His world is one of paranoia and obsessive attention to detail; his morality lies either dead or dying. No one knows what truly motivates the hunter. No one gets close enough to ask.
When a Paris job goes spectacularly wrong, Victor finds himself running for his life across four continents, pursued by a kill squad and investigated by secret services from more than one country. With meticulous style, Victor plans his escape .…
