Here are 77 books that Paradise Lost fans have personally recommended if you like
Paradise Lost.
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Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.
I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional.
Described variously as the greatest poem of the European Middle Ages and, because of the author's evangelical purpose, the `fifth Gospel', the Divine Comedy is central to the culture of the west. The poem is a spiritual autobiography in the form of a journey - the poet travels from the dark circles of the Inferno, up the mountain of Purgatory, where Virgil, his guide leaves him to encounter Beatrice in the Earthly Paradise. Dante conceived the poem as the new epic of Christendom, and he creates a world in which reason and faith have transformed moral and social chaos into…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
From two great past epic classics, I now move to the contemporary present: Benson Brown’s is a mock epic a la Byron (think, Don Juan). Brilliantly funny, witty, exposing the American War of Independence in ways you have never seen before – a laugh-out-loud poem, and full of rich historical details as well as mythological conceits which makes it a unique reading experience. Weirdly, for all its parody, I probably learnt more about the American War from it than from actual historical texts. The back page blurb says: "Thomas Jefferson is sent to Hell for a mysterious sin." Find out what – get the poem!
A mock-epic poem about the American Revolution featuring supernatural twists, historical icons with extraordinary powers, and action-filled battle scenes.
Thomas Jefferson is sent to Hell, where, guided by Dante, he meets old friends and tries to figure out which among his many mortal sins will determine his final punishment. An ailing, world-weary Mercury passes his herald’s wand to Paul Revere, who saddles up for his midnight ride with the fastest horse on earth. Apollo, handicapped and traumatized by modern warfare, comes out of retirement to fire a shot that sends shock waves around the planet. The minutemen at Lexington and…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
This is a remarkable book, truly a modern epic poem. The verse is not strictly formal but somehow throughout its length Glaysher maintains interest, so that although his language can seem archaic in places, yet because the poetry is about such current issues that concern us – the fate of planet Earth and humanity more specifically – and because the linguistics are so varied and skillful, we realize that this is a poet working for deliberate effects, and not one who has only read poetry from three hundred years ago. One fabulous quality of this poem is its clarity and luminous quality. I love the fact that this poem is easy to understand and follow: it is a poet writing for people, not one trying to show off.
"Gazing from the moon, we see one Earth, without borders, Mother Earth, her embrace encircling one people, humankind."
Thirty years in the making, The Parliament of Poets: An Epic Poem, by Frederick Glaysher, takes place partly on the moon, at the Apollo 11 landing site, the Sea of Tranquility.
Apollo, the Greek god of poetry, calls all the poets of the nations, ancient and modern, East and West, to assemble on the moon to consult on the meaning of modernity. The Parliament of Poets sends the main character, the Poet of the Moon, on a Journey to the seven continents…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
Sometimes one has to come clean: does nepotism rule? It’s true: Joseph Sale is my son, a successful horror and fantasy novelist. But here he has taken Edmund Spenser’s C16th masterpiece, The Faerie Queen, which was unfinished, and completed it using a different stanzaic form. I’d like to recommend The Faerie Queen itself, but it is too dense and archaic. Joseph’s sequel, by way of contrast, is modern, fast-paced, action-packed, thrilling, and imaginative in the highest order. To see what the heroic is like (and bring out the warrior in you) read Book 6 and Canto 5: the epic descent of Thoth into hell – a match for Gandalf and the Balrog in writing style and power.
Virtue’s End is a spell, a magickal incantation designed to invoke and vivify that which has been lost by the modern world. This lyrical, occult fantasy-epic follows the account of Horus, a magickal sorcerer blessed with both hellish and heavenly powers, who, upon meeting the demon Melmoth, embarks on a strange quest to save the mystical realm of Ethismos, the seat of human imagination. There, Horus will meet great warriors and friends who will aid him in his battle against the coming darkness, as well as ghosts of his past, spectres of the traumas he has endured, and old enemies…
I’ve been reading science fiction and fantasy since I was a kid, and I love when the two genres meet. I’m also fascinated by the power of stories and language, which has led me to work as an intern at a literary agency and later as an editor at a website that reviewed and gave feedback on unpublished manuscripts. I love finding ways to imbue stories with the kind of magic that can transport us to new worlds.
I read it at eleven and thought it was cool and exciting and different. I read it at seventeen and thought there might be some meaning behind the story.
I read it as a young father and thought, “Holy cow! It’s the meaning of life! A sci-fi/fantasy exploration of the creation and the fall of man… it’s an allegory for Adam and Eve leaving the Garden of Eden. And it’s so good!” But don’t let the depth intimidate you; it’s a super compelling story about a young man in hyper-advanced society who has a gift that gets him in trouble. A total page-turner.
Now I want to go read it again. I wonder what I’ll notice this time…
It was a miracle of science that permitted human beings to live, if not forever then for a long, long time. Some people, anyway. The rich, the powerful, they lived their lives at the rate of one year every ten. Somec created two societies: that of people who lived out their normal span and died, and those who slept away the decades, skipping over the intervening years and events. It allowed great plans to be put into motion. It allowed interstellar empires to be built. It came near to destroying humanity. After eons of decadence and stagnation, a few seed…
As an only child of a working mother, I spent a lot of Saturday afternoons with John Wayne. I graduated to movie nights at the theater with Clint Eastwood. My hero-worshipping crush on tough guys combined with my passion for romance novels and my fascination with the history of the American West made me the perfect candidate to write gritty, romantic westerns. My very first book, written over 30 years ago, was a western.
It has been years since I read this novel and I still vividly remember the “Wow, this is good stuff and I want to write something just like this” feeling it gave me.
Take a strong woman beset by unbelievable odds, add a dark, dangerous, tortured anti-hero. Sprinkle a little vengeance on top, then mess it all up with love.
Lily lost her childhood the day the Sharpe gang murdered her parents and “adopted” her. Soon, she was “Lily the Cat,” a wanted outlaw herself, ruthless and smart. But Lily bided her time and planned her revenge, betraying them all and making her escape, running for the life that should have been hers.
But she reckoned without Texas Sharpe, the man who loved her, married her and defied his father for her. And Texas was about to show Lily just how ruthless a man betrayed could be....
I grew up playing Dungeons & Dragons. I’m always on the hunt for not just good but great stories. One of the most profound things I have done revolving around fantasy writing was walk the same streets as the legends walked. Oxford, UK is a magical location and the place where Narnia and The Hobbits were born. I visited CS Lewis and JRR Tolkien gravesites. I visited their homes where they wrote their works. Adventure is around every corner in life. If we choose it. Here is a dwarven proverb from my book series, “May your light shine bright and blind your enemies.”
I’m a huge fantasy reader and don’t normally pick up something like this but the back of the book intrigued me. I’m so glad I read this one and that is why it made my list.
You guessed it. It’s about Adam and Eve but nothing like what you read in The Bible. This is a fantastical telling of an epic tale. Give it a shot. You won’t be disappointed.
Caught in the aftermath of the fall of Lucifer, the first man God created peers beyond Eden’s paradise and discovers the kingdom of heaven and the cunning forces of hell at war. Heaven holds its breath as a young Adam must survive the invasion of darkness and uncover man’s destiny. A previously perfect world turns upside down as Adam, led by Lucifer, is seduced into betraying his father. In a move against the thrones of heaven, the world is forever changed as hell’s intentions turn Eden’s paradise into a horrific nightmare. It’s a story of love between Adam, his creator,…
The reasons I’ve chosen these particular books is because of my penchant for reading offbeat stuff, and unearthing little-known works that I feel deserves more attention. My tastes are eclectic, and I’ve done a lot of research when it comes to finding the true origins of pop culture. Having written and published more than forty books that range from science fiction to crime thrillers, I’ve wanted to share my findings in the hopes that others will notice something new and exciting as well.
While his dense prose may not be for everyone, the sheer imagination of The Night Land has captured a small but dedicated fanbase that exists to this day.
Published in 1912, this dark tale of a grieving 17th-century widower who experiences a vision millions of years to a future where the sun has been extinguished, plunging the earth into perpetual darkness. The last remnants of humanity lives within an armored pyramid that’s under constant assault by nightmarish shadow creatures, intent on exterminating them.
Within this bleak unforgiving world, the narrator learns his beloved may also be alive, but she is trapped in another lost city and he sets out to find her. The potent mix of romance and doom serves as a compelling epic, if one has both the patience and dedication to read through it all.
William Hope Hodgson's classic and genre-combining work of horror and science fiction. Set mainly in the far future after the sun has gone out, The Night Land explores a futuristic nightmare world in which the last humans have taken refuge inside an enormous metal pyramid, threatened by unknown monstrous creatures outside. H.P. Lovecraft called The Night Land "one of the most potent pieces of macabre imagination ever written". Hodgson introduces many concepts in what became the genre of dying Earth fiction. It's a tale of reincarnation, telepathy, alien monsters, and love. Written in faux-17th century prose as a framing device,…
My first mentor was Arthur C Clarke, the science fiction megastar. I’ve always been drawn to epic fantasy, science fiction, and techno-thrillers. Stories that push the boundaries of reality. While I’ve been a professional author for over thirty years in multiple genres, I keep returning to speculative fiction, much of which is published under my pen name “Thomas Locke”. I serve as Writer In Residence at the University of Oxford. In writing Island of Time, my aim was to apply a classical heroic structure to neartime fantasy. Use the naturally occurring elements of light and dark, good and evil, and magnify them by adding magic to this world.
Should an angsty teen girl (or her mom) be relieved when she’s taken under the wing of an eccentric art dealer?
After all, not many people make seventeen-year-old Cera Marlowe feel understood. She’s too into poetry and art and suffers from seizures… The mystery in Mortal Sight is of a much more personal nature than the other books on this list. While this urban fantasy tale is young adult, the blend of modern-day with ancient mythology drew me in and I was reminded of my own childhood. I enjoyed the concept of a girl with a mysterious past and a dangerous destiny awakening to her true identity – all accompanied by lines of Milton in her head that help her to navigate her strange new world.
Seventeen-year-old Cera Marlowe wants a normal life; one where she and her mom can stop skipping town every time a disturbing vision strikes. But when a girl she knows is murdered by a monster she can't explain, Cera's world turns upside down.
Suddenly thrown into an ancient supernatural battle, Cera discovers she's not alone in her gifting and vows to use her visions to save lives. But why does John Milton's poem Paradise Lost keep interrupting her thoughts?
In a race against time and a war against unearthly creatures, will decoding messages embedded in…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.
The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.
