Here are 100 books that Personal Days fans have personally recommended if you like
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I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.
This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Who knew a book about sleeping could be so funny and engaging?
As someone who constantly wants and needs more rest, I related to the protagonist’s hunch that a year of (almost uninterrupted) sleep would change her life. And it does, though not at all in the way she expects.
Moshfegh writes about trips to the local bodega and the edgy conceptual art scene in such a brilliant way that the book will (perhaps, unfortunately!) keep you up late.
Named a Best Book of the Year by The Washington Post, Time, NPR, Amazon,Vice, Bustle, The New York Times, The Guardian, Kirkus Reviews, Entertainment Weekly, The AV Club, & Audible
A New York Times Bestseller
"One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed b*tcheries somehow wend their way through sad and funny and strange toward something genuinely profound." - Entertainment Weekly
"Darkly hilarious . . . [Moshfegh's] the kind of provocateur who makes you laugh out loud while drawing blood." -Vogue
I am a recovering trial lawyer (after 35 years of law practice) who took up fiction writing in my late 50s and became so interested in learning what it’s like to be a writer – and how to write better – that I began a podcast designed to encourage authors to open up about their writing lives. After more than 500+ author interviews, I remain fascinated by the many different ways that writers approach their craft and how they turn their “what-ifs” into interesting stories. The writing books that I am recommending are books I used to guide me in my interviews. I hope they will provide insight and inspiration in your writing journey.
While some writing books offer nuts and bolts–the so-called rules of writing–this book from Pulitzer Prize winner Annie Dillard teases the writer with essays that make you think.
We are invited into the world of writing with metaphor and we learn by comparison. Like the story of the inchworm stuck in the long grasses, frozen to the tall blades. Perhaps you should just jump, Dillard quips, and put yourself “out of your misery.”
True, writing can be miserable at times, but also, it can be wonderful. I like this book because it is a way to experience what it feels like to be a writer through the craft of prose.
"For nonwriters, it is a glimpse into the trials and satisfactions of a life spent with words. For writers, it is a warm, rambling, conversation with a stimulating and extraordinarily talented colleague." — Chicago Tribune
From Pulitzer Prize-winning Annie Dillard, a collection that illuminates the dedication and daring that characterizes a writer's life.
In these short essays, Annie Dillard—the author of Pilgrim at Tinker Creek and An American Childhood—illuminates the dedication, absurdity, and daring that characterize the existence of a writer. A moving account of Dillard’s own experiences while writing her works, The Writing Life offers deep insight into one…
I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss. Who wants to see what goes on insidethe factory? I do. I’m obsessed with stories that showcase the factory.
A friend once described her early years of motherhood as non-stop work but also total idleness. Galchen’s slim book of collected observations and witticisms about babies and motherhood, some only one dazzling paragraph long, made me pause to savor each word. I liken reading this book to reading fun poetry or admiring a pop-up gallery. You can read a bit of this book every day, without losing the thread. Each chapter (they are very mini chapters) made me see the world in a new light. Many made me laugh out loud with joy.
In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers-Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant-is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.
I’ve always loved history and historical stories, but like the majority of people, didn’t really know very much about WWI. That changed in early 2017 when I read The Zimmermann Telegram by Barbara W Tuchman. I immediately fell into a vortex of further reading, resulting in my writing The War in Our Hearts at the end of that year--because although there is a lot of great non-fiction out there about WWI, there aren’t nearly as many novels that quite scratched the itch I had for fiction…so I wrote the book I wanted to read!
This book is leisurely, reminiscent of Elizabeth Gaskell’s works (such as North and South or Wives and Daughters); it reads and feels like a warm summer day. It takes place in a small English town in the tense and uncertain months leading up to the war and a little beyond, featuring family dramas, romantic entanglements, spunky schoolteachers, Belgian refugees, underage recruits, life, and death, and love.
'Helen Simonson's characters enchant us, her English countryside beguiles us, and her historical intelligence keeps us at the edge of our seats.' - Annie Barrows, co-author of The Guernsey Literary and Potato Peel Pie Society.East Sussex, 1914. It's the end of an idyllic summer and Hugh Grange, down from his medical studies, is visiting his Aunt Agatha in the pretty coastal town of Rye. Casting aside the recent sabre rattling over the Balkans, Agatha has more immediate concerns; she has just risked her carefully built reputation by pushing for the appointment of a woman to replace the Latin master.When Beatrice…
When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.
Who knew that the emperor Nero appointed an Advisor on Tastefulness, who also penned a bawdy and gritty novel about the adventures of several friends in the Roman Empire in the 1st century AD? Fairly few, and the even more surprising fact is that hundreds of pages of his text survive today. You can still read either in Latin or in English translation about two young men proposing to fight for the affections of the youth Giton and you can join them all in a visit to an archetypal Roman brothel. There is nothing else remaining that provides a more direct and authentic insight into daily experiences and relationships in ancient Rome.
`The language is refined, the smile not grave, My honest tongue recounts how men behave.'
The Satyricon is the most celebrated work of fiction to have survived from the ancient world. It can be described as the first realistic novel, the father of the picaresque genre, and recounts the sleazy progress of a pair of literature scholars as they wander through the cities of the southern Mediterranean. En route they encounter type-figures the author wickedly satirizes - a teacher in higher education, a libidinous priest, a vulgar freedman turned millionaire, a manic poet, a superstitious sea-captain and a femme fatale.…
I’m a Chicago-based writer whose novels explore the triumph of the underdog, and nobody is more underdoggy than a teenage self-loathing loner. I am proud that my novel, Permanent Record, was selected by Library Services for Youth in Custody for their 2014 “In the Margins” Book Award, a list that highlights literature with appeal for youths who are in restrictive custody and youths from street culture. I love the academic setting of the books on my list because it reminds me of when my own possibilities were limitless, when I was free to imagine who I would be outside the confines of my school.
Complicated relationships often exist between teachers and students, but many novels paint one or the other as the enemy. In Wonder Boys, we have a joyous but still complicated friendship between Grady Tripp, a pot-smoking English professor who has lost his way, and his student James Leer, a budding writer who is emotionally troubled. I can relate to both the “going nowhere” middle-aged Grady and the troubled teen, James. The plot devices of the tuba, dead dog, and snake (most of it) that end up in Grady’s trunk somehow provide both gravitas and humor.
A deft parody of the American fame factory and a piercing portrait of young and old desire, WONDER BOYS is a modern classic from the Pulitzer Prize-winning author of THE ADVENTURES OF KAVALIER & CLAY.
Grady Tripp is an over-sexed, pot-bellied, pot-smoking, ageing wunderkind of a novelist now teaching creative writing at a Pittsburgh college while working on his 2,000-page masterpiece, WONDER BOYS. When his rumbustious editor and friend, Terry Crabtree, arrives in town, a chaotic weekend follows - involving a tuba, a dead dog, Marilyn Monroe's ermine-lined jacket and a squashed boa constrictor.
I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.
I first read Stanislaw Lem’s The Futurological Congress in a literature of science fiction course as an undergrad around 1991 and I’ve reread it a bunch of times since then. Lem’s endlessly creative wordplay and brilliant satirical style have been major influences on all of my fiction, especially the Great American series. His novel might seem less like an overt haha comedy than the others I’ve listed here, but I still laugh every time I read it. Sample sentence: “Still, the sight of a man at your side crumpling to the floor under heavy fire is not among the most pleasant, even if it is the result of a simple misunderstanding, which ends with an exchange of diplomatic notes and official apologies.”
'A giant of twentieth-century science fiction' Guardian
'This Room Guaranteed BOMB-FREE. From the Management'
Hapless cosmonaut Ijon Tichy has been sent back to earth to attend the Eighth Futurological Congress in smog-bound, overpopulated Costa Rica, holed up with an assortment of scientists in a luxury hotel (fully equipped with tear gas sprinklers in case things get out of hand). But when an unfortunate incident occurs involving a revolution and hallucinogenic drugs in the water supply, Tichy finds himself shot, frozen and thawed out in a future beyond anything he could ever have imagined.
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
In the most elegant piss-take on the travel writing genre ever crafted, Swift’s hero traverses lands impossibly strange and, well, just impossible, giving satire a whole new modus operandus: expanding the cosmos!
Whenever I start to feel blue about living in an era that seems to underrate imaginativeness – especially in literature, I go back to Swift, who always reminds me that there is a path veering toward the limitless, and that path will never disappear.
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
I love most all genre fiction, but I’m a sucker for dark fiction—and I have a particular fondness for dark fiction that explores the hidden shadows of men and women as they make dubious choices that lead to consequences rife with fear, despair, and unflinching terror. Whether it’s young men meeting in a basement to engage in a secret barbaric club or a world gone mad following the literal death of God, my favorite dark fiction is woven with sly satire and subversive social commentary.
Max Barry’s satirical science-fiction novel, Machine Man, is a dark and funny mediation on contemporary society’s compulsive over-reliance on technology. The narrator, Charles Neumann, is a mechanical engineer who, while obsessively searching for his phone, loses his leg in an industrial accident. After building himself a new machine leg, Charles purposely loses his other leg, so he can replace it with another machine leg. After seeing how great his new legs work, Charles wonders if maybe he should replace more of his body parts with machine parts, begging the question: Where does humanity end and technology begin?
Scientist Charles Neumann loses a leg in an industrial accident. It's not a tragedy. It's an opportunity. Charlie always thought his body could be better. He begins to explore a few ideas. To build parts. Better parts.
Prosthetist Lola Shanks loves a good artificial limb. In Charlie, she sees a man on his way to becoming artificial everything. But others see a madman. Or a product. Or a weapon.
A story for the age of pervasive technology, Machine Man is a gruesomely funny unraveling of one man's quest for ultimate self-improvement.
