100 books like Women Scientists in Fifties Science Fiction Films

This book has been central to my research on women in Science Fiction although I am not a Horror fan.

Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.

It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.

LaSalle’s book made me fall in love with Pre-Code Hollywood despite having been in film and media studies for 20 years.

His in-depth study of many famous actresses during this era such as Greta Garbo, Norma Shearer, and Jean Harlow, shows how freer women could be on screen for their life choices. 

The later chapters address the lasting impact of the Code era on the representation of women and their agency, even on contemporary movies. As he discusses it, the Code caused the decline of “socially responsive women’s pictures.”

This is the most comprehensive and thought-provoking book on women in Blaxploitation that I have read.

Sims provides a clear and structure analysis of how Blaxploitation came to be, how it tied into Black femininity and influenced the film industry. 

Sims analysis specific actresses who fronted Blaxploitation cinema such as Pam Grier and Tamara Dobson. She describes how American film needs more multifaceted African American characters following the decline of Blaxploitation and how the genre influenced mainstream action heroines like masculinized ones and mother warriors.

This is a must-read if you are interested in women investigators in mainstream film, B movies, niche genres, or television.

Gates studies over 300 films and goes back to not only early cinema but even to 19th-century fiction that brought certain figures such as the sleuth, to the screen several decades later. 

By exploring the evolution of women detectives, Gates addresses various topics such as women in the workforce, intellectual women, age, race, and sexuality. This historical analysis played a key role in my research on Scully beyond the chapter on women criminalists such as Clarice Starling in The Silence of the Lambs.

Much like fairy tales and folklore, horror stories have their own rules and tropes for how the female protagonists or villains are expected to behave within the confines of their own stories. I Am Not Your Final Girl is a powerful collection of horror-themed poetry that gives voice to female characters from horror cinema — the survivors, victims, and monsters who prowl through dark worlds, facing oppression, persecution, violence, and death. Holland’s words provide these women a platform to channel their pain, trauma, and rage into a galvanizing force. These women are survivors and fighters, women who claim their own power and take ownership over their own bodies. They do not give up; they do not relent. 

This list wouldn't be complete without mentioning Laymon. The 'correct' Laymon recommendation for this list would be every book he has ever written, but alas, there can only be one. This book is full of violence, but it's more than just a slasher. The several flashbacks bring the story back to when the protagonists were in college together and highlight their antics and show how strong their bond is. Blood Games has it all: a group of friends making bad decisions, isolation from the outside world, and a bloodthirsty killer. Turns out, the Totem Pole Lodge's gruesome past bleeds into the present...

Most Masterton recommendations start with The Manitou, which is a good choice, but to really get that 'B-horror in book form' rush, Prey is where to turn. What happens when you throw a recently divorced man and his young son into a haunted house in a quaint, seaside village? Did you guess inter-dimensional monsters? Don't turn out the lights, and don't go into the attic when reading this one.

Fans of Bentley Little won't be surprised to find out this book begins with a family moving from southern California to a small town in Arizona, but, in typical Little fashion, this is more than a small-town horror story. Throw in the author's eccentricities and his proclivity for absolutely insane stories and add a dash of heretical, Eastern Orthodox Christians called Molokans (see, horror novels are also educational), and you have the makings of a fantastic B-horror movie sans jump scares and sound effects. Like many authors on this list, it was hard to narrow Little's novels down to just one, but this was one of my first introductions to Little, and that's why it made the list.

It's almost Christmas, and Todd Curry wants to spend it with his son. What more noble goal could one have? After his flight is canceled due to a snowstorm, he rents a Jeep with some other stranded passengers to drive home. This was my first introduction to Malfi's work, and I picked it up at a used bookstore and went into the story blind (snowblind?). It does not disappoint. Between hitchhikers with mysterious wounds and an isolated town with problems much larger than a snowstorm, Todd quickly realizes missing a family Christmas was the least of his worries. If you like the 'poor choices made with good intentions' trope, check this book out.

I’m a big fan of themed anthologies! Most horror anthologies I find are similar to Night Shift in that they are all random stories of dark fiction but with no recurring theme. It’s extra fun for the reader (and the writer) when all of the stories reverberate around a single topic or scenario. The Savage B’s: A Tribute to Horror is a proclamation of love for B movies. I remember the fun and splashy gore of movies like The Blob or Swamp Thing. You were horrified at the splatter of brains but also tickled by the sheer absurdity of the splatter of brains. From flesh-eating monsters to toxic spills, each of these stories is finely crafted by authors with their own B movie-style spin.