Fans pick 96 books like Prey

It's almost Christmas, and Todd Curry wants to spend it with his son. What more noble goal could one have? After his flight is canceled due to a snowstorm, he rents a Jeep with some other stranded passengers to drive home. This was my first introduction to Malfi's work, and I picked it up at a used bookstore and went into the story blind (snowblind?). It does not disappoint. Between hitchhikers with mysterious wounds and an isolated town with problems much larger than a snowstorm, Todd quickly realizes missing a family Christmas was the least of his worries. If you like the 'poor choices made with good intentions' trope, check this book out.

"I want to read a book like the 1990s cult classic movie Tremors; hold the (Kevin) Bacon, please." Funny you ask! Earthworm Gods (or its alternate title, Conqueror Worms) will scratch that itch while throwing in some ancient one worship à la Lovecraft. One day it starts to rain, and then the rain never stops. Monstrous earthworms terrorize the townspeople. What happens next? Probably not what you expect. There's enough quirkiness in here to keep it light, so you can chuckle while watching the world go down in flames (or...er...floods); just what you'd expect from a rainy, Saturday night B-horror film.

Fans of Bentley Little won't be surprised to find out this book begins with a family moving from southern California to a small town in Arizona, but, in typical Little fashion, this is more than a small-town horror story. Throw in the author's eccentricities and his proclivity for absolutely insane stories and add a dash of heretical, Eastern Orthodox Christians called Molokans (see, horror novels are also educational), and you have the makings of a fantastic B-horror movie sans jump scares and sound effects. Like many authors on this list, it was hard to narrow Little's novels down to just one, but this was one of my first introductions to Little, and that's why it made the list.

This list wouldn't be complete without mentioning Laymon. The 'correct' Laymon recommendation for this list would be every book he has ever written, but alas, there can only be one. This book is full of violence, but it's more than just a slasher. The several flashbacks bring the story back to when the protagonists were in college together and highlight their antics and show how strong their bond is. Blood Games has it all: a group of friends making bad decisions, isolation from the outside world, and a bloodthirsty killer. Turns out, the Totem Pole Lodge's gruesome past bleeds into the present...

I’m cheating a little with this one since this is technically three books but go with me. Slaves of the Volcano God, Bride of the Slime Monster, and Revenge of the Fluffy Bunnies are some of those series that used to be thick on the ground but now are harder to find.

They’re adventure novels that play with the tropes of B-movies, and not only are they hilarious, but they made a young Justin like B-movies more. Playing with tropes can get exhausting, but when it’s done with genuine love, as it is here, it makes for an airy joy of a series.

I’m a big fan of themed anthologies! Most horror anthologies I find are similar to Night Shift in that they are all random stories of dark fiction but with no recurring theme. It’s extra fun for the reader (and the writer) when all of the stories reverberate around a single topic or scenario. The Savage B’s: A Tribute to Horror is a proclamation of love for B movies. I remember the fun and splashy gore of movies like The Blob or Swamp Thing. You were horrified at the splatter of brains but also tickled by the sheer absurdity of the splatter of brains. From flesh-eating monsters to toxic spills, each of these stories is finely crafted by authors with their own B movie-style spin. 

To say I had high expectations of this book would be an understatement and it certainly delivered!

Although quite niche, this book gives us a detailed look into professional women and women scientists, among other roles, in 1950s Science Fiction B movies. 

Although we often believe that more recent films are more progressive, Noonan shows how even gender limitations in the 1950s still provided room for qualified women to shine in different scientific fields, both in traditional and pioneering roles. She also studies how women could have important roles at the periphery of science like computer operators or darkroom technicians.

It’s hard to beat Scalzi for nailing the execution of a high concept.

Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.

Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time. 

Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.

Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.

And it’s also an amazing mystery and incredible comedy. 

Amy Bloom is one of the authors I admire most in the world, and I loved this story of two fascinating sisters, Eva and Iris, not just for Bloom’s enthralling use of language but also for the spiritedness and intrigue of who the sisters are. (While Iris, "the pretty one,” struggles to make it in Hollywood as a B-movie actress, Eva, “the smart one,” gets roped into offering tarot card readings to help support their ragtag family.)

I loved living in the world that Bloom created in a story that crisscrossed the U.S. and beyond in the 1940s, and I loved being constantly surprised by the sisters’ choices and the events that befall them–and by the riveting words used to describe them.