Here are 100 books that Women Scientists in Fifties Science Fiction Films fans have personally recommended if you like
Women Scientists in Fifties Science Fiction Films.
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I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This book has been central to my research on women in Science Fiction although I am not a Horror fan.
Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.
It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
LaSalle’s book made me fall in love with Pre-Code Hollywood despite having been in film and media studies for 20 years.
His in-depth study of many famous actresses during this era such as Greta Garbo, Norma Shearer, and Jean Harlow, shows how freer women could be on screen for their life choices.
The later chapters address the lasting impact of the Code era on the representation of women and their agency, even on contemporary movies. As he discusses it, the Code caused the decline of “socially responsive women’s pictures.”
Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This is the most comprehensive and thought-provoking book on women in Blaxploitation that I have read.
Sims provides a clear and structure analysis of how Blaxploitation came to be, how it tied into Black femininity and influenced the film industry.
Sims analysis specific actresses who fronted Blaxploitation cinema such as Pam Grier and Tamara Dobson. She describes how American film needs more multifaceted African American characters following the decline of Blaxploitation and how the genre influenced mainstream action heroines like masculinized ones and mother warriors.
With the Civil Rights movement of the sixties fresh in their perspective, movie producers of the early 1970s began to make films aimed toward the underserved African American audience. Over the next five years or so, a number of cheaply made, so-called blaxploitation movies featured African American actresses in roles which broke traditional molds. Typically long on flash and violence but lacking in character depth and development, this genre nonetheless did a great deal toward redefining the perception of African American actresses, breaking traditional African American female stereotypes and laying the groundwork for later feminine action heroines. This critical study…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This is a must-read if you are interested in women investigators in mainstream film, B movies, niche genres, or television.
Gates studies over 300 films and goes back to not only early cinema but even to 19th-century fiction that brought certain figures such as the sleuth, to the screen several decades later.
By exploring the evolution of women detectives, Gates addresses various topics such as women in the workforce, intellectual women, age, race, and sexuality. This historical analysis played a key role in my research on Scully beyond the chapter on women criminalists such as Clarice Starling in The Silence of the Lambs.
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I absolutely loved this creative take on the whole final girl slasher trope! I really enjoy a strong female character in horror where they’re “just like us.” Reading these poems where the females can be outspoken and confident but also quiet or slutty was powerful.
I enjoyed how they’re inspired or based on different movies. When I finished the book, I had a whole list of movies I needed to watch or re-watch. This collection was on my mind for days after.
"There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can."
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo…
My favorite books as a child were the Goosebumps series by R.L. Stine. This began my love of all things horror (including cheesy, campy B-horror). The movies that people love to hate (and also the books that stir up the same emotions) combine humanity's most basic instincts: fear, lust, and humor. Bringing these three together in perfect union creates a combination I can't get enough of. It's what drives my own writing and my insatiable desire to seek out more stories like this.
It's almost Christmas, and Todd Curry wants to spend it with his son. What more noble goal could one have? After his flight is canceled due to a snowstorm, he rents a Jeep with some other stranded passengers to drive home. This was my first introduction to Malfi's work, and I picked it up at a used bookstore and went into the story blind (snowblind?). It does not disappoint. Between hitchhikers with mysterious wounds and an isolated town with problems much larger than a snowstorm, Todd quickly realizes missing a family Christmas was the least of his worries. If you like the 'poor choices made with good intentions' trope, check this book out.
"Some 'old school' horror storytelling of the highest degree" from the award-winning author of Bone White (Bloody Disgusting).
They come in with the snow. They are the snow . . .
The blizzard begins pummeling the Midwest on Christmas Eve, leaving hundreds of passengers stranded at Chicago's O'Hare International Airport. Todd Curry doesn't need another reason to disappoint his son, so he joins three other people in renting the last four-wheel drive available and they set out into the blinding snow.
Only two hours into the treacherous trip west, Todd swerves to avoid a man in the middle of the…
The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
I’m cheating a little with this one since this is technically three books but go with me. Slaves of the Volcano God, Bride of the Slime Monster, and Revenge of the Fluffy Bunnies are some of those series that used to be thick on the ground but now are harder to find.
They’re adventure novels that play with the tropes of B-movies, and not only are they hilarious, but they made a young Justin like B-movies more. Playing with tropes can get exhausting, but when it’s done with genuine love, as it is here, it makes for an airy joy of a series.
Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.
I’m a big fan of themed anthologies! Most horror anthologies I find are similar to Night Shift in that they are all random stories of dark fiction but with no recurring theme. It’s extra fun for the reader (and the writer) when all of the stories reverberate around a single topic or scenario. The Savage B’s: A Tribute to Horror is a proclamation of love for B movies. I remember the fun and splashy gore of movies like The Blob or Swamp Thing. You were horrified at the splatter of brains but also tickled by the sheer absurdity of the splatter of brains. From flesh-eating monsters to toxic spills, each of these stories is finely crafted by authors with their own B movie-style spin.
Join 13 authors as they take you on a gory stroll down Memory Lane in this anthology inspired by B-Horror! Relive the good old days of picking up bad movies from your local video store. We've got killer dolls, killer sludge, killer firemen, killer amphibians. This book should come narrated by Joe Bob Briggs if we weren't too low budget to afford him. Buy yourself a copy, because this is one you'll want to rewind and enjoy again!
My favorite books as a child were the Goosebumps series by R.L. Stine. This began my love of all things horror (including cheesy, campy B-horror). The movies that people love to hate (and also the books that stir up the same emotions) combine humanity's most basic instincts: fear, lust, and humor. Bringing these three together in perfect union creates a combination I can't get enough of. It's what drives my own writing and my insatiable desire to seek out more stories like this.
Most Masterton recommendations start with The Manitou, which is a good choice, but to really get that 'B-horror in book form' rush, Prey is where to turn. What happens when you throw a recently divorced man and his young son into a haunted house in a quaint, seaside village? Did you guess inter-dimensional monsters? Don't turn out the lights, and don't go into the attic when reading this one.
There's something in the attic of Fortyfoot House.
Something that rustles. Something that scampers and scratches. Something with fur, far more terrifying than a rat.
Recently divorced, David Williams takes a job restoring Fortyfoot House, a dilapidated 19th-century orphanage, hoping to find peace of mind and get to know his young son. But then he hears the scratching noises in the attic. And he sees long-dead people walking across the lawn.
Does Fortyfoot House exist in today, yesterday, or tomorrow – or all three at once? Only one thing is certain – it is a house with a dark secret…
My favorite books as a child were the Goosebumps series by R.L. Stine. This began my love of all things horror (including cheesy, campy B-horror). The movies that people love to hate (and also the books that stir up the same emotions) combine humanity's most basic instincts: fear, lust, and humor. Bringing these three together in perfect union creates a combination I can't get enough of. It's what drives my own writing and my insatiable desire to seek out more stories like this.
This list wouldn't be complete without mentioning Laymon. The 'correct' Laymon recommendation for this list would be every book he has ever written, but alas, there can only be one. This book is full of violence, but it's more than just a slasher. The several flashbacks bring the story back to when the protagonists were in college together and highlight their antics and show how strong their bond is. Blood Games has it all: a group of friends making bad decisions, isolation from the outside world, and a bloodthirsty killer. Turns out, the Totem Pole Lodge's gruesome past bleeds into the present...
They meet for one week every year, five young women, best friends since college, in search of fun and thrills. Each year they choose a different place for their reunion. This year it's Helen's choice, and she chose the Totem Pole Lodge. Bad choice.
The Totem Pole Lodge is a deserted resort hotel deep in the woods with a gory, shocking past. Helen has a macabre streak and she can't wait to tell her friends all about what happened at the lodge and why it's now abandoned. But Helen and the others are in for a nasty surprise. The resort…
